Glad you asked about racial injustice

Last year Vox was hitting it out the park with their videos related to black lives matter in the wake of the murder of George Floyd and too many other black people.

Glad you asked series 2, is a series worth watching for many reasons no matter who you are.

It starts with How Racist Am I (somewhat of a unconscious bias), next stop Are We Automating Racism? Looking at the huge problem of algorithmic bias. Then Does My Neighborhood Determine My Future? and Is Meritocracy a Myth? before ending with Is Racism Making People Sick?

Its a compelling set of well produced videos, which drive home the points in a clear but real way. Yes its all American but very worthy of your time.

Kubricks systematic percussive sequence mix

Kubricks systematic percussive sequence mix
Photo credit by @dizzyd718 – Drew Graham on unsplash.com

I have been loving a bunch of tech/progressive trance and decided its time for a nice mix using some of the tunes. I know there is some disagreement about the term, which I guess is closer to the techno category. Especially the tunes by Carlo Ruetz.

Either way its a good mix breaking into some classic trance by the end. The title of the mix is parts of the playlist, and the start is a long lost tune found after listening to one of the very first live mixes I did in Manchester. Roots is a killer start to a mix and sets the vibe perfectly. Reminds me how much I like Tomcraft actually.

Mixcloud restrictions

Hosted again on Mixcloud but unlike the last one, hopefully it won’t fall foul of the mixcloud rules over using the same artist too many times. (note to say I have got a new self-hosted platform but anonymous web access isn’t ideal)

Enjoy the mix and here is the complete playlist.

  1. Roots – Tomcraft
  2. Trick – Carlo Ruetz
  3. Percussive thinking (Meat Katie & Elite force remix) – Frome
  4. Kubrick (Extended mix) – Jerome Isma-Ae
  5. Rheninkraft – Oliver Klien
  6. System hack – Carlo Ruetz
  7. Running up the hill (Jerome Isma-Ae bootleg) – Placebo
  8. Opium (Stan Kolev remix) – Jerome Isma-Ae & Alastor
  9. Sequence (Extended mix) – Estiva
  10. Floyd (Extended mix) – Jerome Isma-Ae & Alastor
  11. Outlaw (Extended mix) – Fatum
  12. Tears (Protoculture remix) – Dakota

Update: Feb 28th 2021

Kubricks systematic percussive sequence is now 95th in the global Tech Trance chart
As I thought, without the Mixcloud restrictions mentioned above, this mix has made it to the 95th place in the Tech trance chart.
Very tempted to see what happens if I rename the playlist for Pattersons pandemic run.

One of the most shocking Catfish episodes I seen…

Catfish Season 8 ep 32
Its all smiles now, but you just wait…

Its one of my guilty pleasure Catfish, I have seen it all over the 8 seasons but this one had me shouting no, no, NO!

Catfish Season 8 episode 32: Paul & Caitea

Paul met Caitea on Xbox and fell madly in love, but one day Caitea just disappeared! A decade later, Nev and Kamie help Paul find his first love. But what they find is one of the most shocking reveals in catfish history!

I seen a lot of them but there was something completely screwed up about this episode. Really screwed.

Kamie preys for some sainity
Kamie can’t believe what shes seeing and preys for sanity
Spoiler!

Between the fact Caitea’s mum was seducing someone 16 on the internet (although they say in that state its ok? Really?
The fact she was taking nude pictures off her own daughters phone and share it online with total strangers
The fact she did this for years!

I’m not the only one, its been talked about quite a bit including this youtuber who pretty much says it how I feel about it.

I understand the mum has gone through therapy but there is something which put a horrible taste in my mouth. More than the fights, devious trickery, ransoms, etc.

Although I know Catfish is somewhat setup for TV, this one is beyond the pale. What a season finale…

Replacing Mixcloud with Funkwhale

Funkwhale mixes

For a long while I have been threatening to leave Mixcloud in favour of hosting my own mixes. I looked around and thought funkwhale looks great as its a federated network for music. With some help from JonT, I started to scrape the metadata I stupidly forgot to keep for myself.

I installed Funkwhale on the Yunoserver but spent too much time trying to work out how to mount my NAS on the Yunoserver. I gave Navidrome but  decided it wasn’t right as there was no way to listen without logging in, so went back to Funkwhale and got things up and running.

