RD Xmas 2023 party remix

Dancing in a rave with redlights

For Xmas, like many workplaces we have a staff party. I gatecrashed into my previous teams Manchester xmas party and put my name down for 30mins djing. However I didn’t record the mix but I did keep the playlist and so recreated it twice (2nd time for another work event).

I won’t lie, this is less trancy but is a killer mix or as others have said to me… its a banger!

I am moving my mixes to peertube rather than my mixgarden (1) & (2) for now.

Enjoy and remember to turn it up loud.

  1. Thriller (Steve Aoki Midnight Hour Remix) – Michael Jackson
  2. Punk – Ferry Corsten
  3. Rock Your Body Rock (Mat Zo Extended Remix) – Ferry Corsten
  4. Echoes – Henrik B, Niklas Gustavsson & Peter Johansson
  5. Cafe Del Mar At Night (Beat Service’s Out Of Office Mashup) – Energy 52 Vs Shakedown
  6. Who Freaked Who (Electric Soulside Remix) – Dopefish
  7. Beat (Da Boxx) – Laurent Garnier
  8. Turn It Up (Extended Mix) – Armin van Buuren
  9. Freedom (Extended mix) – ARTY v Muvy
  10. Proper Education (club mix) – Eric Prydz vs. Floyd

My mix garden on the move again, hello peertube!

Digital Italics WebMix

I have been mixing away on the pacemaker device as usual. But noticed my mixgarden is having some troubles. I was using hyperaudio and webmonization to present my mixes. It was good however things changed over the last year.

Webmonization made a number of changes and hyperaudio seems to be slightly broken the configuration I currently have it in.

So with all this in mind and after looking at Peertube and Castopod, I decided to give peertube a try before running my own instance. Similar to what I had planned with Funkwhale a long time ago.

This has worked out well on rankett. Then I heard on podnews last week about music freediverse.

Music Freediverse is a new place for musicians to post their songs as an RSS feed, using PeerTube.

After a email with the sysadmin, about mixes and legality of them. They suggested I check out Split Kit if I have the metadata (which I do), this is something I looked into and now have a lightening address, which you can send sats to on my new mixgarden. I am also interested in the peer 2 peer tech

One of the good things about Peertube is the ability to sync videos over, which I took advantage of, it was a shame the metadata wasn’t copied over too but its fine, as I had it all.

In the short term I’ll keep using peertube but I have a plan to install a peertube instance myself and host it all locally. Then I could syndicate them out elsewhere. (Anyone can recommend a good docker container, do shout)

Another thing for the task list, but likely the best idea for now with lots of room to grow and expand.

Talking of which the next mix is a banger….

Sinead’s baroque troy mix

Sinead O'Connor stylised

I recently put together a new pacemaker device mix for Sinead O’Connor. Its a short mix and quite deep in parts, but Sinead’s voice is the main point at the start and the end. Its recorded live using the later beta firmware.

  1. Troy (push remix) – Sinead O’Connor
  2. Please save me (push mix) – Push Vs. Sunscreem
  3. Follow Me (Roger Shah Extended Deeper Translation Remix) – Jam & Spoon
  4. Trick – Carlo Ruetz
  5. Club Quake (Oliver Klein Hard remix) – 5 Below zero
  6. Fiction (Extended Mix) – Jerome Isma-Ae & Alastor
  7. Panoramix – Laurent Garnier
  8. Troy (push remix) – Sinead O’Connor

You can hear the whole mix at full quality on my mixgarden or on peertube.

Rest in peace Sinead

New Pacemaker device mix: Knights of the new republic

Amsterdam skyline at night

Another recorded live mix due to the Pacemaker’s latest firmware. I was listening to some of my older mixes and the Knights of the old republic recorded while in another conference (republica in Berlin) stuck out to me. So I thought it was time for a redo as I was in Amsterdam at a similar conference (publicspaces).

