— One Perfect Shot (@OnePerfectShot) October 6, 2019
Hoping for a better 4th film…
— One Perfect Shot (@OnePerfectShot) October 6, 2019
Hoping for a better 4th film…
I finally put down some money and got the Optoma HD143x, after lots of research and deciding that I will make it work somehow or send it back.
After about a hour and half fiddling with controls, moving the unit (I tried different heights and even the coffee table) and adjusting it a lot. At one point I tried putting the telephoto lens in front of the projector lens but the lens on the projector is so large I ended up with a quarter of the picture missing.
But finally I got a widescreen 16:9 picture at 1080p/60 resolution positioned on my screen/blind. Its clear that ideally the screen isn’t wide enough
Originally I had to set it to 4:3 stretching the picture vertically. I thought it was acceptable but then started thinking theres got to be way to fit a 16:9 picture on the screen.
Then finally I found a image shift and crop feature which allowed me to position the picture at its natural ratio of 16:9. Its not perfect but it works and means I’ll keep the projector.
So next thing to do is get a long HDMI cable and replace the VGA cable for the old projector with it in the room trunking. I also need a better more solid backstop to rest the projector on. Currently its resting on my headphone case and thats not ideal. The projector only really has one support at the front and gets unbalanced when the back is up off the ground.
The research paid off and and now I’m looking forward to hosting some nice film nights complete with 7.1 surround sound and fresh popcorn. What a great Christmas present!
One perfect shot have their best movies and it prompted me to rewrite about some of the films you may have missed last year.
This is court room battle with Thurgood Marshall, the first African-American Supreme Court Justice. At a time when racism denied him the ability to represent a client. Its smart, sometimes funny and sometimes tragic. Its a excellent watch and compelling story shot well.
This was a surprising film. The cinematography isn’t great and the story tends to lag in some parts but as a whole the film actually spiked my interest. Not for the faint hearted but not the usual nonsense horror you see.
If you haven’t seen Detroit, I don’t know what to say to you. Everytime I watch it, it makes me pretty sad to know its all based on real memories. Its super compelling and the pacing is perfect, with elements of lag to add emphasis to the scene.
Surprising indie film, about a man who kills everyone within a certain radius of himself. As the film unfolds, we get to learn more about him, her and why. Its cleverly unfolding with enough pace to keep you interested. Easily missed but a real gem.
I don’t usually like war films but this one involves 2 people and a voice (check the credits!). Doug Liman’s director touch makes the deadly cat-and-mouse tension so thick you can feel the sand in the air. Its amazing what you can do with a good story and a good director.
This film can be summed up as a fight for a child’s freedom or the fight for her gift. Somewhat feel good but its got a strong message about living and freedom. Don’t miss this film!
I quite enjoy these types of films, its like groundhog day, one of my favourite shows which got canned was daybreak. Time looping with different tries ending in the same or very similar results.
Drama with some horrific cliffhangers which gets you wondering what on earth you would do? Really got me, especially some of the twists and turns.
Best Arnie movie in a long time, I would say. Its slow building film not about the accident of the mid airplane crash but the need for closure & resolution. Based on a real mid aircrash, its excellently done with each character transforming over the course of film. Surprising ending too
I wasn’t sure I could see Harry Potter in the Jungle but this surprised me at how harrowing this film is. Bit like Extortion, it makes you wonder what you would do – although you won’t catch me in a jungle to be fair. Think of this film like 127 hours and touching the void. Another true life story dramatised
I have to say I’m pretty excited to see the Ghost in the Shell live action remake, that I bought a ticket for the 1 minute past midnight (0001) release on Thursday morning in the Odeon IMAX.
When I bought my ticket, the cinema seemed super quiet with only 12 people, which is suprising. So you have plenty of time to get you’re ticket and join me.
Maybe you don’t like the idea of going to the cinema late at night but I kind of love it. To be fair I watched Interstellar at 5am, Dark Knight rises at 8am, etc and I quite like it. Of course I would only do this for films which I felt was worth it, and I think Ghost in the Shell is certainly one of those.
