During the pandemic, I picked up the Diabolo and did a lot of practicing. First in the community garden during the lockdown and then when things opened up again out and about.
I have a ton of videos with my go pro 5 session camera but every once in a while I found a certain shot which looked quite impressive. Especially during dusk with the camera pointing into the last of the sunlight.
Although I uploaded a few to Youtube, I really found the single shots worthy of saving alone. Especially when setting the GoPro to 90fps to get even less blur. In the past I likely would have used flickr but with my interest in the fediverse, it made sense to sign up to pixelfed, which I may self host in the near future.
I decided to use the biggest instance of pixelfed for now, as moving shouldn’t be a problem and of course I have the originals and they make export and nice and easy.
I’ll be posting more there now summer is on its way.
I have heard so much about Berghain, which I have never been to but remember it being called something else (Ostgut/Snax?). It certainly wasn’t a place I was that interested in going to as a young twenty old to be fair.
The drugs is something worth talking about. I remember going to raves and the absolute dangerous politics around drugs testing. Its not ideal but with the drugs laws as they are, anything to help drug users make more informed choices is important I would say. I remember spending lots of time in the rave first aid rooms (mainly with a asthmatic attack) and seeing ravers who have had spiked pills, overdosed, etc. I couldn’t understand how the laws could be so mindlessly and badly written in the face of reality.
Would Jennifer and Carlo have made the choice to take the ecstasy knowing the dosage was so high? Who can say? But I like to think they might have reconsidered taking two?
My finally setup was something I was playing with for ages but mainly via a self installed wordpress on my raspberrypi. I found problems when installing hyperaudio and in the end decided to go with a static website. I choose Publii as it had a linux client and I could just write the HTML easily (so many use markdown and other things, which would have made working with hyperaudio more difficult than it needs to be)
With the site creation out the way, I needed somewhere to host it.
Originally I was going to use Yunohost but I couldn’t find a simple webserver to just host the static files, instead I found a proxy server, which points at my NAS, which is running a very simple webserver. Of course the NAS has plenty of space, its also where the mixes sit, has a excellent redundancy and backup system.
Originally I always saw Hyperaudio for its ability to tie a knot between the written word and the audio (& video). It wasn’t till I saw a demo of the WebMon functionality is when I understood it could be the thing I need for DJ mixes.
With correctly written HTML, I can tell Hyperaudio what it should do, and with Mark’s help we had a prototype up and running.
<li class="active" data-wm="$ilp.uphold.com/B69UrXkYeQPr">
<span data-m="0">Activator, I know you can (That kid chris mix) - Whatever girl</span></li>
<li data-wm="$ilp.uphold.com/3h66mKZLrgQZ"><span data-m="127000">Air traffic (Erik De Koning remix) - Three drives</span></li>
<li data-wm="$ilp.uphold.com/B69UrXkYeQPr"><span data-m="445000">Chinook - Markus Schulz pres. Dakota</span></li>
<li data-wm="$ilp.uphold.com/3h66mKZLrgQZ"><span data-m="632000">Opium (Quivver remix) - Jerome Isma-Ae & Alastor</span></li>
Each tune has a time configured using the attribute data-m, this is in milliseconds. As I have all the data in the old CUE files I created a long time ago. Mark helped me out with a nice script which saved me manually copying and pasting. (I also considered writing a XSLT to do the conversion). In between sleeping and relaxing with Covid, I got a number of mixes up, changed the theming and finally got to grips with the static file uploading process, and the results you can see on the site.
Payment and royalties
You will also notice each tune/list item also has data=”wm” attribute with a $ilp (payment pointers). Currently they are pointing to myself and Mark Boas. Obviously I would change them to the payment pointers of the artists/producers/djs involved but I don’t know any which have them so far. Which leads nicely on to the next challenge for WebMix.
I did/do have a plan to do a mix with dance music from artists which have payment providers but that is still in the pipeline. Along side this, myself and Mark thought about some kind of database/airtable/spreadsheet/etc with payment pointers crossed linked to their discogs profile.