Of course it includes the tune I’m still loving at the moment, Carl Cox’s Inferno and similar to the last mix, I decided to switch Blaze’s my beat to the Jan Driver remix. Which in my mind is a dance floor disputer.

As its recorded live with the loop feature, there is very few edits just a bit of normalisation.

You can listen to it on my mixgarden in full quality with Webmonitzation or peertube.

The playlist is here

  1. Altern8 – Infiltrate 202
  2. Miki Lutvak & Ido Ophir – Shnorkel (Thank you city remix)
  3. Leftfield – Open up
  4. Tomcraft – Happiness and Loneness
  5. RAM – Grotesque (Alex MORPH & RAM mix)
  6. Blaze – My Beat (Jan Driver mix)
  7. Inferno – Carl Cox
  8. Moogwai – The Labyrinth (part one)
  9. The Prodigy – Charly
  10. Floyd (Extended mix) – Jerome Isma-Ae & Alastor
  11. Home (Cosmic gate remix) – Paul Van Dyk Feat. Johnny Mcdaid

A beat that seems out of time (with the one you feel in the metronome of your mind) mix

Metronome in full swing
Metronome in full swing

Another mix using the Pacemaker device. However this time I have been experimenting with the later beta versions of the Pacemaker device firmware, which includes beat aware looping. It’s great but I find the native digital recording of the Pacemaker device unreliable when using it. I thought I had found the solution. But in the end I recorded the output directly using the analogue output.

The result is a completely unedited mix. Not quite as smooth with the cross fading but its just such a raw mix, I had to put it out.

First put together in Barcelona but the digital recording was all over the place, later I re-did the mix. This mix moves at a heavy pace and is fully of lovely progressive/tech beats with little lyrics. Perfect for hitting the treadmill, scooting down the motorway or what ever you fancy doing at a pace. Look out for the my beat into Inferno long mix, simply can’t stop bouncing my head to that section.

As always you can listen to it on my mixgarden or via peertube.

Here is the complete tracks used.

  1. [00:00] Fall to Pieces – Jonas Steur feat. Jennifer Rene
  2. [03:40] M.I.L.F. – Laurent Garnier
  3. [08:35] My Beat (Ambassador extended remix) – Blaze
  4. [11:10] Inferno – Carl Cox
  5. [16:18] Interlinked – Thomas Schumacher
  6. [23:02] Predator – Predator
  7. [26:40] Fiction (Extended Mix) – Jerome Isma-Ae & Alastor
  8. [31:04] Shnorkel (Thankyou City Remix) – Ido Ophir, Miki Litvak
  9. [35:42] PǝsnɟuoΙ” (Confused) – Laurent Garnier

Let the lyrics do the talking mix

Utopia's street art of a young woman with roses
Utopia’s street art of a young woman with roses (C) Utopia

A special anniversary mix for my partner, partly following the hearts in the clouds of Amsterdam mix. She loves vocals, while I tend to focus on the beats & rhythm. Looking through my collection of tunes, I was surprised how few had vocals.

With this, I started thinking about a mix using them and following a holiday in Lisbon. Tweaked an initial mix a few times to make it a better listen overall. The result is a mix which moves along at a higher speed of about 138bpm, matching the higher vocal trance and is a gift to my loving partner.

Of course enjoyable by all those who love vocal trance…

Enjoy it on my mixgarden or via Peertube!

Loop travel isn’t helpful to me, at all!

Settings on the pacemaker device menu

I am still loving my DJ pacemaker device but stuck on the last official firmware for my main device (I have quite a few of them just incase). I always found I couldn’t guarantee the accuracy of the looping feature if I recorded on device, so didn’t use it unless playing live. I did a blog about this a while back.

However yesterday I happened to be doing a mix and it crashed with a 201 error, loosing my currently recording mix. Very annoyed I decided to look at the lack of space left on the device (7gig left) as I don’t actually know how much working spare space it actually needs to run?