I mean just look at the first 4:44mins…
This film puts a spin on the pretty woman thing, it could be seen as the anti-pretty woman film. Our heroine/Natalie is smart, quick thinking and knows what needs to be done. Shes very practical about everything, which is kind of refreshing. You could draw parallels with the girlfriend experience but it’s much more fun and doesn’t take itself so seriously.
Interestingly all the men in this film seem to be a little dim, at least in comparrison to Natalie.
If you haven’t seen this film you are missing out on quite a intense film. The premise is simple, do they launch a targetted drone attack on a house in Kenya? One with a known terrorist that has been confirmed. But it’s complex and gets more complicated as time goes on, the exact thing you don’t have time! The pace and suspense in the film is great.
Everybody involved do a great job portraying the decision process and you can feel the tension in the air. It’s also one of Alan Rickman last films before he died.
I have no words to explain the Lobster except if you liked I heart Huckabees, you will be in good company here. It’s kinda crazy but being very into how people date find it hysterical. There’s also some deep rooted messages about societys push to bring people together and not being complete without someone else. You can never be happy alone, well if you are; you get turned into a animal.
Very weird film you have been warned!
I saw this late one night and was kinda gripped. To be fair the first time I saw it, it was German language with no Engliah subtitles. The English parts had subtitles in German; it was quite unique from a outsiders point of view.
Victoria is a Engliah woman working in Berlin and goes out one night alone (as I have done many times). She understands a basic amount of German to get the basics done but she meets up with 3 men that night. They have an experience like no other. My instant thought was she was in danger of being attacked or worst. I kept saying “go home, leave, turn back.” What actually happens is on the verge of crazy, and makes me think hummmmm next time I go wondering the streets of Tokyo, San Diego, NewYork, Bucharest maybe I should be a little more careful?
Good film, highly recommend trying it first time without english subtitles to get the full effect of being in Victoria’s position. Being daze and confused about what they are saying; will add a lot, even if you know a bit of German.
This film was quite popular so I won’t be surprised if you already seen it. Imagine living in a small room for you’re whole life! Not being able to leave ever and having a young child which has never known outside that room. Its quite a unbelieveable story but its the detail which drives the drama. Can’t really think of a film like it really except maybe 10 cloverfield lane.
I’m not a horror fan (not because I’m scared of them but I don’t jump at scary bits and find gore just boring) however, I found even lambs have teeth more thriller with horror elements. Its a basic plot but it kinda reminds me of kill bill and falling down in the second part. Revenge is certainly served and it’s vicious!
Temptation is killer and a bit like Victoria, you are wondering where things are going. I guess unlike that film, most people (mainly men) will be saying keep going. What the hell, what difference does a night make? Well the results of that are shocking. Yes its drama but on another level.
Good reminder to keep you’re wits about you, not cave into temptation and bloody think! When you know its going to drop you into the deep end, just stop and think! This is the lambs have teeth type crazyness without the gore.
I won’t lie it’s hated by many but I just found the film great for focusing on dj and dance culture. It’s certainly no Kevin and Perry go large but it’s not going to be a classic like human traffic. Maybe it’s more like groove crossed with the drama of go.
The characters are a little wolly but it doesn’t matter as the music speaks for everybody in this movie.
Such a great film and Jesse Owens story is so amazing. Facing the racism from the germans is one thing but also from your own nation and team mates is hard to take. Its crazy to remember even in 1936, there was such vicious racism in the states. If you are not outraged, sadden and uplifted by the end of the film, you need to check your human attributes (no spoilers). It is an incredible story and told extremely well in this film. Do not miss this, its one of my films for 2016.
Thanks to a friend’s wife, we were able to get the IKEA tupplur projector screen up today (its really a 2 person job). On the evening I set the little panasonic projector back up and tried out Inception (what better?)