Seems Funkwhale might not be the best solution for the mixes, plus the developer is looking for new maintainers recently. Its really setup for single tracks not mixes. I could upload mixes but my plan to use cue files, won’t work. The only place to put playlists is in the comments. I also need to do more digging as I can’t change the year of the mixes. More importantly, the public sharing is a bit broken for me. You should be able to listen to the radio but its not working for me

Funkwhale profile

As I get my head around it all but you can subscribe via RSS and if you’re using Mastodon or other fediverse applications, you can subscribe to this account: @digitalitalicmixes@mixes.cubicgarden.info.

Enjoy, I’m one step closer to self hosting my mixes.

Worth watching: Death to 2020

Death to 2020

Death to 2020 was hysterical on so many levels, this missed out on my list of things you missed out on by a day or two.

I think of it like Screenwipe (if you haven’t seen the antiviral wipe, I highly recommend it) with black mirror budget and mockery running through it all.

Although very much around America and part of the UK, there is key issues are there. , , , #vote2020, #RuthBaderGinsburg, , , , , etc, etc.

Good work and something to laugh at while we head into 2021.

Small axe: Mangrove nine

Snakk axe

I heard the true story of the Mangrove Nine but to see it play out over a 2 hour TV show is just amazing. I wasn’t sure what to expect but with the great director Steve McQueen, I had a sneaky suspicion it was going to be (8/10) great. Its almost so great to see UK black history on the screen, as its usually displaced by American black history.

Really looking forward to the other episodes.

Give the social dilemma some credit

There is a scene in the social dilemma which is quite impactful.

A character looks at her social media feed in the bathroom alone, she sighs and turns looks in to a mirror trying to understand the negative reaction shes getting. While she looked at her self a tear runs down her face.

The social dilemma

Its something easily overlooked but pretty powerful, I have to say watching it again.

The/our social dilemma documentary

The social dilemma

I just watched the social dilemma.

I have to say its actually very well produced and gets the points across in a way which I feel might actually cause some thought. We have heard this before in many different places but I liked the family story which gave it some well needed context. Although it does go maybe a bit too far in the story. Heck I was wondering if the son was about to get himself a gun…

My only really issue is its very American focused except Myanmar which received a short segment. The insiders don’t reflect the diversity of wider society but of course that speaks volume. But Cathy O’Neil said it best,

Do we really want to hand this problem over to technologists who helped create this problem?

Unfortunately that kind includes the well meaning Tristan Harris and many others on the documentary. Its interesting who isn’t in the documentary, such as people like Douglas Rushkoff, Doc Searls, Clay Shirky, etc.

Is it the business model, is it the economic model, shareholder value, lack of governmental pressure, legal regulation, monopolistic practices, undemocratic markets? Or is it actually a bit of all of them?

So its a 7/10 its good but I feel After Truth: Disinformation and the Cost of Fake News (2020) has the edge.

I guess the biggest question is what happens next? Will people actually act after seeing the documentary? Thats the big question.

Little note: I enjoyed the older sister reading The Age of Surveillance Capitalism on the sofa. I didn’t spot Cathy’s Weapons of math destruction and there was attribution to Natasha Schüll’s Addicted by design

The Future of Media with the Firestarter

Future insiders with Cathy Hackl

Future insiders with Cathy Hackl, was one of the last podcasts I did over the summer. Cathy Hackl I met a few years ago while in Belgium during Fuel 2018.

We chatted and shared many experiences including some of the diversity & inclusion in the industry. She was friendly and full of interesting thoughts about the future. I honestly warmed to her warm personality and it helped with Cathy being from a Lantio background when talking about D&I. It was also very clear Cathy was on her way upwards, her background working with the likes of Oculus, HTC Vive and Magic leap was just the start.

We stayed in touch and when I heard Cathy was setting up her own podcast I thought I need to subscribe. It wasn’t that long after Cathy got in touch and asked if I’d like to be guest on the show. Of course I agreed.

Massive thanks to Cathy for having me on as a guest, we certainly could have spoke for much longer. Hopefully this may happen much sooner than we think…?

If you are looking for the RSS feed its here.

I can’t tell you how much the firestarter title has gotten me places a producer couldn’t touch.

Tenet was it worth the wait? kinda yes?

This is a spoiler free review of Tenet, yes … Although I’d love to discuss it with others who have seen it soon.

I gave Tenet 8 out of 10. Yes its worth watching, twice (this is what I have done). You will need to see it twice to fully appreachate all of whats going on. The cinematography is top notch in Tenet, expect awards for this.

Its what Nolan is so good at, immersive pacey stories, in Tenet he’s run a little wild with the complexity. Don’t worry there is moments of calm and explaining whats actually happening throughout the film, but not a lot to make it feel boring or make the audience feel talked at.

