The interdimensional transmission mix

Communicating with space from the See Monster

Following the previous Pacemaker mix, I decided during a very long train journey to get the pacemaker out for some more trance. Using parts of the last few mixes, I decided to give the new mix some new direction.

The mix shifts along at a nice 136 bpm, complete with hands in the air moments and who couldn’t enjoy some stress test (hidden gem).

Enjoy!

You will notice there is no Mixcloud upload for this mix. Mainly because of the decisions of Mixcloud and being at my limit for a free account. Which means going to my mixgarden for future mixes.

  1. Escape – Markus Schulz
  2. Catch (Martin Roth remix) – Blank & Jones
  3. Stresstest (John Askew remix) – John O’Callaghan
  4. Tears (Protoculture remix) – Dakota
  5. Arjan – Angelica S
  6. Follow me (Jerome Isma-Ae Extended remix) – Jam & Spoon
  7. Talk to me (Orjan Nilsen trance mix) – John O’Callaghan and Timmy & Tommy
  8. Higher state – Kevin Crowley
  9. Shnorkel (Thankyou city remix) – Ido Ophir & Miki Litvak
  10. Running up the hill (Jerome Isma-ae bootleg mix) – Placebo
  11. Eternal Horizon – Alex M.O.R.P.H
  12. The Descent – Protoculture
  13. Grotesque – RAM & Alex M.O.R.P.H

I saw it coming, changes to Mixcloud

Mixing live in the EMFCamp null sector

Today there was a email from Mixcloud.com

Nico here, CEO and co-founder of Mixcloud. Today we’re announcing upcoming changes to Mixcloud:
From December 1st we’re introducing a maximum allowance of 10 published shows for creators on the basic tier.

Why is this happening?

We believe DJs and producers should be rewarded for the skill and creativity that goes into their work. That’s why for over 10 years we’ve subsidized hosting costs and built tools that enable creators to grow and earn money.

We also believe artists should be paid when their music is played. That’s why every show uploaded to Mixcloud is scanned by our content ID system. This enables us to identify the tunes being played and pay royalties to the artists who made them.

Unlike other platforms, we’ve spent years securing comprehensive licensing deals with the major and independent labels to ensure this money is paid to the right artists. We have shouldered these costs in order to create a fair music ecosystem.

Until now we’ve kept our basic tier uncapped. However, as we’ve grown our royalty and hosting costs have risen and we are not profitable. To continue running and improving Mixcloud we need to become more sustainable as a business, and Pro memberships help us cover our costs.

How will you be affected?

On 1st December all of your shows will remain published and available to listeners. But, if you want to make space for a new show, you will need to manually move shows into drafts until you are within the allowance or upgrade to Pro for unlimited published shows.

Fair point but I’m not totally convinced, as it wasn’t that long ago when rewind and track listing became not possible. It was clear to me that I needed to do something ahead of this all, hence why I setup my own webmix garden. I agree it would be great to pay the creators of the music, and using webmotization considered a way to do this.

Maybe this is where I part ways with Mixcloud? Its a shame but like all the people leaving Twitter due to Elon Musk. its just not suitable for me anymore.

I would still like to try that distributed payment pointer system and also explore the notion of distributed charts using DHTs, removing the need for huge amounts of centralised storage.

Follow me to the big trance sound of summer mix

Train tracks into the distance

During a recent holiday to Lisbon, I of course took my Pacemaker Device to create a brand new mix. This time, I went very trancey. Maybe it was the incredible sunshine, the fun of exploring Lisbon or just being in Europe again?

Whatever it was this mix is a much more pacey 135bpm and frankly kicks those tired legs with some force. I’d say this is a excellent mix and full of hands in the air moments. Its also full of new tracks alongside some old classics.