It works just as Ikea hackers and AV forums suggested and after another trip to IKEA, they finally had a extendable rod (they never had one previously) to pull the whole thing down. Unfortunally due to the change in living room layout, I can’t really have the projector on the bottom of the coffee table anymore (there is only so far keystone will go). But once positioned on top of the table and after dropping the resolution down to XGA instead of 1080p (the projector doesn’t really support anything over 1024×768 and tends to cut off the rest, but at least my Kodi machine outputs the same image to both outputs, meaning I don’t need to unplug or blank one screen each time)
In the meanwhile, I’ll be standing on a the step ladder pulling the screen back up!
Following the success of Limitless the TV series, maybe its time for Inception the TV series? I mean its been talked about in many circles, heck there was the motion comic, and even REM which became Awake.
They say TV is the new Cinema, well maybe its time? Christopher? Chris please?
I mentioned, TV is the new cinema.
Forget what you’ve read about cinema’s dominance over the small screen. Television has plenty to teach the movies about characterisation, storytelling and breaking new talent.
And the differences and experience between Cloud Atlas and Sense 8 for the Wachowskis. TV allows for build up and character building cinema can only dream about. This is especially good when thinking about universes such as the Marvel one.
Chris said he would love to see inception as a TV series? I obviously am in total agreement.
This isn’t anything new but it certainly got me thinking about other films which could be better told in a TV series and heck a game/experience?
It strikes me that any film with plot device like eternal sunshine of the spotless mind, chronicle, etc… could work. Similar to person of interest, where small things happen every episode but theres a over arching plot leading to something much bigger.
An ex-assassin and a wealthy programmer save lives via a surveillance AI that sends them the identities of civilians involved in impending crimes. However, the details of the crimes–including the civilians’ roles–are left a mystery.
But heres a bunch you may have missed…
71 is a movie that I usually wouldn’t enjoy but unlike unbroken (which started well but pulled too many heartstrings). The 71 tells a story about the conflict in northern Ireland. Its got a few small twists and turns but takes you in for a good ride.
This one is a interesting tale which hinges on the balance of science and spiritual belief. Like Lost Its hard to describe but its a heros journey as the man of science tries to grapple with things which directly conflict with what he can prove. I like the style of the the film as most scenes look simply gorgeous and the focus on the human eye was always going to be a winner from a photography point of view.
This reminds me of the Martha Marcy May Marlene. Its all about mind manipulation, brainwashing and deprogramming, its pretty wrong. It also reminds me of Suicide Kings, but faults goes much deeper. Watch and be shocked… Reminds me I need to read the back story for this.
Everytime I watch this, I side with one side or the other. I keep thinking who wound whom up and when they could have stopped. But honestly the ending is excellent and will have you punching the sky. If you missed it in the cinema, get it in DTS and play it loud!
Very good film which surprised me as I knew nothing about it. Then as it unfolds you realise this is actually a true story not just the stuff you heard about. I understand why I didn’t get much attention but it deserves so much more.
Time travel! You know how much I love time travel films. Predestination is good but its not quite a Donnie Darko. Its more of looper I would say but worthy of a good watch a few times over to understand what is going on.
This movie is a surprisingly good time travelling film. It feels on the lower end of the budget, but not a primer style budget. Its a good story told but certainly doesn’t have the depth of primer. Its quite constrained and I guess compared to Predestination, its slightly less confusing.
Continuing with the time travel theme. Project Alamnc feels like a cross between Primer, Timelapse and Chronicle in filming style. Its a MTV film, so its full of teenagers partying and usual music stuff. Even with all that, its quite a solid movie with the ups and downs. The ending is a let down but if you compare it to other teenager films it stands its ground well.
I don’t quite know what to say about this film except it kind of jumps the shark so many times you have no idea what on earth is going on. Maybe its because I’m not paying too much attention everytime I see it but I’m keep wondering what on earth? The computer screen stuff is hysterical too but reminds me of a higher budget welcometothescene.
Its not usual that I can recommend a rom-com but this one has some hairy balls. Its funny and tragic but even though you know whats going to happen at the end, its interesting to see their marriage break down and the things they do to get it back on track. The premise that some people are simply not suitable for each other is a worth while message throughout.