Back to the current experiment, here is Opium (Quivver Remix) – Jerome Isma-Ae Alastor. You could imagine one payment provider decided between all involved which could be used to pay for each time its played on the site. (I am very aware this is very simplex and the royalties of music is a total nightmare!) but the point of the payment pointer is to hide the complexity behind one simple payment pointer, how its divided afterwards is up to each of the parties involved. I’m imagining a management agent, organisation or even dare I say it DAO; responsible for the payment pointer. There’s already things like revshare, which means you can have multiple people/entities behind the payment pointer and theres interest in this space. Long tail economics certainly could benefit here.
Anyway its a long complex area which I’m best staying out of…?
The main point is its all working and expect more updates soon… I know Mark has other ideas, while I still need to get older mixes up. I also would like to tie the whole thing to something federated or at very least setup a activity-pub feed.
I finally got Covid19, where from exactly? I gather somewhere in Brussels or else where on my travels. Its been a super busy few weeks and my immune system wasn’t exactly in top form with the shifting sleep patterns recently.
To be clear, I am ok. Its not mild like a bit of a cold but its also not a case of going to hospital. I’ve had my 2 shots of the vaccine and a booster late last year just as omicron took hold in the UK. But I was shocked when the 2 red lines appeared on the rapid tests which has always been one red line. To be fair 2+ years without catching Covid once is good going.
While in Brussels, I started feeling my feet blowing up with large bumps, sometimes it became a bit painful to walk with pace. I thought it was an allergic reaction because my fingers started getting something which I would class as hives and I couldn’t even wear my Oura ring on the usual fingers. That plus my lips felt puffy and everything felt super dry no matter what I added to them.
Because of this all, I’m taking time off to recover. Mainly watching films and TV shows and maybe a bit of reading. Nothing which requires a lot of focus & attention.
The Ethical Dilemma Cafe Manchester happened last week on Tuesday 26-Wednesday 27th April. It was quite something to build, prepare and experience.
Building on the ethical dilemma cafe in Mozfest 2014, we took the idea into a real working cafe complete with the public coming and going, but experiencing the dilemma.
When I say the dilemma, what do I mean? In 2014…
The café offered popcorn, juice, and smoothies not found anywhere else at the festival, but to enter the café, you had to cross a boundary that required a ridiculous data user agreement. As part of this agreement, your personal information would be plastered through the festival’s halls hours later. This experience was about getting out of a chair and experiencing the dilemma in a real, tangible way. Would you read the agreement in order to obtain a glass of juice? Ignore the agreement and quench your thirst in ignorant bliss? Or read the agreement and walk away, and try to find snacks elsewhere because the agreement was unacceptable?
While in 2022 with the changes in how mobile phones are less leaky about data and a ton of frankly new challenges (some are explored in our virtual mozfest 2022 session), we decided to explore both the QR code and personal data sharing problems.
People scanned a QR code, signed up to a fake cafe ordering system with their email or social media login. After that, they are forced to answer a question before being presented with a QR code which can be scanned for a hot drink (or looking at the very very long receipt, cold drinks). If you went for a second, third, etc drink you will get more and much more personal questions. We had 5 levels of questions and the single 5th question was deeply personal. Is the coffee really worth it
Sometimes almost by random, the QR code would switch to a public rick roll (making clear you should be careful what you scan) but most of the time you get the webapp which will use any data used.
The biggest output being the questions and answers on a screen right on the cafe bar. Of course there were some intriguing answers to our questions.
I’m still wondering who wrote the answer with my name in it?
What do you value in a friendship? When Ian Forrester gives chocolate 😉
The Dilemma is just the start, as there was a whole number of talks, workshops and exhibits/interventions.
On the exhibits end we had everything from the human values postcards by BBC R&D and is everybody happy by Open Data Manchester to Presence robots (reverse metaverse) to the Caravan of the future.