  1. Blood Angels (Chris Liebing mix) – John Starlight
  2. Catch (Martin Roth remix) – Blank & Jones
  3. Humming the lights – Armin Van Buuren & Gaia
  4. Venture (Nifra Extended remix) – Super8 & Tab
  5. Music is more than mathematics (Extended mix) – Protoculture
  6. Communication (Tomas Heredia remix) – Armin van Buuren
  7. Megalodon – MaRLo
  8. End transmission – ReDrive & Patrick Blanes
  9. Ecstasy – Eddie Makabi feat. Einat
  10. Wonder of Life (F&W remix) – Tukan
  11. Stresstest (John Askew remix) – John O’Callaghan
  12. Airtight (Extended mix) – Rafael Osmo
  13. We are one (Instrumental mix) – Dave202
  14. Arjan – Angelica S
  15. Valhalla (After future remix) – OneBeat
  16. Madagascar (Domi-Nation remix) – Art of Trance

Available in full on my webmix garden and mixcloud if you prefer…

From a city boy point of view: EMF Camp 2022

EMF Camp complete with Lasers
The lovely picture of EMF Camp 2022 from the Null Sector complete with lazers!

I have always wanted to go to Burning man but don’t think I could ever do it due to the extreme heat. I remember hearing about a similar type event in the Netherlands (what the hack) ages ago then soon afterwards Electromagnetic Field in the UK.

EMFCamp is hacker conference over 3 days in glorious sunshine complete with power and wifi to your own tent. In theory it sounds amazing right? Well it is but for a city boy like me, its less appealing. However this year I put in a free 2hour workshop around Adaptive Podcasting and it was accepted. I had planned to stay in a hotel and go back and forth with my scooter (although I didn’t really fancy those country lanes in the dark.

However my wonderful partner suggested going together and somewhat glamping in her huge tent. On top of this we had a bunch of friends coming from Manchester, so we created a mini village together. This with fridges, BBQs, power and amazing wifi made my festival/camping experience well worth it. Can’t imagine doing it any other way now.

Ian and Alison together in the sun
Glamping it up with my beautiful partner

I’ll be honest we packed too much and the second tent was useful for our bags, duplicate items and things we didn’t need.  If it wasn’t for my partner and friends it likely would have been a completely different experience.

Because of this I had a great time. Everywhere I went I bumped into old friends from all over – going way back to my time in London and the many conferences I went to during the BBC Backstage days. It was a total blast and I’m sorry to anyone I missed.

So much talking and socialising, I didn’t get much time to join the talks and workshops. However I did attend a few including one about trackers (music mod trackers), although with my Ubuntu Dell XPS slightly broken at the moment (it doesn’t know any of the onboard devices including the keyboard unless plugged in) it was going to be a big hassle installing an Amiga emulator on my Chromebook just to run Protracker. Instead I spent time trying to find a Android app, then blowing away my Debian setup on the Chromebook and starting again (for some reason I couldn’t sudo at all). Once I got that working, I ran the incredible Fasttracker2 and Milkytracker.

Eugenie von Tunzelmann on stage

We also got to see Interstellar on the big screen again, although I really wished I brought my sock hat and gloves! But the Q&A with the SFX artist was great, even if the question I wanted to ask might have spoiled the film for others (of course I didn’t ask it). I think the assumption was that everyone had seen it but the moderator asked and lots of hands were raised saying they had not seen it before, including my partner.

On the Sunday I got to a few talks including Why is it so hard to do nice things that make a difference with other people? Which I did enjoy even if time ran out, however the whole talk is here.

I do have to say my biggest highlight was djing live in the null sector. I followed a DJ on a laptop playing hard house till midnight so the BPM was high but I started with the classic Stella and the shock to the dancefloor was self-evident. So I threw together some tech trance and kept the BPM about 135-ish. Unfortunately I forgot to record the pacemaker set as I was messing around with the mixer and trying to make the transition smooth.