Then I started looking at the settings, I noticed loop travel which I always turned on for some reason thinking it was something good.

Deactivate/activate loop travel
This setting disallows/allows loop in-point to push end-point and vice versa.

  1. When in Mix mode, select Settings > Mix control > Loop travel >.
  2. Toggle between Off/On by swiping right

Now to be fair in the early versions of the Pacemaker firmware, the looping was hit and miss but in later versions its not needed for me.

So I turned it off did a test mix and what do you know it looped perfectly when listening back in the editor!

All this time, I avoided looping unless playing live because of this. You can imagine how happy I was going to sleep. It also means I can upgrade the firmware to the latest and get the added features.

Wait for the next lot of mixes!!!

The interdimensional transmission mix

Communicating with space from the See Monster

Following the previous Pacemaker mix, I decided during a very long train journey to get the pacemaker out for some more trance. Using parts of the last few mixes, I decided to give the new mix some new direction.

The mix shifts along at a nice 136 bpm, complete with hands in the air moments and who couldn’t enjoy some stress test (hidden gem).

Enjoy!

You will notice there is no Mixcloud upload for this mix. Mainly because of the decisions of Mixcloud and being at my limit for a free account. Which means going to my mixgarden for future mixes.

  1. Escape – Markus Schulz
  2. Catch (Martin Roth remix) – Blank & Jones
  3. Stresstest (John Askew remix) – John O’Callaghan
  4. Tears (Protoculture remix) – Dakota
  5. Arjan – Angelica S
  6. Follow me (Jerome Isma-Ae Extended remix) – Jam & Spoon
  7. Talk to me (Orjan Nilsen trance mix) – John O’Callaghan and Timmy & Tommy
  8. Higher state – Kevin Crowley
  9. Shnorkel (Thankyou city remix) – Ido Ophir & Miki Litvak
  10. Running up the hill (Jerome Isma-ae bootleg mix) – Placebo
  11. Eternal Horizon – Alex M.O.R.P.H
  12. The Descent – Protoculture
  13. Grotesque – RAM & Alex M.O.R.P.H

I saw it coming, changes to Mixcloud

Mixing live in the EMFCamp null sector

Today there was a email from Mixcloud.com

Nico here, CEO and co-founder of Mixcloud. Today we’re announcing upcoming changes to Mixcloud:
From December 1st we’re introducing a maximum allowance of 10 published shows for creators on the basic tier.

Why is this happening?

We believe DJs and producers should be rewarded for the skill and creativity that goes into their work. That’s why for over 10 years we’ve subsidized hosting costs and built tools that enable creators to grow and earn money.

We also believe artists should be paid when their music is played. That’s why every show uploaded to Mixcloud is scanned by our content ID system. This enables us to identify the tunes being played and pay royalties to the artists who made them.

Unlike other platforms, we’ve spent years securing comprehensive licensing deals with the major and independent labels to ensure this money is paid to the right artists. We have shouldered these costs in order to create a fair music ecosystem.

Until now we’ve kept our basic tier uncapped. However, as we’ve grown our royalty and hosting costs have risen and we are not profitable. To continue running and improving Mixcloud we need to become more sustainable as a business, and Pro memberships help us cover our costs.

How will you be affected?

On 1st December all of your shows will remain published and available to listeners. But, if you want to make space for a new show, you will need to manually move shows into drafts until you are within the allowance or upgrade to Pro for unlimited published shows.

Fair point but I’m not totally convinced, as it wasn’t that long ago when rewind and track listing became not possible. It was clear to me that I needed to do something ahead of this all, hence why I setup my own webmix garden. I agree it would be great to pay the creators of the music, and using webmotization considered a way to do this.

Maybe this is where I part ways with Mixcloud? Its a shame but like all the people leaving Twitter due to Elon Musk. its just not suitable for me anymore.

I would still like to try that distributed payment pointer system and also explore the notion of distributed charts using DHTs, removing the need for huge amounts of centralised storage.