We all know Nolan loves playing with the 4th dimension of time, although Tenet isn’t about time travel as such. Its likely the easist way to explain it to people but when you see the effect it makes for more difficulty than it needs to be.


It is complex yes but not Primer complex (spoilers ahead)… If you put Memento at one end and Inception at the other. It would be somewhere in the middle, although the actual concept of inversion is somewhere closer to the 5th dimension tesseract of interestellar. Nolan helps the audience understand the concept slowly then drops the ball on you but helps by colour coding whats actually happening from which point of view. It makes sense when you see the scene.

Tenet has all of Nolans mates (Sir Micheal Cane, Kenneth Brannagh, etc) are in the film but this time I think for the first time, the stars of the film are minorities not white men. I won’t say much more but Nolan plays with this throughout the film to good effect. Its a stark contrast to a number of previous films which he has been critisied for. Its got everything of the other big Nolan films except I would suggest the heart of Interstellar. The story with Kat is believeable and maybe if I saw the full uncut version (I saw the IMAX 12A version) I might feel stronger for Kat and her motovations. Its not as strong as the relationship of Coop and Murph in Interstellar.



There is signs of Nolans notions of storytelling too, with John David Washington actually calling himself the protagonist, then being cut down to say he’s one of a few protagonists. Nolan made clear this needed to be shown in CInemas especially the IMAX and I agree, the aspect ratio is 2.20 : 1 and its shot with lots of close up shots, making you feel like a mouse looking up a lot of the time. Its 100% shot with IMAX cameras and going to be a interesting crop on 1.85:1 (widescreen)

Question I had and sure others have (without reading the reviews), will there be a second Tenet? Tenet doesn’t do what inception did at the end but like interstellar could easily make a sequal if there was interest. There is a lot of bigger view questions which are not answered and could make a neat sequal.

Is Tenet actually a Inception sequal or prequal? I would say no but there is a parts missing where they could fit together quite nicely. I would suggest if this is true, Inception would be the prequal to Tenet with the CIA and rouge figures using technology for different purposes than first intended.

End of the day its a very good film but not going to knock Inception off the top spot.

Updated Thursday night

The Falken asked me, was it worth the risk?

I realised I didn’t actually say much about my experience of going to the cinema during Covid19. This is the context which is why Tenet was so important to cinema.

I went to the VUE Manchester which is in the city centre, meaning I could walk to the cinema and back home without using any transport at all. Bookings were done online, when you book there is 4 seats either side of you also booked (aka 2 per side). If you book for 2 people, exactly the same is applied instantly after confirming. This is also where they capture your info for the UK government track and trace

Booking cinema tickets

The seats are the modern cinema seats so there is quite a distance between people in front and behind. On arrival to the cinema, there is the usual one way in and one way out. There is no kiosk with people just ushers with PPE directing you. I believe you can buy a ticket from a automated kiosk which happened to be on the ground floor and away from everything else. Of course there is hand sanitizer everywhere and its the good stuff, which sprays and melts into the skin without much rubbing.

Ticket checks are done with the e-ticket/barcode on your phone at a safe distance. There are arrows everywhere and the food and drinks are still available but everything is now behind the counter. Entry times are staggered with longer adverts and more trailers (also kinda funny seeing the trailers for films which should have been out in April/May/June 2020! This is certainly something you would have thought Hollywood would have a grip on – certainly a reason for object based media).

The cinema doesn’t feel full with only a capacity of about one quarter (objectively). Like most of the UK masks are required indoors except when eating & drinking. As the cinema is a mix, you can walk around with no mask but its discouraged.

I personally wore my mask on both days I visited the cinema, all the time on day one and all the time except when eating icecream during the adverts and trailers. I certainly wasn’t the only one, as most people I could see before the lights went down were wearing masks in the cinema.

I choose the first showings of the day to insure the cinema would be very cleaned and setup for the next day. Having worked in cinemas in the past I know how little time you get to clean in between showings. I assume the times would change to allow more cleaning time now, but it seems to be another 10mins on top of the usual 20mins. Maybe there might be more staff cleaning now?

Generally I felt quite safe, the IMAX is a massive theatre with a lot of space even if someone gets up in the middle for the toilet (although they needed to go out the back down the stairs and back in from the front again), there is plenty of space to walk in front for a split second. If I was in a smaller cinema I might feel less safe.

On a whole it was good both times and I’ll visit when WW1984 hits the IMAX. By the way, I’m not so keen on the tag line in the UK for Tenet of “Bond on acid”

A open conversation about race with Tara & Stef from Truly Inc

During a very busy time over the last few months, I recorded a number of podcasts including the ones for the tech for good live (which I highly recommend listening to).