Djing live with the Pacemaker device at EMF Camp 2022
Djing live with the Pacemaker device at EMF Camp 2022

The slot was the last one of the night (0000-0130) and it was about 0115 when I asked how long I got left. He replied well legally we need to stop at 0200. So I played for 2 hours-ish… I say-ish because there was 4 mins when the electricity to the mixer was over loaded and people were trying to fix it. Also I had planned 90mins and was absolutely bursting for the toilet. Unlike a club where the toilets are only a few minutes away and most DJs would stick on a longer track (in my case 11mins of Acid Trax might have worked in retrospect) I knew the toilets were outside in the camp site somewhere. So at 0156 from the end, I faded down Ferry Corsten’s Anahera (only the very end). Although the crowd shouted one more – one more. Packed up quickly and make a quick exit.

Loved every moment of it and lots of people wondering what on earth the pacemaker was… Its 15 years old and still going strong!

EMF Camp site

EMF Camp was great generally, even for a city boy like me. There were some interesting situations but as a whole it was great with good people, good facilities and a wonderful partner to explore something new with too. As EMF is once every 2 years, its very likely I may go back.

Massive thanks to everyone and the massive amount of volunteers which make the whole festival work. I’ll be back but not too soon…

WebMix: Webmonetization + Dj mixes for the next internet

Mark and Ian at Mozfest 2018

While recovering from Covid, I got a little time to finally sort out the WebMix idea which I also wrote up for Mozfest earlier in the year.

With the incredible and generous help of Mark Boas of Hyperaudio, I was able to use Hyperaudio lite to make clearly mark up a list of tunes in a DJ mix. Its what I’ve been looking to do for ages to move away from Mixcloud,

My finally setup was something I was playing with for ages but mainly via a self installed wordpress on my raspberrypi. I found problems when installing hyperaudio and in the end decided to go with a static website. I choose Publii as it had a linux client and I could just write the HTML easily (so many use markdown and other things, which would have made working with hyperaudio more difficult than it needs to be)

With the site creation out the way, I needed somewhere to host it.

Originally I was going to use Yunohost but I couldn’t find a simple webserver to just host the static files, instead I found a proxy server, which points at my NAS, which is running a very simple webserver. Of course the NAS has plenty of space, its also where the mixes sit, has a excellent redundancy and backup system.

The result of the experiment all sits here – https://cubicgarden.info/mixes

Digital Italics WebMix

The core part of WebMix (as I’m calling it) sits in hyperaudio’s transcript and webmontization support.

Hacking hyperaudio’s transcripts

Originally I always saw Hyperaudio for its ability to tie a knot between the written word and the audio (& video). It wasn’t till I saw a demo of the WebMon functionality is when I understood it could be the thing I need for DJ mixes.

With correctly written HTML, I can tell Hyperaudio what it should do, and with Mark’s help we had a prototype up and running.

Here is an example of the code from the quiver in the underground mix.

<li class="active" data-wm="$ilp.uphold.com/B69UrXkYeQPr">
<span data-m="0">Activator, I know you can (That kid chris mix) - Whatever girl</span></li>
<li data-wm="$ilp.uphold.com/3h66mKZLrgQZ"><span data-m="127000">Air traffic (Erik De Koning remix) - Three drives</span></li>
<li data-wm="$ilp.uphold.com/B69UrXkYeQPr"><span data-m="445000">Chinook - Markus Schulz pres. Dakota</span></li>
<li data-wm="$ilp.uphold.com/3h66mKZLrgQZ"><span data-m="632000">Opium (Quivver remix) - Jerome Isma-Ae &amp; Alastor</span></li>

Each tune has a time configured using the attribute data-m, this is  in milliseconds. As I have all the data in the old CUE files I created a long time ago. Mark helped me out with a nice script which saved me manually copying and pasting. (I also considered writing a XSLT to do the conversion). In between sleeping and relaxing with Covid, I got a number of mixes up, changed the theming and finally got to grips with the static file uploading process, and the results you can see on the site.

Current webmix site

Payment and royalties

You will also notice each tune/list item also has data=”wm” attribute with a $ilp (payment pointers). Currently they are pointing to myself and Mark Boas. Obviously I would change them to the payment pointers of the artists/producers/djs involved but I don’t know any which have them so far. Which leads nicely on to the next challenge for WebMix.

