I’m selling my old Android devices if anyone is interested… You can bid on.
Archos Internet Tablet 70 8GB, Wi-Fi, 7in
Archos Internet Tablet 70 8GB, Wi-Fi, 7in
Unity comes into focus
On Friday I tried using Ubuntu’s Unity interface, which some people rightly pointed out I really didn’t like.
When I first saw Unity and tried to use it, I didn’t like it but over the last few months I’ve seen more of what Unity has to offer. The HUD, Lens/Scopes, Ubuntu on Android and now Web App Integration.
I’m not totally switched over yet, however…
One of the first things I did was hide the dash and menu because I don’t like it eating up my desktop space. I still hate the fact the menu for each application is at the very top right but I’ve started using one application full screen every workspace. It kind of works but still drives me nuts.
I have changed Unity so its workstations are stacked on top of each other just like Gnome Shell, however I miss having a dual screen setup with one which stays static. Having dual screen and workspaces seems a little too much? Sure I would get use to it after a while.
The Dash or overlay is a bit messy compared to Gnome 3’s and I frankly find the way you navigate around a bit poo. But that was before I learned about Super + S and Super + W. I haven’t got the hang of the Hud yet but we’ll see how things go. I also find the gnome extensions very useful which seem to be missing under Unity.
I do still find Unity very noisy, I much prefer the Gnome Shell look, so if there was a skin which looked like Gnome Shell and acted like it, I’d deploy it in a heartbeat.
No matter what, I find the Ubuntu Unity Web API really interesting and I’ll be looking forward to seeing if Gnome Shell adopts some of Unity’s features or Unity chills out in the future.
Perceptive Media talks next quarter
I’m really happy to announce I’ll be talking at a few places in autumn (q3).
I have the pleasure of talking about Making your TV more engaging for TedXBristol. Pleasure because its great to have the opportunity to spend some time in my home city and learn about whats moving and shaking? If you look online, it seems like Bath (the lower rival to Bristol) is where things are happening in the south west of England. And frankly that worries me.
TEDxBristol takes place Saturday 20th September but there is a lottery system in place for those who want to go along. Its weird because its something we considered for BarCampLondon in the later days but never went through with.
I also have the pleasure of talking at the Oreilly Tools of Change conference in Frankfurt in October. I have a lot of respect for Oreilly conferences because there very well run and tend to attract the right people along but don’t cost the earth to go to. Its a shame Emerging Tech conference ended because I would have liked to have spoken there however, TOC (tools of change) is sounds like its filling in the space Etech left nicely.
I will be talking about Perceptive Media (still need to get my bio up, but you can see my picture) and should have some of the results from our breaking out audioplay.
Updated
I will also be taking over from Tony and talking at the NEM summit in Istanbul, Turkey (which will also be the furthest east I have ever been) in October 16-18th.
And another update
I will also be talking at Canvas Conf in Birmingham on the 7th September which is mainly a web developers event but I’ll hopefully stretch their imagination and single out the client side revolution which is starting to take hold. With a look at Perceptive Media. Maybe we’ll even be able to launch something there?
So its… now
- Canvas Conf – 7th September
- TedXBristol – 20th September
- TOC Conference – 9th October
- Nem Summit – 16-18th October
We’ve had quite a few offers to talk but its important we pick the right ones even if they are offering to pay for everything, as it takes me away from doing more research and development. We can’t have that, can we!
The killer application for distributed social networking?
How do we make things move along quicker in the area of distributed/federated technology? Things are moving very slowly although it seems most of the components are in place.
When I wrote the blog about Rebel mouse, I found some interesting links to some distributed solutions which could see the end of the likes of twitter and facebook.
OStatus is an open standard for distributed status updates. The goal is to have a specification that allows different messaging hubs to route status updates between users in near-real-time. This spec took over from the OpenMicroBlogging spec of old.
I remember writing about wordpress’s distributed solution a while ago.
