I have to say I’m pretty excited to see the Ghost in the Shell live action remake, that I bought a ticket for the 1 minute past midnight (0001) release on Thursday morning in the Odeon IMAX.
When I bought my ticket, the cinema seemed super quiet with only 12 people, which is suprising. So you have plenty of time to get you’re ticket and join me.
Maybe you don’t like the idea of going to the cinema late at night but I kind of love it. To be fair I watched Interstellar at 5am, Dark Knight rises at 8am, etc and I quite like it. Of course I would only do this for films which I felt was worth it, and I think Ghost in the Shell is certainly one of those.
Of course most was edited out but there’s a big chunk of the interview, mainly focused on the experience of perceptive media, which sits right on top of object based media.. They described it as on the verge of a revolution, no less.
It’s dangerous to say an alien movie achieves any level of realism. That is, we won’t know which ones are realistic until the aliens show up in real life and confirm it. With that caveat, Arrivalfeels like an uncommonly realistic alien invasion movie, if only because it understands a simple fact of life often misunderstood by Hollywood: few of life’s biggest mysteries can be understood through conventional thinking. Too many alien movies assume that our interplanetary visitors will look, sound, and communicate like some gnarled version of ourselves. Arrival rewrites the rule book. Instead of filtering the aliens’ intentions through our understanding of human behavior, it asks us to put our thinking caps on and luxuriate in the unknown.
I also found the gender dynamics really interesting too… Amy Adams is incredible, strong and very thoughtful when most of the men around her are reaching for their guns or jumping to action. Shes confident of her own abilities and knows what needs to be done. Funny enough, another film by the same director is Sicario, with Emily Blunt who also command total respect by everyone around her.
Amy Adams is magnificent as the linguist at the centre of a world-changing event; Jeremy Renner turns in a quiet, introspective supporting performance as a mathematician brought in to help solve the visitors’ mysteries. The interplay between the two, as they seek to understand an unfathomably complex alien language, feels effortlessly natural; as well as a sci-fi movie, Arrival functions as an astutely observed relationship drama.
We will be joined by director and HOME Patron Danny Boyle for a Q&A following the T2: Trainspotting screening at 20:00 on Sat 28 Jan.
Theres little I can say about T2 trainspotting without spoilers, it’s a very good film and I have given it 7/10. In the Q&A Danny said a few things which I found interesting, but no spoilers again except this was one was fascinating…
Trainspotting t2 "A film about the disappointment of manscality?"
Different kind of mix this time… I decided seeing how I enjoy Simon Patterson’s tunes quite a bit, especially Brush Strokes and White of her eyes. Its time for a bit of mega-mix using his tunes. Someone said to me listening to his tunes is like the perfect driving or running music, as it feels very pacey.
I imagined running like zombies run, then stopping to catching my breath with some chilled tunes.
I did a few mixes while in Berlin recently. One while taking the ring anti-clockwise around Berlin (think circle line). The other while out one night walking back from around Rosa-Luxemburg-Platz to U Möckernbrücke and other places. I’ll upload the Berlin Ring one in the near future but this one is dark and certainly disturbing with lots of horrible tunes to bring down your joyful day.
Someone mentioned to me about Guardian’s Close Encounter podcast series. I subscribed today and pretty much listened to the whole thing this morning and part of the afternoon. Funny enough I didn’t even have breakfast, just a some pre-packed breadsticks from last nights dinner (somebody will know what I mean, when they read this).
The podcast series is quite amazing, which is surprising because the guardian tech podcast isn’t exactly great) But I found refreshing to hear such adult talk, after the warnings at the start of each podcast. The content is certainly #nsfw (not safe for work), but I was playing it out loud in my flat. Like when I was at Futurefest earlier in the year, I certainly felt like I was listening to something so very honest, human and authentic.
I have always wanted to take to the stage of Thinking Digital and 3 years ago I joined Adrian at Thinking Digital Newcastle when the Perceptive Radio got its first public showing during a talk about the BBC innovation progress so far, since moving up the north of England. I got the chance to build on 3 years ago and talk about the work we are doing in object based media, data ethics and internet of things. I’ve been rattling this around my head and started calling it hyper-reality storytelling.
Visual Perceptive Media is made to deliberately nudge you one way or another using cinematic techniques rather than sweeping changes like those seen in branching narratives. Each change is subtle but they are used in film making every day, which raises the question of how do you even start to demo something which has 50000+ variations?
This is also the challenge we are exploring for a BBC Taster prototype. Our CAKE prototype deployed a behind the curtains view as well, which helped make it clear what was going on – it seems Visual Perceptive drama needs something similar?
I honestly do think about this problem in Visual Perceptive Media and Perceptive Media generally. Something which is meant to be so subtle you hardly notice but you need to demostrate it and show the benefits.
Its tricky, but lifting up the curtain seems to be the best way. I am of course all ears for better ways…
When I came back from a friend’s wedding in the lake district (massive congrats to them both). I decided to keep the weekend quite free before the weekend of Mozfest. As I was mainly relaxing I decided to do Black Mirror season 3 in one long evening.