I have to give film critic Mark Kermode’s series about the economic realities of the film industry, a thumbs up. Its in 3 parts and available forever as a podcast. Its well worth listening to if you are a film fan
Mark Kermode charts the cycle of ‘development hell’, where producers turn in scripts, listen to conflicting opinions and resubmit their work hoping for that magical green light.
I especially love the donnie darko reference and I do think Matthew Vaughn has a very good point.
Mark Kermode examines how films get financed and distributed. The challenge, of course, is that nobody knows the ultimate appeal of the film.
I’m really feeling this as I try and put a project I’m working on forward (I’ll explain more in the future).
Mark Kermode considers the crucial moment in a film’s life – the opening weekend. Marketing may convince us of a film’s merit but a tweet can ruin even the most inventive campaign.
I’m pretty sure I’ve talked about this type of thing many times over this blog but its fascinating to hear regardless.
“Orange Wednesday launched over a decade ago and at its peak was a massive success and an iconic promotion,” the company said in a statement.
“After 10 great years our brand has changed and our customers’ viewing habits have also evolved so it’s time to move on.
Yep I thought so…
Although something smells like the cinemas may have wanted more of a cut that originally agreed. I wouldn’t be surprised…
This would also mean (if it still ran) no more Salford Cinema Club.
It seems to me like Christopher Nolan is the only one worth getting out of bed early or late for. Over the last few year, I got up for Inception at 12am, Dark Knight rises at 5am and now Interstellar at 8:15am. All have been in the Manchester (which is thankfully a real 70mm IMAX).
So was Interstellar worth getting out of bed early for? YES and I’ll be watching it again on Sunday.
Interstellar is a love story told over space and time. It very much reminds me of Voices of a distant star and Contact. Both emotional and stunning to watch. Attention to detail is incredible too. It does pull at the heart strings and you can’t help but shed a tear here and there.
8.5/10 for me and I’m not the only one.
Oh and thanks to Jaz for pointing out that there’s actually up to 6 different versions of Interstellar available. I went for the 70mm IMAX originally and then watch it again in standard 35mm at the Cornerhouse Cinema on Sunday. The difference is certainly the quality of some shots but also the lack of immersion.
…One of the coolest ideas behind the film “Inception” is that the entire film was widely reported on the internet to be a metaphor for cinema. Cinema creates an artificial dream world and invites the audience into that dream that we then fill with our subconscious. We already have dream sharing technology. It’s called cinema.I am a story junkie and I am immersion junkie.
The dream is real…? Now that makes sense…
I had never heard this but then again at the build up of Inception, I was kinda of busy. Mind blown!
This was taken from a interview with Jason Silva. It really got me thinking while reading it on my kindle today. I specially love this reply to Why are you so fascinated about what happens to our brains when we watch movies?
Diana Slattery writes that Immersion is a “necessary precursor for any kind of interpersonal persuasion or transformation to occur”.. Janet Murray writes that we “long to be immersed” and that we “actively metabolize belief in story”… because we are effectively narrative beings.I’m fascinated by the liminal spaces we enter when we are absorbed by cinema: that magical borderland between dreams and reality, the space of archetype, of myth, of madness and ecstasy, the landscape of the imagination, freed from the constraints of time/space/ distance.Cinema is the realm of subjectivity. The only technology that allows us to enter the mind of another. Cinema is cartography for the mind. As Gene Youngblood wrote: “cinema reflects mankind’s historical drive to manifest his consciousness outside of his mind in front of his eyes”
A lonely writer develops an unlikely relationship with his newly purchased operating system that’s designed to meet his every need.
This is a really good film. Some parts are funny and some parts are tragic. But this isn’t a review of a really good film but rather a look at the technology in the film her. There might be some mild spoilers and I would recommend not reading till you’ve seen it in full.
When I first heard about Her, I thought oh no here comes another S1mOne. Don’t get me wrong S1mOne is ok but gets a little silly in parts. Her on the other hand is smart and although it does go towards the obvious, it pulls back and finds a new more interesting path.