The weird thing is I logged into Diaspora again today and not only is it a ghost town (not like G+, but really like a ghost town) but it got me thinking whats different about Diaspora and G+? Now the hype died down, its time to see some very cool uses of Diaspora. What have they got to loose? Dare I say it, wheres the killer application? Wheres the thing which will make people sit up and take note once again? Heck whys no one doing cool stuff with the API?
So what is the killer application which will tip people over? I have some thoughts but what ever it is, please let it happen soon before we’re all forced to beg twitter, facebook, etc for our data back.
Selling the internet of things
Love what Alexandra does and writes but this certainly got me thinking about the internet of things and how you market it and sell it to others.
At the moment, anyone from IBM to Bosch is interested in making their products connect to the internet. This will have an impact on marketing only in as much as it will make communicating these emmerging products a real challenge. Youtube, & Vimeo are going to be a big part of the equation because explaining a thing that does something is better done through video. E-commerce and online PR will also lead the way for a really long time as the retail space tries to adjust to hybrid devices. Understanding where a connected lamp like GNL sits in John Lewis is a nightmare. Existing clients who have some new and kooky thing they’ve made might wish to take a leap of faith online before committing their supply chain to these experiments. These are all choices and a world that advertising can help navigate. It’s going to get very exciting.
Shes right and I remember Pyria and Alex’s experiential digital lifestyle store, Digital Wellbeing DWB. Even captured it on video in a few places (really need to port my stuff from Blip.tv to Youtube one day soon).
Could Rebelmouse be used in distributed dating?
There is something which has been in the back of my mind for ages. Its the concept of distributed and dating.
It drives me crazy to see how closed the online dating world is and even if one breaks the glass, there sharply put out of business or bought. Wheres the innovation, really? I already wrote my rough idea which I believe could change the way online dating is done for the better (I won’t even point out how useful the Okcupid journals are)
On top of that is the problem of being stuck in a silo or stuck on one platform. Wheres the data portability? Wheres the interchange? Look at whats happening with Twitter and the whole controlling yourself or owning your own words.
Anyway, I was reading my feeds and came across Rebelmouse.
The service bills itself as “Your Social Front Page” and while it currently only offers up the ability to connect Facebook and Twitter to power your Lifestream, it does provide some unique features worth discussing.
So I gave it a try and its not bad, certainly a step in the right direction of what I was proposing with my online dating idea. The problem seems to be is its lack of inputs right now, which there working on. So you can only import from Twitter and Facebook. If they had generic RSS too, that would be great. The best part I like is the ability to control the flow (yes flow rather than creation) of subsets of the data. For example I can set twitter hashtags searches to…
- save tweets to draft, ignore retweets
- publish only tweets, not retweets
- publish tweets and retweets
- save tweets and retweets to draft
- save tweets to draft, ignore retweets
- just show timeline
So you can really craft/curate the page with minimal effort… which means you can’t just insert content unless its coming from somewhere else. Imagine if Facebook or Google+ had the same thing instead of deciding whos going to see it. I would suggest this is the more realistic way to manage a timeline because if its online, everyone sees it anyway (imho). But I digress…
I created one as a test for Perceptive Media…. and you can easily see how I could create one for myself or as a replacement for my dating profile, if I wanted too… So the next stage is to move all the stuff away from a central server and on to my own domain. Something I’ll be looking deeper at in the near future.
Perceptive Media presentation slides
Its been less than 14 days since we launched our Perceptive Media prototype to the world and the feedback has been coming back thick and fast. As usual please keep it going and do pass it on to others who may have not heard it yet, even if they have no interest in the technology. Were as much interested in the general public view as technologists.
One of the unnoticed pieces which went up during the launch was our smc presentation for perceptive media.
Like most presentations I do, its low on text and you end up listening to what I say rather than reading the slides. This is great but not so good when you’ve not heard me (and Tony) talking.