Talks included Designing the Internet for Children with the ICO, Keeping Trusted News Safe Online with BBC R&D, Trustworthy AI – what do we mean when we say with Mozilla.
Talks were kept to 15mins as it went out to the whole cafe and people were encouraged to take a table to keep the conversation going afterwards. In typical Mozfest style.
Finally the workshops included Materialising the Immaterial with Northumbria University, Designing the Internet for Children with the ICO, Why might you personalise your news with BBC R&D, Common Voice / Contribute-a-ton with Mozilla.
In the usual Mozfest style there was plenty of great moments for example when the traffic warden came to check out the Caravan of the Future.
There was plenty of interest in the reverse metaverse (presence bots), which was one of the projects which run through out the 2 days. Like the original ethical dilemma cafe, we wanted to expose people to work in progress rather than a museum, where everything is perfectly working. When they worked it really worked well.
To get a real sense of the reverse metaverse / presence bot, I recorded Jasmine for a short while with a remote person.
Does it understand me, is a speech to text system trained using the similar/same algorithms as the Amazon Alexa. It was so weird to see how when it got the wrong word, it guessed with something so strange. Like Deliveroo and Kindle?
Having the public come into the space was a positive, as many of the regulars popped in and end up going to a workshop or checking out a few of the interventions. Even better was having the staff of the feel good cafe joining in and enjoying the event. There’s a few times, when I overheard people asking what was going on and then the staff suggesting checking out the loom, human values postcards, etc.
The concept really came together well over the two days. Its something which will come back in other forms. Keep an eye out for future iterations of the ethical dilemma cafe soon.
Massive thanks to everyone involved in the Ethical Dilemma Cafe, so many people from the Mozilla Foundation, who took over a hotel in the northern quarter (it was so strange seeing people I usually see on Zoom or in London only 10mins away from my home), all the partners who took a leap of faith with the concept bringing their research and passion to the cafe. The cafe and the amazing woman (can’t remember her name) who really went with the concept. All the people who helped promote it and encourage others to join us over the 2 days. My colleagues who pulled out a number of stops to make things like the coffee with strings, reverse metaverse bots, etc. All amazing along with the talks and workshops, which nicely fitted with our partners. Thanks to the security guard who worked 2 full days and his presence was just right. Finally thank you to all the people who traveled sometimes from quite far to make the event, because without you there would be no ethical dilemma cafe.
There is likely people I have forgotten and I have deliberately not named anyone in-case I miss anyone by name. But I thank everybody especially Sarah, Lucie, Jasmine, Marc, Henry, Iain, Julian, Sam, Laura, Paul, Jesse, Bob, Steph, Lianne, Jimmy, Bill, Zach, Michael, Juliet, Georgina, Todd, Charlie, etc.
There is so much I can say about the film but I gave it 8/10 because its truly incredible. Not only is the multiverse and quantum science really interesting in it, not only is the film a genuinely different from everything out there, heartfelt (Its super touching in parts) but also funny as hell (absolutely hysterical in parts, and doesn’t take its self too seriously).
Honestly go watch it on the biggest screen you can! Watching it in the IMAX (it was formatted for IMAX) in row C (I know it was insane but fitting for the insanity which was unfolding) it was just full on!
You might also note in the picture above both directors opened the preview, which was a total shock because I knew the BFI IMAX in Waterloo had a Q&A with the director’s (the Daniels) but this was a big surprise!
To quote Buckminster Fuller “You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.”
Ian thinks: This reminds me of the community WiFi initiatives, which filled in the gaps of big internet companies which refused to support smaller communities. However I can see these growing, with the backlash against generic speedy delivery systems.
Ian thinks: Not my usual interest but shrinking fast fashion’s carbon footprint is interesting. However its the community focus and peer 2 peer model which elevates it into this line up this month. Expect this business model to be duplicated over and over again.
Ian thinks: This BBC Click episode is focused on solar technology and there are some impressive developments. The limits are made clear but frankly I’m reconsidering my next pair of headphones.