I did/do have a plan to do a mix with dance music from artists which have payment providers but that is still in the pipeline. Along side this, myself and Mark thought about some kind of database/airtable/spreadsheet/etc with payment pointers crossed linked to their discogs profile.

WebMix active on my site

Maybe this is something which could be done in the next grant for the web call for participation?

Back to the current experiment, here is Opium (Quivver Remix) – Jerome Isma-Ae Alastor. You could imagine one payment provider decided between all involved which could be used to pay for each time its played on the site. (I am very aware this is very simplex and the royalties of music is a total nightmare!) but the point of the payment pointer is to hide the complexity behind one simple payment pointer, how its divided afterwards is up to each of the parties involved. I’m imagining a management agent, organisation or even dare I say it DAO; responsible for the payment pointer. There’s already things like revshare, which means you can have multiple people/entities behind the payment pointer and theres interest in this space. Long tail economics certainly could benefit here.

Anyway its a long complex area which I’m best staying out of…?

The main point is its all working and expect more updates soon… I know Mark has other ideas, while I still need to get older mixes up. I also would like to tie the whole thing to something federated or at very least setup a activity-pub feed.

Maybe I should be more ill more often?

Web Monetised DJ mixes anyone?

Its Mozilla Festival 2022 virtual week and the grand WebMontisation experiment is underway.

While thinking about the experiment and the ability to tip people, I thought about this aspect within mixes. Originally I thought about it per mix as WebMontization is page level, although there are plans for link level monetization in store.

Then I saw a bunch of Hyperaudio experiments with WebMon. This got me thinking imagine if every artist/label had a payment pointer?
Its not like we don’t have the precise timing metadata, especially when recording a mix digitally.

WebMon Mixing

For example here is the Pacemaker editor, which gives you exact times of when tunes are used and not used. The mix is my latest one, the incidental contact high mix, I do love that mix!

With the advantage of metadata lookup, it wouldn’t take a lot to correctly identify the tune and auto discover the payment pointer of the artist/label. For example here is Protoculture which is appears 3 times in the mix. With something like hyperaudio, it would be pretty straight forward to automatically send a stream or micropayment to the artist/label everytime the track is played within a mix.

With all this in mind, I’m thinking about creating an experiment.

If I was to do a mix using creative commons attributed licensed music, with all artists who have payment pointers. Then provide it through hyperaudio on my site.

Wouldn’t that be a really interesting experiment?

Following what Coil & Mozilla have done with the tipping experiment, I could use payment pointers for a number of charity’s instead?

Coil tipping

My first tip went to Hyperaudio!

Its certainly feel like a perfect DJ Hackday project?

I have refined the idea on the WebMon community site

Project description

The existing models for distributing DJ mixes is frankly painful with many DJs having to fight with take-down notices and copyright flags.
I am investigating ways to self-host and share DJ mixes with the care and attention of what a DJ would like to bring to the mix, and include a way to pay the artist/creator of the music in the mix.

Ways in Which I Am Web Monetizing These Resources

Currently I am Web Monetizing the whole of the site but I am going to change the audio player to HyperaudioLite and take advantage of the new feature to pay per section of the audio.
As a DJ, my main interest is to share the mix with as many as possible without limits and constraints. I will turn off WebMon for myself and use the payment providers of the artists instead. As I expect many artists have not heard of WebMon and so I recommend using payment providers of charities and non-profits instead (same ones Mozilla have used throughout the Mozilla virtual festival).

As more artists and labels start to support WebMontization and get payment pointers. It will be easy to reroute the payments to the new payment pointers and even split payments between groups/collaborations.

Ideally I’d like to see this fit within the fediverse systems like funkwhale, reel2bits or Castopod enabling support for future forms of sharing, ignoring and distributing.

The incidental contact high mix

NHS Nurse with mask and halo
Found on a wall in the Northern Quarter of Manchester, modified by me

My first new mix for 2022 and it comes at a time as Covid19 variant Omnicron has come, peaked and is likely going to move us things from Pandemic to Endemic? Who knows…? Lets hope!