So here’s a rough idea of what we talk about over the presentation…
- This presentation is for the concept of perceptive media
- You may not know but the BBC has a R&D department and they have been with the BBC right from the start. Actually a engineer was hired within the first 10 people to join the BBC. We do a whole load of research and development on questions the BBC faces in the near to long term future. We also feed into standard bodies such as W3C
- We use broadcast technology and broadcast to everyone in the UK. We do this because its in our remit and we must reach everyone who pays the license fee. It also provides the best value for the license fee
- Unfortunately Broadcast is one way communication and it can feel like your banging your head on a brick wall trying to reply or communicate back.
- The best stories are enchanting and engaging but how does this tally up with broadcast communication?
- I’ll like to take you back to the original story telling medium, before broadcast changed things… something like sitting around a campfire telling a ghost story. When telling that story, you would look at peoples faces and subconsciously change elements of the story.
- What happened? Broadcast happened, and the ability to tell many more people the same story became the default
- But in the move to broadcast (that one way medium) we forgot about context, body language, etc. These implicit actions and triggers which once would help form the narrative are no longer included.
- Take the comedy conundrum, every comedian has to face
- They choose to customise there sets with jokes and references to the local area
- Note the word customise rather than personise. The comedian is still in control and fit it in when he or she feels it approbate. They will also work against the typical view of the location if it works with material in there mind
- Variables are things which can change depending on other things in this case. But they each have rules, like maximum length. This is the same for narrative but the human mind can do the calculation so quickly on the fly
- Currently the state of the art in perceptive like media is centres around internet virals like Take this Lollipop. But we feel there unsubtle and frankly bit simple with the two way pipe of the internet. Now if you could do this on a one way pipe, wouldn’t that be interesting
- It needs to scale in a way which rivals Broadcast otherwise no one will take it seriously
- We this is possible with the incredible power the client side now has compared to previously.
- The power has been shifting to the user for many years with on-demand and other technologies
- We created with a bunch of other peoples help a prototype called “Breaking Out” to prove it can be done
- As you can see its not interactive, there is no feedback loops or anything like that. Its a customised experience
- Because there is clear difference between explicit and implicit feedback. We feel storytellers would love to work off the implicit feedback rather than the explicit stuff. Thats the stuff which drives your ghost story
- How? Well there is a ton of work and money going into adding sensors to your living room. From 3D cameras which see all to simple light sensors to adjust the picture brightness. We’re just talking about using that same data generated to customise a narrative
- Of course this all fits with the trend around big data sets, something the BBC has a lot experience in with BBC Backstage
- Back to the audience and narrative. Broadcasters have been losing the connection with the audiences. Lots of people have the TV on like the Radio. Its just on and if something picks up their ears, they will tune in or listen.
- There is a concept called the attention economy which you may know about and it gets talked about a lot. One of my favor quotes related to the concept is from John Doe on the film Se7en. Most of the examples fit in the sledgehammer category while…
- We feel we can achieve the same effect with little tickles here and there.
- Were talking about highly relevant customisation of narrative
- Which fit and run on the narrative rails setup by the author/storyteller
- When I watched Vanilla Sky first time, there was a scene which stuck a cord with me. I couldn’t work out what it was till the end when it was revealed they had re-imagined points of Tom Cruises memories (I won’t spoil it further)
- We feel we can strike a cord and reestablish that connection with our audiences which has been so badly missing
- Thank you!
Its of course, a lot better when we present it together and add all the additional stuff you won’t get in the notes. Plus it usually throws up a million questions which we have answers for…
This is not a Dark Knight Rises review
There will be *no spoilers* in this micro-review for the dark knight rises. In actual fact this is more about my experience of waking up at 3am to head to the Odeon IMAX at 4am
Yes I did the whole 5am thing and actually really enjoyed it, somewhat more than the Tron Legacy 12:01am opening thing which had me wishing I had gone to bed instead (plus I wasn’t impressed with the film besides the 3D). However I got up at 3:05am, jumped in the shower and had breakfast. I didn’t leave the flat till 3:50am which had me rushing along the very wet but pretty quiet streets.