Ian thinks: Much has been written about the recent announcement to sell off Channel 4 but the misunderstanding of the business model of Channel 4 isn’t just embarrassing but shocking that people assume the model is one way.
Ian thinks: I always liked the idea of leap frogging in tech but things tend not to stick unless there is influence from governments or a ground swell of community support.
Ian thinks: The joy of tinkering, making, and sharing is part of the human condition. In modern times, this creative freedom too often is stifled by secrecy as a means of monetization – from non-compete laws to quashing people’s right to repair the products they’ve already paid for.
Ian thinks: The whole Elon and twitter saga is simply boring, and I do not buy Elon’s idea of Twitter being the public square. Paul’s piece sums up some critical thoughts around this all.
Question: What do you value most in a friendship? Answer: When Ian Forrester gives chocolate 😉
Seen completely out of the blue while in the Mozilla/BBC Ethical Dilemma Cafe last week. I had to do a double take when I saw my name.
Question: What do you value most in a friendship? Answer: When Ian Forrester gives chocolate 😉
The screen was part the ethical dilemma, where people use a QR code to register for free hot drinks but in return they need to answer personal questions getting more and more personal/intrusive the more hot drinks you have.
Do I know who wrote the answer?
Actually I do not, but I have a small number of people who I do think it could be…
Look out for a full blog post in the next few weeks.
I am super skeptical of any new social network claiming to be more ethical.
These days social media seems to be full of pictures that have been filtered, photoshopped or altered in some other way. But that’s not the case with BeReal, which is all about sharing an unaltered snapshot of your life in real time.
That means no filters, no editing, just an authentic look at what users are doing at any given moment. Wrinkles, messy hair, smudged makeup (assuming you’re wearing any at all) is all on show for your followers to see. The real you, in other words.
Its a interesting idea but I do wondering about the public shaming and nudging part of the app to get you to post on the app’s schedule. Something to consider…
Its been a very busy few weeks and theres little let up heading into May.
I noticed I haven’t blogged for a while. Not out of choice, its just been a super busy time.
Between the creation of the ethical dilemma cafe in Manchester, developing the adaptive podcasting app and web creator (more on this soon), suffering with a cold (not covid, I even got my first PCR test just incase the 4 rapid tests were all wrong), my birthday and dating an amazing woman (now my partner).
Of course I’m ok but its amazing how things I use to do all the time like booking trains, hotels, flight, etc have become more tricky than in the past. In the coming month I’ll be in London, Bristol, Newcastle/Gateshead (for the covid delayed Thinking Digital conference), Brussels (for the Exit platforms hackathon) and maybe even Amsterdam (for the in person Publicspaces conference #2). I’m also trying to go by train when ever possible!
My sleep cycle has become a bit of a mess and things keep pushing earlier starts into my calendar. If I could show a graph of my quality of sleep, sleep length, weight and effectiveness… It would be so telling.
I’m keeping a eye on this all and have a holiday booked for Lisbon. Not using my airline credit which was a total con for short haul flights. Ultimately I had to pay a large fee from the airline credit and I was able to book with another airline for cheaper than the fee! What a joke!
So in the next month, expect more quiet time while I work things out and relax in between. I really hope to sort out the webmontizated DJ mixes and heck even do some more mixes, as the incidental contact high is great but its time for a new mix. Good thing about traveling is more time for mixing.
To quote Buckminster Fuller “You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.”
Ian thinks: Understanding the ethical dilemmas we face every day online has always been difficult to explain the harm. Putting them into physical spaces really brings home the dilemma. If you are in Manchester in late April, grab a free ticket and join us.
Ian thinks: Reading this piece, I couldn’t help but think about the digital realm with the ever growing divide between rich/poor. Not only with money but time and knowledge The digital divide is live and sadly growing..
Ian thinks: I was able to watch the whole documentary at Mozfest this year and was impressed with the different methods used by parents and young people working with the current internet.
Ian thinks: Found via this years Mozfest while talking about the metaverse vs the public service internet. The folks at Matrix, are building a truly interoperable infrastructure for a real metaverse.