One of my friends from the past the incredible Tara Hunt aka Miss Rouge interviewed me for the Anatomy of White Supremacy in Marketing podcast (Anatomy of a strategy podcast). We sat back and just chatted, so theres a lot in the podcast which was cut but the core parts were contextualised and added to the 30min podcast.

I really enjoyed the conversation with Tara Hunt and Stef Forester (not related as she lost a R somewhere in the name). It was late night (almost midnight) when we recorded and although I was standing at my standing desk, we could have kept on going for another hour easily.

If I can offer a tip for new listeners of the Anatomy of White Supremacy in Marketing podcast. I would start with Tara and Stef talking about the bigger reasons for the podcast.

For the past few months, between COVID-19 and the Black Lives Matter protests, we’ve opted to put a pause on AoaS to create space for other conversations (with the exception of the episodes with Laura Fitton and Joe Jackman, which we thought were relevant to the COVID-19 discussion).

Now, we see that our silence on the topic of Black Lives Matter was akin to saying, “This is not our problem.” This was wrong and it took a Diversity, Equity & Inclusion facilitator, Karlyn Percil of KDPM Consulting Group, calling me (Tara) out on this silence to knock me out of my comfort zone (and white fragility).

So, Stef and I sat down and decided that we need to do the work and speak up about it and that this podcast was a fantastic place to start. This episode is the introduction to a series (which will be as long as it needs to be) of conversations with Black professionals in various parts of the marketing industry on their experiences, perspectives and insights into how marketing – as an industry, an institution and as a practice contributes to the perpetuation of white supremacy and anti-Black racism.

Then naturally the interview with moi before listening to the other great interviews which currently there is Anatomy of Code-Switching with Cher Jones.

Visiting the cinema to see Tenet on 26th Aug


I like this trailer unofficial trailer

I have been waiting for the cinemas in the UK to fully open to finally watch Tenet on the IMAX screen. Its 10 years since Inception and although I did spot a few cinemas replaying inception but there was no way I’d watch it unless it was on the IMAX screen.

I booked my ticket for Wednesday 26th August and while booking I noticed there is 2 clear seats either side of me. This is good but also great to know masks are required (unless eating/drinking – not sure how they maintain this?) Either way Vue have created a Covid19 video explaining what they have done.

Looking forward to finally seeing Tenet the way Christopher Nolan wanted it to be

Stellar’s freedom mix

Looking into the universe
Photo by Greg Rakozy on Unsplash

Not really had the time to do many mixes in the last few months. I did this one while wondering around the Manchester when the Covid19 lock down was lifted. Its not very long (less than a hour) but its a interesting quick blast through a few newer tunes.

I haven’t yet setup my funkwhale or airsonic instance, so its mixcloud for now. Although I am making cue files along side my nfo files.

Enjoy!

  1. Stella – Jam & Spoon
  2. Natural (extended mix) – KhoMha
  3. The Dark night – KhoMha
  4. Floyd (extended mix)  – Jerome Isma-Ae & Alastor
  5. Opium (quivver remix) – Jerome Isma-Ae & Alastor
  6. Open up – Leftfield
  7. Follow me (Roger shah Extended deeper translation remix) – Jam Spoon
  8. Running up the hill (Jerome Isma-Ae bootleg) – Placebo
  9. Freedom (extended mix) – ARTY vs Muvy
  10. Tears (protoculture remix) – Dakota

Update

Stellar’s Freedom made it to 78th in the global tech trance chart. Not bad as lots of DJs are now using Mixcloud in lockdown.

78th in the global techtrance chart

Update Monday 10th Aug

Another update to say Stellar’s Freedom is now at 47th in the global tech trance chart. I think its one of the highest rated mixes I have done. Going to need to do another one soon.

stellars freedom 47th in the global techtrance charts

Special editions of Tech for good live podcasts coming your way

Black Lives Matter - Cancelling cultur

About a month ago a few friends cc’ed me into a conversation with tech for good live on Twitter by friends

After a while we finally got talking agreed a schedule and I went about getting people to join me on the agreed 3 podcasts. I won’t lie, getting time with busy people in the middle of lockdown was difficult but I managed.

Now I’m very happy to see the first one with David EastmanErinma Ochu, Ethar Alali and Naomi Mwasambili

Enjoy it, email and rate techforgoodlive on google podcasts and itunes. Look out for the next two and thanks to pod.co for sponsoring techforgoodlive

I did talk about doing more around previously and now you can see some of the action I took to date.