I decided if I saw a cab I would jump into it because it was really coming down (as it does too often in Manchester). Of course I didn’t see any cabs with there yellow lights on and I just kept walking. By the time I got through the Northern Quarter it was pointless getting a cab and I walked into the Printworks complex from the east side to find a massive queue of people waiting to get into the actual Odeon. This took me back because I was planning to be there about 4am but I had arrived about 4:15am. So much for getting a decent seat I thought. But then the line started the move as the doors opened and people walked in single file. Almost everyone ran towards the ticket pickup machines and box office while a few of us went straight up to the 1st floor to the IMAX.
I was expecting another queue but it was straight into the IMAX and I must have been about 50/60th in to the cinema meaning I could get the row just in front of the Premiere seating (row G). Generally I find row G, H and I are the sweet spots for most cinemas. Of course I didn’t get the centre but I got left of it then the couple I sat next to moved because they were actually booked in the premiere seats. Meaning I could move closer to the middle.
The Odeon staff were pretty good about the whole thing with loud atmospheric music from previous Nolan films playing. The Inception sound track got a massive smile from me. However when it came to the moment we waited for, there was a delay while they had to restart the IMAX projector. Not elegant but after 3mins we were away.
The dark knight rises takes place in a time after the dark knight when the cops of the city are pretty much use to keeping the peace and not much else. Of course the dark knight comes back however against Bane played by Tom Hardy he’s pretty much out of sorts. Bane’s presence on screen is amazing and you can really feel the bass in his breathing and speech. Other characters are also great including Catwoman… I read a review somewhere else saying it was an emotional end to a great series and there not wrong. The heart strings are pulled but not in a gimmicky way. Confidence, Self believe and wellbeing, all come into play. This will touch some and will float over the head of many others (so expect lots of disappointed people)
However before I start talking about the plot and spoil it for you all. I would like to say this film is the defining reason to watch it in the IMAX.
Containing over an hour of IMAX footage, the movie leaps up on the giant screen, absorbing and lush and practically enveloping the audience in its 70 mm celluloid. The most notable use of IMAX from The Dark Knight, the swooping overhead city shot at the beginning of the film, is repeated over and over again in The Dark Knight Rises, but it never loses its impact. We constantly see Gotham from above, and it fills the entire screen and our entire field of vision; just as Batman is committed fully to this city, we cannot escape it.
I swear my jaw was locked in place and chin on the floor for most of the later parts of the film. It was stunning and absorbing. The level of immersion was breathtaking. I’m so glad I got a chance to watch it in the IMAX first and I’m lucky enough to live close to a real IMAX. Unlike previous films by Nolan and others, its been clear when its the IMAX camera and not. Don’t get me wrong it was still clear but the difference this time is there was plenty of footage, enough to make it blur together.
For me the Dark Knight Rises was a masterpiece. I won’t be watching it as many times as Inception but Nolan once again has done himself and his audience proud with something which people thought couldn’t be reborn. He for me and others is the greatest director ever now. What ever he touches turns to gold… Dark Knight Rises was simply EPIC!
The dark knight rises should beat the avengers and set the world record for the biggest grossing weekend in current film history, specially with its 12 cert. But please spare a thought for those killed and injured in Colorado the same time I was glued to my seat watching the dark knight rises…
The History of File-Sharing
The Darknet is something I deep into for research purposes and to get an idea of whats emerging… However I keep having to defend the innovation, expertise and pure genius of the darknet. I use darknet in lei of a better word to describe the underground world of hackers. Crazy because theres so many examples out there.
Torrentfreak recently did a history of file-sharing which has plenty of examples of hackers and developers scratching there own itches.
BitTorrent has catapulted into a mainstream filesharing mechanism which is fast, efficient, and difficult to stop. Early versions of BitTorrent required centralized trackers to operate, but have later become able to utilize trackerless “torrents.” Increasingly BitTorrent users have grown concerned with their privacy. Indexes such as YouHaveDownloaded.com have been able to maintain logs of every file downloaded by IP, which has raised significant awareness to whether it is safe to download files through BitTorrent. In addition, many ISPs have been known to cap speeds when detecting BitTorrent downloads. As a result of these privacy concerns millions of BitTorrent users have signed up with Anonymous VPN services to mask their IP-addresses when downloading…
BBC Connected Studio/Social
I haven’t mentioned the BBC Connected Studio on my blog to date. However its about time…
So its a new (its been running since May) BBC project which is all about open innovation. Every month we put out a brief around a certain product area in the BBC. To date its been to redo the BBC.co.uk homepage, rethink the Weather and Travel services and this month its re-imagine services for the Cebeebies audience.