A few weeks into the making of Her, Spike Jonze’s new flick about romance in the age of artificial intelligence, the director had something of a breakthrough. After poring over the work of Ray Kurzweil and other futurists trying to figure out how, exactly, his artificially intelligent female lead should operate, Jonze arrived at a critical insight: Her, he realised, isn’t a movie about technology. It’s a movie about people. With that, the film took shape. Sure, it takes place in the future, but what it’s really concerned with are human relationships, as fragile and complicated as they’ve been from the start.
The film is certainly about people and our relationships in the age of artificial intelligence. Reminds me very much of the book which imran gifted me which I’ve still not read completely, love in the age of algorithms.
But whats really interesting is the simplicity of the technology. Pretty much every interaction is with voice. There’s little interaction with screens, although there are giant screens in some of the shots. Even the camera which the main character uses looks underwhelming simple. I can only suggest in the near future we started to solve the power/battery problems of today.
We decided that the movie wasn’t about technology, or if it was, that the technology should be invisible,” he says. “And not invisible like a piece of glass.” Technology hasn’t disappeared, in other words. It’s dissolved into everyday life.
Here’s another way of putting it. It’s not just that Her, the movie, is focused on people. It also shows us a future where technology is more people-centric. The world Her shows us is one where the technology has receded, or one where we’ve let it recede. It’s a world where the pendulum has swung back the other direction, where a new generation of designers and consumers have accepted that technology isn’t an end in itself-that it’s the real world we’re supposed to be connecting to.
I think Wired is right, the movie is a total U turn on the likes of Minority Report and Blade Runner. There is a great scene where our main character is lying on the grass in a field. He’s talking to the AI like she is lying right next to him. The cinematography actually applies it from the camera angle.
All of these things contribute to a compelling, cohesive vision of the future — one that’s dramatically different from what we usually see in these types of movies. You could say that Her is, in fact, a counterpoint to that prevailing vision of the future — the anti-Minority Report. Imagining its world wasn’t about heaping new technology on society as we know it today. It was looking at those places where technology could fade into the background, integrate more seamlessly.
After that Wired goes into depth about the User Interface being vocal and how its a perfect fit for the cinema. I don’t disagree but its only one of many types of User Interfaces which can be available. I do agree its a nice depart from touch interfaces which is in most films.
But the AI isn’t simply voice alone (this has been done many times in cinema too), its context sensitive, its perceptive! This is what brings the sense of magic to the exchanges. The AI seems like she is there talking and taking it all in. All those subtle gestures, human expressions, etc. They are all taken into account, making the AI seem very human.
…we’re already making progress down this path. In something as simple as a responsive web layout or iOS 7′s “Do Not Disturb” feature, we’re starting to see designs that are more perceptive about the real world context surrounding them-where or how or when they’re being used. Google Now and other types of predictive software are ushering in a new era of more personalised, more intelligent apps.
Arthur C. Clarke said…
Her is does have a magic quality, its not the best film I’ve seen this year but its one which I do think will cause a trend showcasing different user interfaces in movies, instead of defaulting to the usual push/pull/touch interfaces.
Its well worth watching and enjoying, just don’t think about S1m0ne beforehand.
(What is up with Flickr’s new embed system!)
I remember my first time. May, 1995. A Wednesday. A student house in Coventry, and I uttered the fateful words “anyone fancy the cinema tonight? There’s a film called Hackers that looks great”. And not one of them wanted to come, the selfish bunch. Too interested in playing Doom on their PC, watching The Bill or listening to this ‘Britpop’ stuff. They certainly weren’t busy cleaning the kitchen.
So I made my mind up, walked out of the house and settled down at the Odeon by myself. I loved every minute of the Jonny Lee Miller/Angelina Jolie electro nonsense on my lonesome. And I’ve been enjoying the joys of solo cinema for many years since.
I’ve been known to like going to the cinema by myself sometimes and the reasoning isn’t far wrong…
Some of the best films I’ve watched have been alone including Inception, The Matrix, Donnie Darko, etc… Ok not all of them have been in the cinema but they have all been in a darken room