Regardless of this all, I was thinking about the incredible people who helped us all through the pandemic and kind of been forgotten, while also flicking through the new book dictionary of obscure sorrows. I came across the incidental contact high, which is described as “a innocuous touch by someone just doing their job, that you find more meaningful that you’d like to admit.”

Anyway, its really good mix with lots of new tunes, a bit of pace (134bpm-ish) and a good feeling throughout. I’m loving Protoculture’s Music is more than mathematics and the unique remix of Shnorkel.

Enjoy the mix on mixcloud or on my own mixing site.

Here is the full playlist.

  1. Love Technology – Protoculture
  2. Orenida (extended mix) – Gouryella/Ferry Corsten
  3. Collider (Jorn van Deynhoven remix) – Thomas Bronzwaer
  4. Music is more than mathematics (extended mix) – Protoculture
  5. Feel it (extended mix) – Cosmic gate
  6. Shnorkel (Thank you city remix) – Ido Ophir and Miki Litvak
  7. Go (extended mix) – Protoculture
  8. Tiger (extended remix) – Jerome Isma-Ae & Alastor
  9. Tears (protoculture remix) – Dakota
  10. Alone (extended mix) – Maarten de jong
  11. Headliner – Jorn van Deynhoven

The ravers ravenous retro revenge mix

The ravers ravenous retro revenge mix

With my thumb getting better, I’m doing more mixes again on the good old pacemaker device. This one was part of a much longer mix but the start was a bit crappy so cut it off and included the last 80%.

The ravers ravenous retro revenge came about after watching the Matrix Resurrections. There was lots of parts (seen it a few times now and still score it 8/10) but I found this line fascinating.

Morpheus: Nothing comforts anxiety like little nostalgia.

I have a lot to say about nostalgia but I decided to do a mix where it feels like the mix is being taken over by the rave. Does it work? I’ll leave it for you to decide. Maybe I should have called it R4 instead?

Listen to the Ravers ravenous retro revenge mix, on mixcloud and my own cloud.

Enjoy!

  1. Electric Sunrise – Mental Overdrive
  2. Air conditionné – Julian Jeweil
  3. Silence (Jerome Isma-Ae Extended remix) – D-Nox, Baya, Lenn V
  4. I want you (Forever) (Full on mix) – Carl Cox
  5. Opium (Quivver remix) – Jerome Isma-Ae & Alastor
  6. Open up – Leftfield
  7. Sleeper in metropolis (Club mix) – Anne Clark
  8. Rewind (Makkas remix) – Emma Hewitt
  9. Charly (Alley cat mix) – The Prodigy
  10. Feel the beat (JS16 dark mix) – Darude
  11. The storm – Interitus Dei
  12. Back to earth (Rave mix) – Yves Deruyter
  13. Unchainied – Diego Morrill
  14. The sky – Summerland

A giant adventure in Ireland mix

Northern Ireland coast I got away for the first time during the pandemic. It was an adventure taken on my motorcycle. I of course took the pacemaker device out for the first time in a long time, so I did a mix while in hotel rooms. I did start a mix with key parts of the journey but it was long and didn’t really work together. Instead I took the Ireland part and skipped a few tunes to make this frankly great mix. Its quite different starting with some classic Orbital and ending at Home. Along the path, there’s lots of new tunes which I haven’t used before. What I like about this mix is the gel of the tunes and mixing.  I also quite like the vocals in the mix which add something special to the whole thing.

Enjoy the mix, which is a new entry in journey with pacemaker mixes on my mini mixcloud (where you can hear it at super high quality and download it.

  1. Belfast – Orbital
  2. Eye – Ma5Haria
  3. Suru (Martin Roth Nu-Style remix) – Super8 & Tab
  4. Pǝsnɟuoɔ (Confused) – Laurent Garnier
  5. A break in the clouds (Main mix) – Holden
  6. Chordplay – Oliver Smith
  7. Are you one of us (Cabriolet Paris remix) – Kyau & Albert
  8. Dust in the wind – Arnej
  9. Laguna – Protoculture
  10. Polarize (Second sine remix) – Snejider
  11. Avenue (Club mix) – Paul Van Dyk
  12. Floyd (Extended mix) – Jerome Isma-Ae & Alastor
  13. Home (Cosmic gate remix) – Paul Van Dyk Feat. Johnny Mcdaid

Updated on Sunday 26th September, a giant adventure in Ireland is now number 98th in the tech trance chart.