Follow me to the big trance sound of summer mix

Train tracks into the distance

During a recent holiday to Lisbon, I of course took my Pacemaker Device to create a brand new mix. This time, I went very trancey. Maybe it was the incredible sunshine, the fun of exploring Lisbon or just being in Europe again?

Whatever it was this mix is a much more pacey 135bpm and frankly kicks those tired legs with some force. I’d say this is a excellent mix and full of hands in the air moments. Its also full of new tracks alongside some old classics.

  1. Blood Angels (Chris Liebing mix) – John Starlight
  2. Catch (Martin Roth remix) – Blank & Jones
  3. Humming the lights – Armin Van Buuren & Gaia
  4. Venture (Nifra Extended remix) – Super8 & Tab
  5. Music is more than mathematics (Extended mix) – Protoculture
  6. Communication (Tomas Heredia remix) – Armin van Buuren
  7. Megalodon – MaRLo
  8. End transmission – ReDrive & Patrick Blanes
  9. Ecstasy – Eddie Makabi feat. Einat
  10. Wonder of Life (F&W remix) – Tukan
  11. Stresstest (John Askew remix) – John O’Callaghan
  12. Airtight (Extended mix) – Rafael Osmo
  13. We are one (Instrumental mix) – Dave202
  14. Arjan – Angelica S
  15. Valhalla (After future remix) – OneBeat
  16. Madagascar (Domi-Nation remix) – Art of Trance

Available in full on my webmix garden and mixcloud if you prefer…

From a city boy point of view: EMF Camp 2022

EMF Camp complete with Lasers
The lovely picture of EMF Camp 2022 from the Null Sector complete with lazers!

I have always wanted to go to Burning man but don’t think I could ever do it due to the extreme heat. I remember hearing about a similar type event in the Netherlands (what the hack) ages ago then soon afterwards Electromagnetic Field in the UK.

EMFCamp is hacker conference over 3 days in glorious sunshine complete with power and wifi to your own tent. In theory it sounds amazing right? Well it is but for a city boy like me, its less appealing. However this year I put in a free 2hour workshop around Adaptive Podcasting and it was accepted. I had planned to stay in a hotel and go back and forth with my scooter (although I didn’t really fancy those country lanes in the dark.

However my wonderful partner suggested going together and somewhat glamping in her huge tent. On top of this we had a bunch of friends coming from Manchester, so we created a mini village together. This with fridges, BBQs, power and amazing wifi made my festival/camping experience well worth it. Can’t imagine doing it any other way now.

Ian and Alison together in the sun
Glamping it up with my beautiful partner

I’ll be honest we packed too much and the second tent was useful for our bags, duplicate items and things we didn’t need.Β  If it wasn’t for my partner and friends it likely would have been a completely different experience.

Because of this I had a great time. Everywhere I went I bumped into old friends from all over – going way back to my time in London and the many conferences I went to during the BBC Backstage days. It was a total blast and I’m sorry to anyone I missed.

So much talking and socialising, I didn’t get much time to join the talks and workshops. However I did attend a few including one about trackers (music mod trackers), although with my Ubuntu Dell XPS slightly broken at the moment (it doesn’t know any of the onboard devices including the keyboard unless plugged in) it was going to be a big hassle installing an Amiga emulator on my Chromebook just to run Protracker. Instead I spent time trying to find a Android app, then blowing away my Debian setup on the Chromebook and starting again (for some reason I couldn’t sudo at all). Once I got that working, I ran the incredible Fasttracker2 and Milkytracker.

Eugenie von Tunzelmann on stage

We also got to see Interstellar on the big screen again, although I really wished I brought my sock hat and gloves! But the Q&A with the SFX artist was great, even if the question I wanted to ask might have spoiled the film for others (of course I didn’t ask it). I think the assumption was that everyone had seen it but the moderator asked and lots of hands were raised saying they had not seen it before, including my partner.