Every month theres one day of idea studio and the pitches at the end. The idea studio gives people a chance to come together and explore ideas against the brief. Of course you can just go into a corner and develop the idea with yourself or your pre-selected teammates. Its about what ever works to get the best ideas. I find people come with a rough idea and tend to combine the ideas together or build on each others ideas. Open innovation is the key here. After the ideas build up and you’ve had a chance to run through a series of workshops including a end user pitch (or not if you don’t want to). Your now working things up for the pitch to the commissioners and everyone else.
If everything goes well, you get selected and receive a email to say the commissioners would like to see it developed into a prototype. At which, about 2 weeks later, its build studio time.
The build studios are like hack days (our learning from hackdays, mashed and over the air) but they run over 2 days and the end presentation doesn’t receive some token prize, they receive a good daily amount for being there time while developing the prototype. However at the end there is the opportunity to pitch the prototype to the commissioners for more serious amounts of money.
The events take place in Manchester, Glasgow and London which means theres no reason not take part. And that applies to staff as well as externals. Actually theres something quite magically about seeing BBC staff collaborating directly with externals. I’ll be excited to see how things work when one such team go through to the later stages.
It sounds slightly complex but actually its pretty straight forward, and takes the best parts of Innovation labs and Hackdays on a ride.
The BBC is serious about Connected Studio and has pledged a million pounds behind the whole project.
Ralph director of Future Media talked about how he loved BBC Backstage and what we built back then. And to be honest theres a air of Backstage floating through the whole process. For example anyone can register there interest via the BBC Connected blog (no secret handshakes or secret buddy systems just apply). This means you have as much chance as those on the BBC’s official supplier list. Connected Studio has attracted SME’s, startups, hackers and early adopters. Unlike backstage were talking about things which are made for deployment on the live site, so generally theres shorter term innovation (aka less 2 years).
The majority of new BBC Online products are built according to long term product roadmaps and the published commissioning process. However, we believe there’s room here for more disruptive thinking – that is, more experimental ideas that can be pitched, built and delivered to audiences in a faster, smarter way. We would like to hear from agencies and individuals who have fresh, innovative ideas to bring to this event and to seek funding.
The process isn’t perfect (but what is?) but is adaptable and is always looking for feedback.
So whats my role in the connected studio?
Well thats still being worked out but I’ll have my R&D glasses on when watching the pitches and I’m very interested in the network of people who are doing innovative things and have been to a connected studio.
However, something I can talk about is BBC Connected Social, which are events linked to the BBC Connected studio process.
Like Connected Studio its still very early days and I’m expecting it to twist and change as it matures. But its a good chance for people external to the process because they can’t spare the time, never heard of it or didn’t make it into the process to learn more, network and pick up some really useful knowledge all at the same time. For those on the build studio, its a chance to take a break, network and consider a slightly different take on the prototype there building towards (if they wish).
The first one is Tuesday evening at Media City UK while future ones will also match the location of the Connected Studio (be it London, Glasgow or of course Manchester)
Its a chance to learn, debate and socialise on topics closely aligned to the BBC’s strategic themes.
The Build Studio for July is centered around CBeebies, and we are running a panel talking about building for the ages of under 13’s. With useful advice and tips from Mystic mobile & Lancaster’s Dr Paul Coulton, BBC’s Games grid Simon Lumb and BBC’s Children’s Jon Howard.
Hopefully we’ll see you at a BBC Connected Studio or Social soon… You know where to sign up and the next brief is around CBBC (Children’s BBC). Hopefully the next social will include a panel of young people talking about there media habits because that is always insightful.