bbc – Page 13 – Cubicgarden.com…

Here comes the year of making love…

Yes when you thought it couldn’t happen, here it is on the promo for BBC Three’s 2013 season (need to be in the UK sorry).

As things gear up for next season, it will be interesting to see whats changed. Seems Fevermedia haven’t quite got up to speed yet. Their last post is STILL seeking people to take part in June.

There’s been a number of comments on the unofficial Facebook group, theres little to no more information on Digital Spy but a bit more at the BBC press office.

The lack of interest and push indicates to me, this show will go down without any major fan-fare or flames. Maybe the BBC will think again before entering the world of dating and love? Got to say, it might pass without any real comment. Which isn’t a bad thing because we all (including Fevermedia) frankly rather forget what happened…

Perceptive Media in Wired UK’s Top Tech for 2013

Someone from the BBC’s Future Media PR pointed out to me that I was in the latest issue of Wired UK. The whole thing isn’t online yet but I’ve made a manual copy (thanks to Laura Sharpe for buying the ipad version on my behalf)… Till its up online

Advertising Displays, Television and consoles are hooking up with recognition software to second-guess our hidden desires. By Ed White

Televisions, computers and retail displays are increasingly watching us as much as we’re watching them. They are likely to be the catalyst for a shift from mass to personalised media. Broadcastsers, game developers and tech companies have long dreamt of knowing who’s watching, and then making content relevant to each viewer.

Cheap cameras and sensors are making “perceptive media” a reality. First was Microsoft, whose Xbox gaming peripheral Kinect, launched in 2010, has put a perceptive-media device into more that 18 million homes worldwide. By linking people to their Xbox Live identity using facial recognition, it has made the gaming experience more tailored. But perceptive media is wider than gaming. Over two years, Japan Railways’ East Japan Water Business has installed about 500 intelligent vending machines that recognise customers’ age and gender via sensors and suggest drinks accordingly. Intel’s Audience Impression Metrics suite (Aim) users data captured by cameras on displays in shops to suggest products. Kraft and Adidas are early adopters. The software will also monitor responses to improve brands’ marketing.

But the real winner will be the entertainment industry. Samsung and Lenovo announced at the 2012 Consumer Electronics Show that their new TVs will recognise a viewer by using a camera incorporated into the set, and bring up their favourite programmes; Intel is working on a set-top box with similar capabilities. Face tracking software is also making our screens more intuitive. Japanese broadcaster NHK is experimenting with emotion-recongnition software which can suggest, say a more exciting TV show if it detects boredom. But where perceptive media gets really exciting is in using viewer data to change narratives in real time. US-based video game company Valve software is experimenting with biofeedback systems, measuring physiological signals such as heart rate and pupil dilation in players of Portal 2 and Alien Swarm. If the zombies aren’t making you sweat, the AI director can send in more. And television may follow, believes Ian Forrester senior producer at BBC R&D. Sensors in your TV would pick up who’s in the room and subtly change the programmes’s details, live: for example the soundtrack could be based on your Spotify favorites.

If that sounds Big Brother-ish, that’s because it is. Perceptive media’s biggest hurdle will be privacy. But advocates such as Daniel Stein, founder CEO of San Francisco based digital agency EVB, say that if brands can prove the value of data sharing, they’ll win people over. Here’s looking at you.

Ed White is a senior writer and consultant at contagious communications, a London-based marketing consultancy

Connected Social: Design based thinking

My parents were deeply worried that I was doing too much again. Specially after what happened to me with mybrushwithdeath almost two and half years ago. I can tell you and them that my blood pressure is normal…

So what have I been up to…? Because my blog has also suffered due to the hectic schedule.

On Tuesday 30th Connected Social and 31st EpicWerewolf…

BBC Connected Social

I stopped arranging events because frankly my skill isn’t in arranging or managing them. Something Matt Cashmore was much better at than myself. However I’m good at being the spark and inspiration for the event in the first point.

After watching a few Connected Studios it become clear something was need to make it a more complete experience for people involved. Hence I convinced my manager of this need and we tried out Connected Social in July. That went well and after a bit of a break it made sense to bring it back.

The evening was all ignite style talks around the theme of design based thinking.

It was a good night of talks and further concentrated the need for a social event following the connected studio events in my mind. Maybe a little shorter and around one set of talks instead but everyone still enjoyed it.