On the Sunday I got to a few talks including Why is it so hard to do nice things that make a difference with other people? Which I did enjoy even if time ran out, however the whole talk is here.

I do have to say my biggest highlight was djing live in the null sector. I followed a DJ on a laptop playing hard house till midnight so the BPM was high but I started with the classic Stella and the shock to the dancefloor was self-evident. So I threw together some tech trance and kept the BPM about 135-ish. Unfortunately I forgot to record the pacemaker set as I was messing around with the mixer and trying to make the transition smooth.

Djing live with the Pacemaker device at EMF Camp 2022
Djing live with the Pacemaker device at EMF Camp 2022

The slot was the last one of the night (0000-0130) and it was about 0115 when I asked how long I got left. He replied well legally we need to stop at 0200. So I played for 2 hours-ish… I say-ish because there was 4 mins when the electricity to the mixer was over loaded and people were trying to fix it. Also I had planned 90mins and was absolutely bursting for the toilet. Unlike a club where the toilets are only a few minutes away and most DJs would stick on a longer track (in my case 11mins of Acid Trax might have worked in retrospect) I knew the toilets were outside in the camp site somewhere. So at 0156 from the end, I faded down Ferry Corsten’s Anahera (only the very end). Although the crowd shouted one more – one more. Packed up quickly and make a quick exit.

Loved every moment of it and lots of people wondering what on earth the pacemaker was… Its 15 years old and still going strong!

EMF Camp site

EMF Camp was great generally, even for a city boy like me. There were some interesting situations but as a whole it was great with good people, good facilities and a wonderful partner to explore something new with too. As EMF is once every 2 years, its very likely I may go back.

Massive thanks to everyone and the massive amount of volunteers which make the whole festival work. I’ll be back but not too soon…

WebMix: Webmonetization + Dj mixes for the next internet

Mark and Ian at Mozfest 2018

While recovering from Covid, I got a little time to finally sort out the WebMix idea which I also wrote up for Mozfest earlier in the year.

With the incredible and generous help of Mark Boas of Hyperaudio, I was able to use Hyperaudio lite to make clearly mark up a list of tunes in a DJ mix. Its what I’ve been looking to do for ages to move away from Mixcloud,

My finally setup was something I was playing with for ages but mainly via a self installed wordpress on my raspberrypi. I found problems when installing hyperaudio and in the end decided to go with a static website. I choose Publii as it had a linux client and I could just write the HTML easily (so many use markdown and other things, which would have made working with hyperaudio more difficult than it needs to be)

With the site creation out the way, I needed somewhere to host it.

Originally I was going to use Yunohost but I couldn’t find a simple webserver to just host the static files, instead I found a proxy server, which points at my NAS, which is running a very simple webserver. Of course the NAS has plenty of space, its also where the mixes sit, has a excellent redundancy and backup system.

The result of the experiment all sits here – https://cubicgarden.info/mixes

Digital Italics WebMix

The core part of WebMix (as I’m calling it) sits in hyperaudio’s transcript and webmontization support.

Hacking hyperaudio’s transcripts

Originally I always saw Hyperaudio for its ability to tie a knot between the written word and the audio (& video). It wasn’t till I saw a demo of the WebMon functionality is when I understood it could be the thing I need for DJ mixes.

With correctly written HTML, I can tell Hyperaudio what it should do, and with Mark’s help we had a prototype up and running.

Here is an example of the code from the quiver in the underground mix.

