Conversation between friends, Kate and Ian, about the benefits of travelling and the differences in what they want from a holiday.
The Listening Project conversations collectively form a picture of our lives and relationships today. Recordings were made by BBC producers of people sharing an intimate conversation, lasting up to an hour and on a topic of the speakers’ choice.
Kate and Ian have been friends since 2007. They met when Ian moved to Manchester from London. They talk about the benefits of travelling and the differences in what they want from a holiday – Ian likes the big city buzz whereas Kate prefers the quiet of the countryside. They discuss Airbnb, a home rental website that Ian uses to rent out his home. They also talk about the differences and similarities in their personalities.
I hinted at Perceptive Podcasting previously in a post about being busy. I have finally come out of that busy period and am UK bound as my passport is due to expire.
Just before the busy period, I drafted a post about Perceptive Podcasting and why it’s not simply another unique project. It went up on the BBC R&D blog recently which is wonderful because I can point to that rather than the other way around.
Since we first launched the Perceptive Radio v1 in 2013 as a concept of what Perceptive Media (implicit interaction from sensors & data, adapting media objects) could become; the radio’s have always been a framework to explore further into adaptive object based media experiences. But we have always acknowledged the growing power of the smartphone and how it could be the container for so much more.
Of course I’ve started a few podcasts myself (recently Techgrumps and Lovegrumps) and love the fact it’s quite easy to get started and it can feel quite personal. I also found the diversity of podcasting quite interesting for example I’ve been listening to the guilty feminist, friends like us and risk, for quite sometime and find them fascinating every time.
Why a client for podcasts?
In 2017, you are seeing more webservices hosting podcasts like stitcher, (heck even Spotify is hosting some). At the server-side there is a lot you can do like dynamically change adverts, geo-fence media, etc. 60db are one such service doing nice things with podcasts but they are limited in what they can do, as they said in a comment on a similar post. But doing this all server-side is a pain, and tends to break the podcast idea of download-able audio (even if you have 4g everywhere), it feels more like the radio model of tuning in.
Imagine if you could do the server-side type of processing but on the actual device and even unlock the pools of sensor/data with the users consent? And imagine if the creators could use this in storytelling too!
Its Personal, Dynamic and Responsive without being creepy or infringing personal liberties, It adaptives to changes in context in real time. It dances with Interactivity and we are also exploring the value and feasibility of object based media approaches for engaging with audience. We believe that this offers the key to creating increasingly Immersive media experiences as it gives more story possibilities to the writer/director/producer. But also provides levels of tailored accessibility we have yet to imagine.
So many possibilities and its made in a very open way to encourage others to try making content in a object based way too.
At BarCampMediaCity, I clearly remember Cristiano coming to me and someone else on the Saturday evening and saying, we need to talk to security because someone is clearly drunk; he was joking, laughing, touchy and being loud about everything.
I asked who (wondering) and Cristiano didn’t know his name but described him having a flat cap, northern accent and cheeky smile. Within a single heart beat, I remember saying with someone else; is it Damian Cox? Christiano looked puzzled.
Thats just Damian, he’s always like that… we laughed.
Damian was fun, full of spirit and a joy to be around. He told it exactly how it was, wouldn’t hold back and wouldn’t be without his flatcap. Even during the heat of of Hacked.io in the O2, he stood out due to that bloody flatcap!
He will be so missed by not just by his family, friends and colleagues; but BBC North and Manchester. He embodied the reason why the BBC moved to Manchester.
This will mean the usual warning of being busy and not really replying in a timely fashion (what ever that really means).
Some will look at this list and say “ohhhh check you out… lucky devil!”
My reply is yes I am grateful (my gratitude habit) that I can go to these amazing places, but even more that I will get the opportunity to talk to new people (audiences, future producers and maybe potentially co-creators). There are some amazing research projects in the pipeline, stuff that once again makes me very excited.
An amazing well loved colleague recently died. It was a shock but further reminds me and hopefully others our time is finite; We need to spend it doing what we love and making positive things happen. Inspire others to do the same and find their inner geekness.
Despite having been recorded weeks in advance, the narrative was presented as live television. During and following its first and only UK television broadcast, the show attracted a considerable furore, resulting in an estimated 30,000 calls to the BBC switchboard in a single hour.