Of course by the end of the night I was glad it went well and I was able to create a good informative event for people, however I was already thinking about Epic Werewolf…

Okcupid turns matchmaker with your Roommate?

The last time I seeked a flatmate properly…

This surprised me when I first heard that Okcupid was going to have a go at fixing the roommates market…

Not satisfied with running the best dating site on the planet, OkCupid parent company Humor Rainbow appears to be launching a service to help match up potential roommates. If Humor Rainbow can pull it off, the process of searching, finding and vetting potential roommates is about to get a whole easier, fun and more interesting.

I think they can pull it off because they understand data and like the devastating effecting they’ve had on the dating market, they are not just drinking the Tim Oreilly’s Coolaid but living by it.

Data is the Intel inside – Tim Oreilly

Its a real shame they got bought by Match.com because I would have loved to see how far they would have gone with there data stance (heck someones got to do something)

Its maybe a good time to say I’m considering a flatmate again…(last time having one may have saved my life – Thanks Tim) Specially now I have a bed in the spare room which doesn’t eat up all the space in the small 2nd bedroom. Ideally its suited to BBC Staff coming up from London and wanting somewhere to live before getting to know Manchester (and deciding to live in Cholton or Didsbury)

Of course if the right person came along I’d consider a longer term arrangement, but we’ll see…

Perceptive Media at TedXBristol

This is my high level talk I gave for TedXBristol.

The powerpoint is a little screwy on the presentation but generally you get the gist. Its also the ones where I decided to mock up a clip of the introduction of Flashforward to give a instant view of what Perceptive Media could do.

I’m waiting to see how long it is till the video clip is taken down off Youtube for possible copyright violations (which I feel is totally wrong and it fits under transformative works). I used the same videos at Oreilly Tools of Change to amazing effect, although I do feel with more time I should have found some text to change slightly. Maybe I’ll do this for the writer workshops at the end of the month?

I could swear I wrote up my feelings about TedXBristol somewhere already, but can’t seem to find it right now.

Either way, I’m very happy to see it online and look forward to the feedback from people interested in Perceptive Media. I thank the team for inviting me and I look forward to spending more time in Bristol in the near future and good to see Bristol growing its digital community…

Reinvent content and the tools

A number of things on my mind recently centring around narrative again. There also connected (at least in my mind they are)

George Entwhistle today gave a speech to BBC Staff… (read the whole thing) where he mentions reinventing content

In a bold first-day speech, the BBC’s new boss says the corporation must stop thinking that online innovation means repurposing broadcast content and instead ‘create genuinely digital content for the first time’.

As we increasingly make use of a distribution model – the internet – principally characterised by its return path, its capacity for interaction, its hunger for more and more information about the habits and preferences of individual users, then we need to be ready to create content which exploits this new environment – content which shifts the height of our ambition from live output to living output.

Adam Curtis argues TV needs better techniques

Television no longer has the dramatic techniques to explain today’s world, according to leading documentary-maker Adam Curtis.

At a masterclass session at the MediaGuardian Edinburgh International Television festival, Curtis will claim that the traditional techniques television uses, such as the identifying of good and bad guys and a linear narrative, are obsolete.

Apple was awarded a patent on a broadcast device that uses implicit acts to decide if you’re going to be interested in a section of the content (thanks Tony)

A user … may not be interested in every media item provided as part of a broadcast stream. For example, a user may not like a particular song broadcast by a radio station, or may not like a particular segment of a talk radio station (eg, the user does not like the topic or guest of the segment). As another example, a user may not be interested in content originally generated by sources other than the media source (eg, advertisement content). Because the user has no control over the media broadcast, the user can typically only tune to a different media broadcast, or listen to or consume the broadcast content that is not of interest.

Ultra High Definition Olympics

I had the pleasure to experience the BBC Ultra hight definition and NHK’s Super Hi-Vision again today.

There has been enough wrote about about Super Hi-Vision on the R&D Blog but I wanted to give my view on it.

16 times the density of 1080p, and it looks like it. Each clip we saw was crisp and full of depth. Interestingly on the depth side is the lack of need for 3D. The actual density seems to increase the illusion of depth a lot. Unlike that crappy add-on 3D effect you see too much of, it feels completely natural. Well I guess it would feel totally natural as it as such….?