<li class="active" data-wm="$ilp.uphold.com/B69UrXkYeQPr">
<span data-m="0">Activator, I know you can (That kid chris mix) - Whatever girl</span></li>
<li data-wm="$ilp.uphold.com/3h66mKZLrgQZ"><span data-m="127000">Air traffic (Erik De Koning remix) - Three drives</span></li>
<li data-wm="$ilp.uphold.com/B69UrXkYeQPr"><span data-m="445000">Chinook - Markus Schulz pres. Dakota</span></li>
<li data-wm="$ilp.uphold.com/3h66mKZLrgQZ"><span data-m="632000">Opium (Quivver remix) - Jerome Isma-Ae &amp; Alastor</span></li>

Each tune has a time configured using the attribute data-m, this isΒ  in milliseconds. As I have all the data in the old CUE files I created a long time ago. Mark helped me out with a nice script which saved me manually copying and pasting. (I also considered writing a XSLT to do the conversion). In between sleeping and relaxing with Covid, I got a number of mixes up, changed the theming and finally got to grips with the static file uploading process, and the results you can see on the site.

Current webmix site

Payment and royalties

You will also notice each tune/list item also has data=”wm” attribute with a $ilp (payment pointers). Currently they are pointing to myself and Mark Boas. Obviously I would change them to the payment pointers of the artists/producers/djs involved but I don’t know any which have them so far. Which leads nicely on to the next challenge for WebMix.

I did/do have a plan to do a mix with dance music from artists which have payment providers but that is still in the pipeline. Along side this, myself and Mark thought about some kind of database/airtable/spreadsheet/etc with payment pointers crossed linked to their discogs profile.

WebMix active on my site

Maybe this is something which could be done in the next grant for the web call for participation?

Back to the current experiment, here is Opium (Quivver Remix) – Jerome Isma-Ae Alastor. You could imagine one payment provider decided between all involved which could be used to pay for each time its played on the site. (I am very aware this is very simplex and the royalties of music is a total nightmare!) but the point of the payment pointer is to hide the complexity behind one simple payment pointer, how its divided afterwards is up to each of the parties involved. I’m imagining a management agent, organisation or even dare I say it DAO; responsible for the payment pointer. There’s already things like revshare, which means you can have multiple people/entities behind the payment pointer and theres interest in this space. Long tail economics certainly could benefit here.

Anyway its a long complex area which I’m best staying out of…?

The main point is its all working and expect more updates soon… I know Mark has other ideas, while I still need to get older mixes up. I also would like to tie the whole thing to something federated or at very least setup a activity-pub feed.

Maybe I should be more ill more often?

Web Monetised DJ mixes anyone?

Its Mozilla Festival 2022 virtual week and the grand WebMontisation experiment is underway.

While thinking about the experiment and the ability to tip people, I thought about this aspect within mixes. Originally I thought about it per mix as WebMontization is page level, although there are plans for link level monetization in store.

Then I saw a bunch of Hyperaudio experiments with WebMon. This got me thinking imagine if every artist/label had a payment pointer?
Its not like we don’t have the precise timing metadata, especially when recording a mix digitally.

WebMon Mixing

For example here is the Pacemaker editor, which gives you exact times of when tunes are used and not used. The mix is my latest one, the incidental contact high mix, I do love that mix!

With the advantage of metadata lookup, it wouldn’t take a lot to correctly identify the tune and auto discover the payment pointer of the artist/label. For example here is Protoculture which is appears 3 times in the mix. With something like hyperaudio, it would be pretty straight forward to automatically send a stream or micropayment to the artist/label everytime the track is played within a mix.

With all this in mind, I’m thinking about creating an experiment.

If I was to do a mix using creative commons attributed licensed music, with all artists who have payment pointers. Then provide it through hyperaudio on my site.

Wouldn’t that be a really interesting experiment?

Following what Coil & Mozilla have done with the tipping experiment, I could use payment pointers for a number of charity’s instead?

Coil tipping

My first tip went to Hyperaudio!

Its certainly feel like a perfect DJ Hackday project?

I have refined the idea on the WebMon community site

Project description

The existing models for distributing DJ mixes is frankly painful with many DJs having to fight with take-down notices and copyright flags.
I am investigating ways to self-host and share DJ mixes with the care and attention of what a DJ would like to bring to the mix, and include a way to pay the artist/creator of the music in the mix.