Ian thinks: This good interview with Matt Mullenweg, WordPress founder and so much more. Really makes clear how wordpress is not only greatly estimated but also its positive impact on the web.
Ian thinks: People turning towards the deep learning from indigenous people is a good thing. I would like to see much more of this sooner rather than later,
Ian thinks: I first heard about Scenius at Mozfest this year, Brian Eno coined the term to summarize how communities not individuals are responsible for innovation.
Ian thinks: The EU’s Digital Markets Act is a very bold legal policy which could have the similar impact to GDPR? Although people can’t stop talking about opening Apple’s iMessage, its worth remembering the DMA hasn’t been fully drafted yet!
Ian thinks: A lot is covered in a short amount of time. However they both settle on the practical problems of the current and future internet. The legal battles, societal frameworks and the web3 bubble is used to chill what the future internet could be.
Ian thinks: The mission to harden and keep Ukraine as secure as possible earlier, has played a big role in stopping the cyber invasion of Russia and maintaining a functioning country.
March has been so busy and I really enjoyed the start of the month at the Mozilla Festival 2022 virtual (which reminds me I must write that up, maybe in my new conference new style as suggested by Bill Thompson).
More information will be revealed but you can now book tickets to guarantee your time in the cafe. Simply click register for ticket.
We are limiting the numbers for the safety and comfort of everybody including the volunteers and staff. We will also follow the government guidance on Covid19.
Don’t forget to check out #mozfestedc (Mozilla Festival Ethical Dilemma Cafe) for more announcements.
Remember a healthy internet means a healthy society and a healthy you.
While hearing Cass Sunstein talk about his new book Sludge, I thought surely this is fiction?
Not knocking it, I’m already known for saying friction can be a good thing.
One of the things I really like about the design guidance is the time to stop. A lot of the time we rush design in a frictionless way but we need to deliberately add friction.
While thinking about the experiment and the ability to tip people, I thought about this aspect within mixes. Originally I thought about it per mix as WebMontization is page level, although there are plans for link level monetization in store.
Then I saw a bunch of Hyperaudio experiments with WebMon. This got me thinking imagine if every artist/label had a payment pointer?
Its not like we don’t have the precise timing metadata, especially when recording a mix digitally.
For example here is the Pacemaker editor, which gives you exact times of when tunes are used and not used. The mix is my latest one, the incidental contact high mix, I do love that mix!
With the advantage of metadata lookup, it wouldn’t take a lot to correctly identify the tune and auto discover the payment pointer of the artist/label. For example here is Protoculture which is appears 3 times in the mix. With something like hyperaudio, it would be pretty straight forward to automatically send a stream or micropayment to the artist/label everytime the track is played within a mix.
With all this in mind, I’m thinking about creating an experiment.
If I was to do a mix using creative commons attributed licensed music, with all artists who have payment pointers. Then provide it through hyperaudio on my site.
The existing models for distributing DJ mixes is frankly painful with many DJs having to fight with take-down notices and copyright flags.
I am investigating ways to self-host and share DJ mixes with the care and attention of what a DJ would like to bring to the mix, and include a way to pay the artist/creator of the music in the mix.
Ways in Which I Am Web Monetizing These Resources
Currently I am Web Monetizing the whole of the site but I am going to change the audio player to HyperaudioLite and take advantage of the new feature to pay per section of the audio.
As a DJ, my main interest is to share the mix with as many as possible without limits and constraints. I will turn off WebMon for myself and use the payment providers of the artists instead. As I expect many artists have not heard of WebMon and so I recommend using payment providers of charities and non-profits instead (same ones Mozilla have used throughout the Mozilla virtual festival).
As more artists and labels start to support WebMontization and get payment pointers. It will be easy to reroute the payments to the new payment pointers and even split payments between groups/collaborations.
Ideally I’d like to see this fit within the fediverse systems like funkwhale, reel2bits or Castopod enabling support for future forms of sharing, ignoring and distributing.