22.2 channels of 3D surround sound, yes it felt and sounded amazing. People will say it sounded loud but the reason it sounds loud is because if you go to the real thing (like I went to the womans semi-final football a couple days ago) then it is loud around you. It feels like your in the Olympic stadium in London.

The clips we saw was the opening of the London 2012 Olympics (parts cut together). The mens 100 meters final and some cycling events from the velodrome. Each one had plenty to see and watch. Not only could you see the audience but you could see which camera phone they were using to take pictures! During the 100meters I watched to see where that bottle got thrown from, and although I didn’t see exactly the person. I saw a number of potential people who it could have come from. Thats how rich the density of the picture. Likewise I was able to hear the chain of the bikes as they switched into high gear. Clapping from the crowd urged you to look around to check if someone in the audience was actual clapping as it sounded like it.

The swing of the camera wasn’t too bad but I can imagine it being pretty intense if it swings and pans too much. The framerate was great and made everything look super real (as said almost 3D like)

Its fascinating and if you can experience it, do go you won’t be disappointed. Its still going on daily till the end of the London 2012 Olympics. What you waiting for…?

London 2012 Olympics

I got to say I’m really surprised how good the London Olympics has turned out. Charlie Brooker wrote this up in the Guardian recently which I can understand.

I’m finding the Olympics hypnotically watchable, partly because the BBC’s coverage is so crisp and comprehensive and informative and useable, and isn’t jammed full of brand names and commercials. And it’s partly because … well … look, I don’t know.

Like Charlie, I was hearing all these crazy stories about Locog wiping out anything which even smells like the Olympics. Then the London 2012 Olympics actually opened with that simply amazing opening ceremony which NBC screwed up for many of my American friends. I watched it the day afterwards in full using the BBC’s total coverage and I was blown away. There was something very British about this Olympics. From the opening to the music used in Beach Volleyball.

At the time of writing, the running-and-jumping stuff has begun in earnest; the sheer physical agony of which I can personally relate to thanks to hours spent playing Track and Field in the 80s. No reason to believe this won’t become another time sponge. So yes, thanks, Olympics, for confounding my inner cynic, and not being awful. And for, I suppose, on balance, I admit, I confess, in a whisper – actually being quite good.

Theres lots more I can say about the Olympics but generally its been impressive and I’m looking forward to seeing the woman’s semi-final of the football at Old Trafford tomorrow. Shame it doesn’t include Team GB but I’ve decided to back Canada over Team USA.

Really hope in 3-4 weeks time I’ll still be as impressed after the end of the Para-olympics. The lasting legacy is a big question but right now its looking pretty good…

BBC Connected Studio/Social

I haven’t mentioned the BBC Connected Studio on my blog to date. However its about time…

So its a new (its been running since May) BBC project which is all about open innovation. Every month we put out a brief around a certain product area in the BBC. To date its been to redo the BBC.co.uk homepage, rethink the Weather and Travel services and this month its re-imagine services for the Cebeebies audience.

Every month theres one day of idea studio and the pitches at the end. The idea studio gives people a chance to come together and explore ideas against the brief. Of course you can just go into a corner and develop the idea with yourself or your pre-selected teammates. Its about what ever works to get the best ideas. I find people come with a rough idea and tend to combine the ideas together or build on each others ideas. Open innovation is the key here. After the ideas build up and you’ve had a chance to run through a series of workshops including a end user pitch (or not if you don’t want to). Your now working things up for the pitch to the commissioners and everyone else.

If everything goes well, you get selected and receive a email to say the commissioners would like to see it developed into a prototype. At which, about 2 weeks later, its build studio time.

The build studios are like hack days (our learning from hackdays, mashed and over the air) but they run over 2 days and the end presentation doesn’t receive some token prize, they receive a good daily amount for being there time while developing the prototype. However at the end there is the opportunity to pitch the prototype to the commissioners for more serious amounts of money.

The events take place in Manchester, Glasgow and London which means theres no reason not take part. And that applies to staff as well as externals. Actually theres something quite magically about seeing BBC staff collaborating directly with externals. I’ll be excited to see how things work when one such team go through to the later stages.

It sounds slightly complex but actually its pretty straight forward, and takes the best parts of Innovation labs and Hackdays on a ride.

The BBC is serious about Connected Studio and has pledged a million pounds behind the whole project.

