It works right? Almost like its was done intentionally? Or maybe our minds makes sense of what we see?
Following the success of Limitless the TV series, maybe its time for Inception the TV series? I mean its been talked about in many circles, heck there was the motion comic, and even REM which became Awake.
They say TV is the new Cinema, well maybe its time? Christopher? Chris please?
I mentioned, TV is the new cinema.
Forget what you’ve read about cinema’s dominance over the small screen. Television has plenty to teach the movies about characterisation, storytelling and breaking new talent.
And the differences and experience between Cloud Atlas and Sense 8 for the Wachowskis. TV allows for build up and character building cinema can only dream about. This is especially good when thinking about universes such as the Marvel one.
Chris said he would love to see inception as a TV series? I obviously am in total agreement.
This isn’t anything new but it certainly got me thinking about other films which could be better told in a TV series and heck a game/experience?
It strikes me that any film with plot device like eternal sunshine of the spotless mind, chronicle, etc… could work. Similar to person of interest, where small things happen every episode but theres a over arching plot leading to something much bigger.
An ex-assassin and a wealthy programmer save lives via a surveillance AI that sends them the identities of civilians involved in impending crimes. However, the details of the crimes–including the civilians’ roles–are left a mystery.
It seems to me like Christopher Nolan is the only one worth getting out of bed early or late for. Over the last few year, I got up for Inception at 12am, Dark Knight rises at 5am and now Interstellar at 8:15am. All have been in the Manchester (which is thankfully a real 70mm IMAX).
So was Interstellar worth getting out of bed early for? YES and I’ll be watching it again on Sunday.
Interstellar is a love story told over space and time. It very much reminds me of Voices of a distant star and Contact. Both emotional and stunning to watch. Attention to detail is incredible too. It does pull at the heart strings and you can’t help but shed a tear here and there.
8.5/10 for me and I’m not the only one.
Oh and thanks to Jaz for pointing out that there’s actually up to 6 different versions of Interstellar available. I went for the 70mm IMAX originally and then watch it again in standard 35mm at the Cornerhouse Cinema on Sunday. The difference is certainly the quality of some shots but also the lack of immersion.
There will be *no spoilers* in this micro-review for the dark knight rises. In actual fact this is more about my experience of waking up at 3am to head to the Odeon IMAX at 4am
Yes I did the whole 5am thing and actually really enjoyed it, somewhat more than the Tron Legacy 12:01am opening thing which had me wishing I had gone to bed instead (plus I wasn’t impressed with the film besides the 3D). However I got up at 3:05am, jumped in the shower and had breakfast. I didn’t leave the flat till 3:50am which had me rushing along the very wet but pretty quiet streets.
I decided if I saw a cab I would jump into it because it was really coming down (as it does too often in Manchester). Of course I didn’t see any cabs with there yellow lights on and I just kept walking. By the time I got through the Northern Quarter it was pointless getting a cab and I walked into the Printworks complex from the east side to find a massive queue of people waiting to get into the actual Odeon. This took me back because I was planning to be there about 4am but I had arrived about 4:15am. So much for getting a decent seat I thought. But then the line started the move as the doors opened and people walked in single file. Almost everyone ran towards the ticket pickup machines and box office while a few of us went straight up to the 1st floor to the IMAX.
I was expecting another queue but it was straight into the IMAX and I must have been about 50/60th in to the cinema meaning I could get the row just in front of the Premiere seating (row G). Generally I find row G, H and I are the sweet spots for most cinemas. Of course I didn’t get the centre but I got left of it then the couple I sat next to moved because they were actually booked in the premiere seats. Meaning I could move closer to the middle.
The Odeon staff were pretty good about the whole thing with loud atmospheric music from previous Nolan films playing. The Inception sound track got a massive smile from me. However when it came to the moment we waited for, there was a delay while they had to restart the IMAX projector. Not elegant but after 3mins we were away.
The dark knight rises takes place in a time after the dark knight when the cops of the city are pretty much use to keeping the peace and not much else. Of course the dark knight comes back however against Bane played by Tom Hardy he’s pretty much out of sorts. Bane’s presence on screen is amazing and you can really feel the bass in his breathing and speech. Other characters are also great including Catwoman… I read a review somewhere else saying it was an emotional end to a great series and there not wrong. The heart strings are pulled but not in a gimmicky way. Confidence, Self believe and wellbeing, all come into play. This will touch some and will float over the head of many others (so expect lots of disappointed people)
However before I start talking about the plot and spoil it for you all. I would like to say this film is the defining reason to watch it in the IMAX.
Containing over an hour of IMAX footage, the movie leaps up on the giant screen, absorbing and lush and practically enveloping the audience in its 70 mm celluloid. The most notable use of IMAX from The Dark Knight, the swooping overhead city shot at the beginning of the film, is repeated over and over again in The Dark Knight Rises, but it never loses its impact. We constantly see Gotham from above, and it fills the entire screen and our entire field of vision; just as Batman is committed fully to this city, we cannot escape it.
I swear my jaw was locked in place and chin on the floor for most of the later parts of the film. It was stunning and absorbing. The level of immersion was breathtaking. I’m so glad I got a chance to watch it in the IMAX first and I’m lucky enough to live close to a real IMAX. Unlike previous films by Nolan and others, its been clear when its the IMAX camera and not. Don’t get me wrong it was still clear but the difference this time is there was plenty of footage, enough to make it blur together.
For me the Dark Knight Rises was a masterpiece. I won’t be watching it as many times as Inception but Nolan once again has done himself and his audience proud with something which people thought couldn’t be reborn. He for me and others is the greatest director ever now. What ever he touches turns to gold… Dark Knight Rises was simply EPIC!
The dark knight rises should beat the avengers and set the world record for the biggest grossing weekend in current film history, specially with its 12 cert. But please spare a thought for those killed and injured in Colorado the same time I was glued to my seat watching the dark knight rises…
And so, as promised, this is the follow up to the teaser. Here we have a full length (well, a bit longer than the norm, but hey, what can you do…hahaha) theatrical trailer that delves a little deeper into the story behind The Batman Complex. As explained in the teaser, the gist of the idea revolves around a few fun topics, mainly the whole “what is real?” train of thought, and also every fans desire, deep down or upfront, to be Batman at least once in their lives. LOL. And so, I tried to craft a story where we see what happens when someone takes their dream of being Batman a little bit too far. An idea, after all, is a truly resilient parasite. 😉
While some of it is still left a bit ambiguous (both unintentionally and intentionally – while there’s only so much that can be strung together, I often like to leave a little bit open so as to see what fellow fans are able to imagine/create), I believe it offers a bit more than the teaser. As you might be able to tell, the theatrical trailer takes on less of a “horror” vibe than the teaser. For this extended look, I wanted to focus more on the character aspects (and a bit of the tragedy as well), and attempt to move past the initial shock of the psychological twist. One aspect I tried to hint at was the paralleling descent of both Bruce and Cobb. As Cobb and the team go deeper into Bruce’s mind, they start to encounter the truly dark issues that his subconscious houses. As a result, Cobb himself gets caught up in the obsession of all that lingers in the mind of a Batman. There are a couple fun things in there that are best left to surprise, but all in all, I’m relatively happy with how it turned out. It’s fairly fast paced and doesn’t leave much room to breath, which helps amplify the tension I think. But that’s just me. I hope it works just as well as the teaser did.
As for the future of the project, I’m not sure what’s next. I don’t think I’ll do a second theatrical trailer. Maybe a couple of TV spots, but other than that, I think I’ll let this one remain as it is. We’ll see. Perhaps I’ll be further inspired by some other ideas that’ll come to me in a dream… 😉