Mixcloud chart

I was always scared of tresor mix

Tresor I had the absolute joy to see Laurent Garnier at the Manchester International festival recently (July 2021). During his video there was lots of references to different things in his career including Manchester and also Berlin. There was a distinct moment when I turned to my sister and whispered, I have been to many clubs in Berlin during the first 15 years of the fall of the Berlin wall, but Tresor scared me and I never went because of the fear. I had heard too many stories of this hard techno/gabba club and the crazy things which could happen in the darkness of the disused bank vaults. Do I regret not going? A bit, but it was genuinely a little scary especially with me not speaking German. Maybe this is why Victoria resonated with me. Its certainly a stronger almost techno mix with no let up in pace and heavy beats. Look out for the Acid Trax! Its a classic killer! Imagine dancing in a vault in the dark to the raw sounds of the TB 303!

Enjoy the mix, which is another entry in the locked down, mixing out album of mixes. Also linked on my DJ blog.

  1. Acid drops – Meanwhile, back in communist Russia
  2. M.I.L.F – Laurent Garnier
  3. Trick – Carlo Ruetz
  4. Opium – Jerome Isma-Ae & Alastor
  5. Beat (Da Boxx) – Laurent Garnier
  6. Energy Flash – Joey Beltram
  7. Acid Trax (album version) – Phuture
  8. System hack – Carlo Ruetz
  9. Intruder – Armin van Buuren vs M.I.K.E
  10. Shnorkel – Miki Latvak & Ido Ophir
  11. Pǝsnɟuoɔ (Confused) – Laurent Garnier
  12. Rheinkraft – Oliver Klein
  13. Subrasumstimulation (Johnson mix) – Oliver Lieb
  14. Interstate Emperors – Jeffed

Wednesday 18th August

Its been a while but getting some good responses to this mix.

57th in the global tech trance charts

My own mixcloud, finally?

Mixing live in Skopje

I have been for a long time looking for an alternative to mixcloud. I have tried many things including some self hosted solutions like navidrome, subsonic, madsonic, airsonic and ampache. They have all been good except they are best for private sharing. I really wanted to use funkwhale but it was so geared up for single tracks it just didn’t make sense to run a node with my own mixes on it. There is so much I could suggest for  making these software/services better for DJs rather than musicians. A DJ version of funkwhale could be pretty cool, especially seeing the amount of DJs using Youtube and paying for Mixcloud premium to mix live during the pandemic. Heck you could even use web-monetization too (just done).

So with all this and finally thought I have the bandwidth and the storage, I just need a site and some simple software which can share the music files. So I decided to actually setup WordPress with it looking at the local file system (which I can easily have tons of storage). I was going to explore the static file generators again but decided to get something going.

Over the last few days between helping someone out with Linux and cryptocurrencies, I setup WordPress on my RaspberryPi 4 using Yunohost again. As its pretty much static, I think it makes sense.

So here is my own mixcloud site, which I’m still populating, but the latest mixes from my locked down, mixing out album are up complete with artwork. Expect to see more changes over time including a better audio player, more mixes and more everything.

Its not exactly a mixcloud replacement to be fair and my plans to use the .cue files and make better use of playlists, is put on hold for now. I’m sure there is audio plugin which will make use of them. Love to have UPnP and Subsonic apis access from wordpress, but I dream?

Do enjoy and let me know what you think could be improved.