Ralph director of Future Media talked about how he loved BBC Backstage and what we built back then. And to be honest theres a air of Backstage floating through the whole process. For example anyone can register there interest via the BBC Connected blog (no secret handshakes or secret buddy systems just apply). This means you have as much chance as those on the BBC’s official supplier list. Connected Studio has attracted SME’s, startups, hackers and early adopters. Unlike backstage were talking about things which are made for deployment on the live site, so generally theres shorter term innovation (aka less 2 years).

The majority of new BBC Online products are built according to long term product roadmaps and the published commissioning process. However, we believe there’s room here for more disruptive thinking – that is, more experimental ideas that can be pitched, built and delivered to audiences in a faster, smarter way. We would like to hear from agencies and individuals who have fresh, innovative ideas to bring to this event and to seek funding.

The process isn’t perfect (but what is?) but is adaptable and is always looking for feedback.

So whats my role in the connected studio?

Well thats still being worked out but I’ll have my R&D glasses on when watching the pitches and I’m very interested in the network of people who are doing innovative things and have been to a connected studio.

However, something I can talk about is BBC Connected Social, which are events linked to the BBC Connected studio process.

Like Connected Studio its still very early days and I’m expecting it to twist and change as it matures. But its a good chance for people external to the process because they can’t spare the time, never heard of it or didn’t make it into the process to learn more, network and pick up some really useful knowledge all at the same time. For those on the build studio, its a chance to take a break, network and consider a slightly different take on the prototype there building towards (if they wish).

The first one is Tuesday evening at Media City UK while future ones will also match the location of the Connected Studio (be it London, Glasgow or of course Manchester)

Its a chance to learn, debate and socialise on topics closely aligned to the BBC’s strategic themes.

The Build Studio for July is centered around CBeebies, and we are running a panel talking about building for the ages of under 13’s. With useful advice and tips from Mystic mobile & Lancaster’s Dr Paul Coulton, BBC’s Games grid Simon Lumb and BBC’s Children’s Jon Howard.

Hopefully we’ll see you at a BBC Connected Studio or Social soon… You know where to sign up and the next brief is around CBBC (Children’s BBC). Hopefully the next social will include a panel of young people talking about there media habits because that is always insightful.

Perceptive Media Launch at Social Media Cafe Manchester

If you’ve not experienced Perceptive Media yet, stop reading and go to futurebroadcasts.com to listen to the Breaking Out audioplay.

We’ve been sitting on Breaking Out for months slowly improving it as the browsers caught up with what we were trying to get them to do (WebAudioAPI is very topical at the moment). When we first started there was no way it was going to work in anything but the latest chrome. However things are starting to change…

Anyhow because of the wait to get things working correctly, we picked a date to release much later than expected. That date slotted right in between the end of the Euro 2012 and The 2012 Olympics. That date co-insided with SMC_MCR’s July event, the event where I first talked about Perceptive Media openly for the first time.

The event hosted at the excellent Cornerhouse Cinema was great. First up was Elliot Wood discussing the process behind his most recent digital art installation in Korea with studio Kimchi and Chips. Really interesting as there were some key points which matched some of our thinking. Mainly around openness and generative/organic systems.

After the break came some announcements and then Perceptive Media with me and Tony.

We quickly ran through our reformatted presentation from the EBU in April, to lay the context for those who were not at the SMC event in February. Afterwards we went into a live demo of Breaking Out the audioplay.

The audience enjoyed the play and seemed to respond well to part of the play I’m not going talk about now.

After hearing the audioplay we switched to a panel discussion with me, Tony Churnside, Henry Swindell (from the BBC Writers room) and Sarah Glenister (the writer of the script from the BBC Writers room). We also had Mark Boas and Mark Panaghiston (from Happyworm, the developers) on Skype just in case.

The questions were coming thick and fast, at one point I counted about 20 hands up of the 60 strong audience. Lots of questions about the idea of Perceptive Media and quite a few about the storyline. It was great having Henry there because he laid it out from the writers point of view. Sarah jumped in and gave her point of view writing the script, something she just published on the BBC Writers room blog.

The event was a big success for ourselves, SMC and everyone involved. The feedback we got was great and we did record the event for the purposes of research.

Following on from the launch. We’ve watched the prototype spread to quite a few places.

The BBC unveils its first perceptive media experiment and you can try it now – Martin wrote this pretty much live from the event and its gone a few places. And it appeared on Techmeme for a couple of days.