I got to episode 4 and couldn’t help but be blown away. So much that it played on the mind and I had to watch it again.
I mentioned in my trance set from July, that I had recorded two trance sets; and was deciding which one I preferred. The full’on classic trance set won out but I wanted to share the alternative one too. It pretty raw and short but I quite like it, especially since I love out of the blue by system F so much that it was played twice!
Remix culture, sometimes read-write culture, is a society that allows and encourages derivative works by combining or editing existing materials to produce a new product. A remix culture would be, by default, permissive of efforts to improve upon, change, integrate, or otherwise remix the work of copyright holder
My personal thoughts are, DJ culture was new exciting and things were moving and changing all the time. We had vinyl, record players and mixers. But people were innovating and doing new things on top of that. Then the technology changed from spinning discs (Vinyl, CDs heck even Minidisc if you must) to Solid State/Digital. There was a lot of push back and there still is… But you can’t stop the future.
However we adopted the digital methods to do exactly the same thing. You can see this in the vast amount of digital dj tools, 2 decks and a mixer. Skeuomorphism hell! And it needs to die! Because a good 20 years after the first Mp3 dj software (virtual turntables by Carrot innovations). The interface, method and general approch is exactly the same.
That’s more than half my life time! That has to be some kind of a joke!
Ok under the hood things have changed but not far enough and wheres the distruptive changes? The DJ world still seems to be stressing out about auto BPM? Its happened get over it. For a whole culture built on innovation and creativity, it seems highly ironic?
But this was just scratching the surface of a much larger problem with DJ/Remix culture. I put together some slides which horrible to read back through as they are 5 years old, but its been super useful when talking to people and companies about what DJ hackday could be about. It was due an update and thankfully I can finally tick this off my list.
The 1% rule is a rule of thumb pertaining to participation in an internet community, stating that only 1% of the users of a website actively create new content, while the other 99% of the participants only lurk. Variants include the 1-9-90 rule (sometimes 90–9–1 principle or the 89:10:1 ratio), which states that in a collaborative website such as a wiki, 90% of the participants of a community only view content, 9% of the participants edit content, and 1% of the participants actively create new content.
In the case of DJ hackday; out of 100 people…
90 will be consumer (lurkers/watchers)
1% will be makers (creators)
9% will be remixers (editors)
Music hackday cators for the 1% and of course moving remixers and consumers into makers. DJ hackday is moving consumers and makers into remixers. Its a very viable area with plenty of people doing interesting great things already. Everyone we have spoke over the last 5 years have gotten the concept and really want to see it become a real things now.
Capitalising on the recent interest in the Get Down on Netflix, which sums up a bit of why DJ/Remix culture is important. I created some simple teaser posters. Expect a proper poster in near future but right now, its about getting the word out. And we’re really targetting those who never thought of themselves as DJs or participating in remix culture. People like you!
As the year counts down towards Winter, I’ll be looking for people to help and other companies to join the DJ Hack. We already have some great names (tbc) and starting to sort out venues for the night events. Of course we already have the MMU Shed for the main hack which is a great space for a hackday. The actual hack dates are Saturday 14th and Sunday 15th January, with a social event on the Friday 13th January and post hackday party on Sunday evening somewhere we can try out some of the hacks.
If you are interested in helping out on the day, know a great venue, like to support in some way, set a challenge or want to come help organise it. Get in touch…
Feel free to ping myself a tweet or drop a message via email, my contact form, comment, etc… I’m quite easy to get hold of.
I hope you don’t mind me getting in touch. I’m currently Producing a brand new dating show called Undressed for RDF Television. Based on the psychological researcher of Arthur Aron ‘s 36 questions to fall in love. We want to prove it is possible to fall in love in 30 minutes.
We have had some really successful nationwide auditions thus far. We are still looking for more stunning singles to take part and I would love your help with this. Would be kind enough to circulate the attached flyer to your work colleagues, friends, family and clients? We are looking for a diverse mix of amazing singletons for our unique, and ground breaking new show.
Please do get back in touch with any questions you may have.
RDF Television is casting for an exciting new dating show called ‘Undressed’.
From the makers of ‘Secret Millionaire’, ‘Wife Swap’, ‘Shipwrecked’ and award -winning ‘The Secret Life of 4 Year Olds’ comes the dating show with a difference that dares to ask if it’s possible to fall in love with a complete stranger in just 30 minutes.
Inspired by psychological studies, we’re aiming to carefully match like-minded single people with the help of the UK’s first dating coach. They will embark on a series of questions in order to get to know one another in our exciting and unique scenario.
If you’re tired of Tinder and want to find love, apply NOW. We’re holding nationwide auditions over the next couple of weeks in Bristol, Birmingham, Manchester, Newcastle & London.
So what are you waiting for?
Apply now and email:
To *********rdftelevision.com or call us on 020 70** **** for an application form.
Applicants must be 18 or over & residents of the UK
I originally replied to Jane with a thanks but no thanks, however the 36 questions did intrigue me. Especially the idea of trying it out to see if accelerated intimacy is actually a thing or not.