Little update

Following my point about making it work for DJs and mixes. One of my biggest bug bears is playlists. I have been through many of the wordpress plugins for audio playback and I can’t find one which allows me to specify points in a long mix, when different music is played. Its simply a tracklist but all of the ones I have seen and tried are focused on single tracks. Meaning slicing the mix into pieces instead of marking out areas. None of them seemed to support CUE files or things like Ogg vorbis chapters. If there is one I should be looking at, do send it my way because it seems like such a simple thing to do, but I guess theres not enough interest to make it?

Another update

I have retired the old Mix site and replaced it with a new better one.
Learn more about the changes and WebMix.

Digital Italics WebMix

Pattersons pandemic run mix

Here is the first mix of the new year and its a Simon Patterson special. If you liked the previous Patterson’s panic attack. Its likely not going to play in certain regions as its all the same artist and mixcloud thinks I’m uploading a whole album.

Its a very heavy trance mix which whips along at a speedy 138 bpm and never lets up for 50 solid minutes.

Try going for a run with this mix playing, avoid those people and wear a mask.

Here is the playlist for Patterson’s pandemic run mix, enjoy!

  1. F16 – Simon Patterson
  2. Latika – Simon Patterson
  3. Brush Strokes – Simon Patterson
  4. Smack – Simon Patterson
  5. Whites of her eyes – Simon Patterson
  6. Panic attack – Simon Patterson
  7. Opulence – Simon Patterson
  8. Dissolve – Simon Patterson feat Sarah Howells
  9. Strip search – Simon Patterson
  10. Taxi – Simon Patterson
  11. Us – Simon Patterson

https://www.mixcloud.com/cubicgarden/pattersons-pandemic-run/

Replacing Mixcloud with Funkwhale

Funkwhale mixes

For a long while I have been threatening to leave Mixcloud in favour of hosting my own mixes. I looked around and thought funkwhale looks great as its a federated network for music. With some help from JonT, I started to scrape the metadata I stupidly forgot to keep for myself.

I installed Funkwhale on the Yunoserver but spent too much time trying to work out how to mount my NAS on the Yunoserver. I gave Navidrome but  decided it wasn’t right as there was no way to listen without logging in, so went back to Funkwhale and got things up and running.

Seems Funkwhale might not be the best solution for the mixes, plus the developer is looking for new maintainers recently. Its really setup for single tracks not mixes. I could upload mixes but my plan to use cue files, won’t work. The only place to put playlists is in the comments. I also need to do more digging as I can’t change the year of the mixes. More importantly, the public sharing is a bit broken for me. You should be able to listen to the radio but its not working for me

Funkwhale profile

As I get my head around it all but you can subscribe via RSS and if you’re using Mastodon or other fediverse applications, you can subscribe to this account: @digitalitalicmixes@mixes.cubicgarden.info.

Enjoy, I’m one step closer to self hosting my mixes.

The mayday lockdown night dance

Rave

Taking some hints from my previous live mix, I decided to make some changes and do another mix. This time not live, so its at the perfect volume now. Enjoy the mix which is up to 135bpm with lots of hands in the air trance for your listening pleasure… enjoy!

  1. Gouryella (From the heavens mix) – Ferry Corsten presents Gouryella
  2. Arise – Victor Ruiz & D Nox
  3. Follow me (Jerome Isma-Ae Extended remix) – Jam Spoon
  4. Call the galaxy taxi (Martin Roth Nu Style remix) – Plastic Angel
  5. Stellar – Driftwood
  6. Floyd (extended mix) – Jerome Isma-Ae & Alastor
  7. Borealis – Dj Eco
  8. Breathe (Blake Jarrell remix) – Anna Nalick
  9. Freedom (extended mix) – ARTY vs Muvy
  10. Grotesque – RAM & Alex M.O.R.P.H
  11. Soundbar (extended mix) – Giuseppe Ottaviani
  12. Numb the pain – Will Atkinson
  13. Everythings been written – 8 Wonders
  14. Tears (protoculture remix) – Dakota
  15. Hello (Jerome Isma-Ae remix) – Above & Beyond
  16. The Legacy 2.0 (Alphazone remix) – Funabashi pres. Saltwater
  17. Valhalla (tonerush remix) – OneBeat