Ghostwatch has never been repeated on UK television. It has been repeated internationally, on stations such as the Canadian digital channel Scream for Halloween 2004, and the Belgian channel Canvas in 2008. In 2017, Ghostwatch was added to the American streaming video service Shudder
The fact most males are paid way beyond females is terrible, but hardly surprising. The gap is pretty vast. This is part of the reason why I find it extremely hard when women, have said to me in past, theres no real need for feminism anymore. Very difficult indeed!
This is adapted from the BBC R&D blog post, but I felt it was important enough to repost on my own blog.
Object-based media (OBM) is something that BBC R&D has been working on for quite some-time. OBM underpins many media experiences including the one I keep banging on about, perceptive media.
I’ve spoken to thousands of producers, creators and developers across Europe about object-based work and the experiences. Through those discussions it’s become clear that people have many questions, there has been confusion about what OBM is, and other people would like to know how to get involved themselves.
So because of this… BBC R&D started a community of practice because we really do believe “Someday all content will be made this way.”
A community of practice brings together people and companies who are already working in the adaptive narrative field. BBC R&D do believe that the object-based approach is the key to content creation of the future, one which uses the attributes of the internet to let us all make more personal, interactive, responsive content and by learning together we can turn it into something which powers media beyond the scope of the BBC.
There are three big aims for the community of practice…
Awareness: Seek out people and organisations already interested in or working on adaptive narratives through talks, workshops and conferences
Advocacy: demonstrating best practice in our work and methods as we explore object-based media and connecting people through networks like the Storytellers United slack channel and helping share perspectives and knowledge..
Access: Early access to emerging software tools, to trial and shape the new technology together.
These aims are hugely important for the success and progress of object-based media.
As a start, we’re running a few events around the UK, because conferences are great but sometimes you just want to ask questions to someone and get a better sense of what and why. Our current plan is linked on the BBC R&D post which is being update by myself everytime a new event is made live.
Linkedin reminded me that its been 13 years since I joined the BBC.
Time has passed by pretty quickly.
I started in BBC WorldService New Media, as a XSL developer, then moved to BBC Backstage 2 and a bit years later. After 4 years, shut it down as it was adsorbed into BBC R&D.
I have seen friends & colleagues come and go. Seen 4 director generals, about the same amount of heads of new media/digital/future media/design and engineering; people I once worked with rise through the ranks and people move forward on to do great things.
Ultimately after 13 years, you would have thought why do I stay?
Well its simple as this…
…the work I do is the kind of thing I would want to do and keep on doing. Retirement seems kinda weird to me right now. My life has always been a blur of leisure, pleasure, work and play. Its where I’m most comfortable and I know work life balance is something people talk about a lot but doesn’t bother me so much.
If that was to change, I would certainly consider elsewhere. Its also not one of those things where I’m super comfortable; far from that. I relish the fact my position requires new challenges, every-time. I still break the rules when its logical in my head much to the ignorance of others. But I also set new ground by doing the unthinkable
I still have a hard time explaining what I do in a few sentences and will keep the title senior firestarter, as long as possible. I won’t lie Brexit has made me really think about leaving the country but another public service broadcaster would be ideal.
Here’s to another 13 years? maybe?
Thanks to everyone who has helped me along the way and all the people I have helped in equal measure.
I did say in reply, its a good thing it wasn’t undressed!
I’ll have to give something to the person who happens to watch season 1 episode 9 of undressed on a plane, using the in flight system and then grabs a snap… What exactly is uncertain but I’ll think of something.
Certainly another great story for Manchester’s Startup community and the early investors who saw the potential of M14 industries early on. I personally was always impressed with John and although we sometimes disagreed about what should be next on the task list, its great to get the validation that it wasn’t just a silly app!
Its been a long time since I was last on BBC Merseyside. has flown by, but I’ve done a lot in that time. Ngunan has asked a few times if I would come back on the show, and with Valentines day coming up, I agreed.
You could write tools and editors to make the recipes have everything needed to fit with the cooks skill level, ingredients, time, allergies, preferences, party size, etc… I mean who wouldn’t want to describe every aspect of their special dish? (I’m avoiding the copyright/licensing questions for now)