Ways in Which I Am Web Monetizing These Resources

Currently I am Web Monetizing the whole of the site but I am going to change the audio player to HyperaudioLite and take advantage of the new feature to pay per section of the audio.
As a DJ, my main interest is to share the mix with as many as possible without limits and constraints. I will turn off WebMon for myself and use the payment providers of the artists instead. As I expect many artists have not heard of WebMon and so I recommend using payment providers of charities and non-profits instead (same ones Mozilla have used throughout the Mozilla virtual festival).

As more artists and labels start to support WebMontization and get payment pointers. It will be easy to reroute the payments to the new payment pointers and even split payments between groups/collaborations.

Ideally I’d like to see this fit within the fediverse systems like funkwhale, reel2bits or Castopod enabling support for future forms of sharing, ignoring and distributing.

The incidental contact high mix

NHS Nurse with mask and halo
Found on a wall in the Northern Quarter of Manchester, modified by me

My first new mix for 2022 and it comes at a time as Covid19 variant Omnicron has come, peaked and is likely going to move us things from Pandemic to Endemic? Who knows…? Lets hope!

Regardless of this all, I was thinking about the incredible people who helped us all through the pandemic and kind of been forgotten, while also flicking through the new book dictionary of obscure sorrows. I came across the incidental contact high, which is described as “a innocuous touch by someone just doing their job, that you find more meaningful that you’d like to admit.”

Anyway, its really good mix with lots of new tunes, a bit of pace (134bpm-ish) and a good feeling throughout. I’m loving Protoculture’s Music is more than mathematics and the unique remix of Shnorkel.

Enjoy the mix on mixcloud or on my own mixing site.

Here is the full playlist.

  1. Love Technology – Protoculture
  2. Orenida (extended mix) – Gouryella/Ferry Corsten
  3. Collider (Jorn van Deynhoven remix) – Thomas Bronzwaer
  4. Music is more than mathematics (extended mix) – Protoculture
  5. Feel it (extended mix) – Cosmic gate
  6. Shnorkel (Thank you city remix) – Ido Ophir and Miki Litvak
  7. Go (extended mix) – Protoculture
  8. Tiger (extended remix) – Jerome Isma-Ae & Alastor
  9. Tears (protoculture remix) – Dakota
  10. Alone (extended mix) – Maarten de jong
  11. Headliner – Jorn van Deynhoven

The ravers ravenous retro revenge mix

The ravers ravenous retro revenge mix

With my thumb getting better, I’m doing more mixes again on the good old pacemaker device. This one was part of a much longer mix but the start was a bit crappy so cut it off and included the last 80%.

The ravers ravenous retro revenge came about after watching the Matrix Resurrections. There was lots of parts (seen it a few times now and still score it 8/10) but I found this line fascinating.

Morpheus: Nothing comforts anxiety like little nostalgia.

I have a lot to say about nostalgia but I decided to do a mix where it feels like the mix is being taken over by the rave. Does it work? I’ll leave it for you to decide. Maybe I should have called it R4 instead?

Listen to the Ravers ravenous retro revenge mix, on mixcloud and my own cloud.

Enjoy!

  1. Electric Sunrise – Mental Overdrive
  2. Air conditionnΓ© – Julian Jeweil
  3. Silence (Jerome Isma-Ae Extended remix) – D-Nox, Baya, Lenn V
  4. I want you (Forever) (Full on mix) – Carl Cox
  5. Opium (Quivver remix) – Jerome Isma-Ae & Alastor
  6. Open up – Leftfield
  7. Sleeper in metropolis (Club mix) – Anne Clark
  8. Rewind (Makkas remix) – Emma Hewitt
  9. Charly (Alley cat mix) – The Prodigy
  10. Feel the beat (JS16 dark mix) – Darude
  11. The storm – Interitus Dei
  12. Back to earth (Rave mix) – Yves Deruyter
  13. Unchainied – Diego Morrill
  14. The sky – Summerland