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Perceptive Media at TedXBristol

This is my high level talk I gave for TedXBristol.

The powerpoint is a little screwy on the presentation but generally you get the gist. Its also the ones where I decided to mock up a clip of the introduction of Flashforward to give a instant view of what Perceptive Media could do.

I’m waiting to see how long it is till the video clip is taken down off Youtube for possible copyright violations (which I feel is totally wrong and it fits under transformative works). I used the same videos at Oreilly Tools of Change to amazing effect, although I do feel with more time I should have found some text to change slightly. Maybe I’ll do this for the writer workshops at the end of the month?

I could swear I wrote up my feelings about TedXBristol somewhere already, but can’t seem to find it right now.

Either way, I’m very happy to see it online and look forward to the feedback from people interested in Perceptive Media. I thank the team for inviting me and I look forward to spending more time in Bristol in the near future and good to see Bristol growing its digital community…

Looper Directors Commentry

I heard about the director’s commentary for looper via my rss reader and though it was well worth a another watch anyway after watching it at the Salford Cinema Club first time.

The idea is quite simple… Download the extra track to your phone or mp3 player. Go to the cinema again and watch the film again with the extra sound track.

Johnson has recorded a commentary track that is meant to be heard in-theater. (Of course, he strongly cautions against listening to it on a first viewing.) Considering that the new film starring Joseph Gordon-Levitt and Bruce Willis has a much higher profile and a plot better suited to directorial untangling than Bloom, Johnson was besieged by requests from fans to repeat the experiment.

The Looper commentary is a totally different track than the version that will be included on the eventual DVD/Blu-ray release. This version is more technical and detailed, meaning don’t expect any anecdotes about how the actors got along or what the weather was like during filming. There’s an introduction up top that instructs users on how to sync up for the optimum viewing experience

The only problem I had was the introduction says to pause and unpause when the tristar logo comes up on the screen. In the UK it wasn’t Tristar, it was something else. Which caused a moment confusion and then a delay. It wasn’t too bad a delay but certainly meant seeing something then the director referring to it a second or so later.

The other thing is the volume… My headphones are a bit low and in the cinema it was sometimes hard to hear the director talking.

Overall it was a good experience and I would recommend it for films like Looper, Donnie Darko, Inception. Yes you can wait for the DVD/Bluray but its like having a friend nudging you with useful facts in the cinema.

Could this be a signal of things to come in the future? Don’t think so but if the syncing is cleared up it could open the door to much more interesting experiences and heck even personalised experiences layed on top of a mass medium. You could certainly see Perceptive Media in such a role…

What would Perceptive publishing look like?

Perceptive Media was titled that because there was always a feeling the same concept could be applied to many more things than just broadcast. Although the BBC doesn’t really have a deep history in publishing, we do have a very deep history in narrative…

What would Perceptive Publishing look like?

My interview is actually worthy of a quick read…

We have only scratched the surface and do not know what else it can be adapted toward. In BBC R&D, we watch trends by looking at early innovators. It’s clear as day that ebook reading is taking off finally, and as it moves into the digital domain, why does the concept of a book have to be static? Skeuomorphism is tragic and feels like a massive step back. But Perceptive Media is undoing the limitations of broadcast. It certainly feels like we can overcome the limitations of publishing, too.
Tools of Change for Publishing (http://s.tt/1nB8P)

As the readership starts to involve more electronic devices such as ereaders like the Kindle. Why limit the scope of the story to a single narrative? Why not have the narrative play out with local references? Change and morph depending on the time of the day? How about a story which truly challenges the way you think or see the world?

These are the type of questions I’ll be exploring at Oreilly’s Tools of Change Conference in Frankfurt, Germany.

Innovators Track: Innovations in Storytelling

Innovators Track curator, Sophie Rochester gathers together an incredibly talented group of creators in a panel devoted to innovations in storytelling! From the futuristic personalization taking place at the BBC’s Perceptive Media, to the masterfully interactive work of RH’s Dan Franklin, to the engagingly addictive genre fiction serialization of Plympton – this session will give you a glimpse at how some of our best technologists and storytellers are working together to craft ever richer “reading” experiences.

Ian Forrester, BBC
Dan Franklin, Random House UK
Justin Keenan, Plympton
Jennifer 8 Lee, Plympton
Moderated by Sophie Rochester, The Literary Platform

I look forward to joining Tools of Change Germany later today…

Perceptive publishing?

There was a reason why I decided to use Media oppose to TV or Radio.

The core concept of Perceptive Media can be applied at many different levels and different outputs.

How would Perceptive publishing work? Well if you imagine you have a ebook which can be read on a system which is also connected to the web and/or has sensors of its own. Imagine if that ebook reader has API’s which can exposes certain data to the ebook its self.

The way you hold the ereader, landscape, portrait, ambient temperature, time, geolocation, ambient noise, etc, etc. I have a feeling Perceptive Publishing may actually be a lot easier than Perceptive Broadcast…

You get the picture… and so do Oreilly who have put Perceptive Media into their Tools of Change conference in October.

I was interviewed about Perceptive Media and how it could work in publishing…

In the early days, Perceptive Media is being applied to broadcast technology. What potential applications for Perceptive Media do you envision in the publishing industry?

Ian Forrester: We have only scratched the surface and do not know what else it can be adapted toward. In BBC R&D, we watch trends by looking at early innovators. It’s clear as day that ebook reading is taking off finally, and as it moves into the digital domain, why does the concept of a book have to be static? Skeuomorphism is tragic and feels like a massive step back. But Perceptive Media is undoing the limitations of broadcast. It certainly feels like we can overcome the limitations of publishing, too.
Tools of Change for Publishing (http://s.tt/1nB8P)

TedXBristol live – Saturday 15th Sept

I have the pleasure of talking at TedXBristol next weekend. This follows another excellent talk at Canvas Conference on Friday in Birmingham.

The whole of TedXBristol will be streamed live, so you can get a idea of the richness of the talks yourself.

In the meanwhile there’s a cheeky little interview with me on the TedXBristol blog.

If your one of my lovely friends from around Bristol, I’ll be going for drinks and a meal on Saturday night. So get in touch if you want to join us…

Perceptive Media presentation slides

Perceptive media from Ian Forrester

Its been less than 14 days since we launched our Perceptive Media prototype to the world and the feedback has been coming back thick and fast. As usual please keep it going and do pass it on to others who may have not heard it yet, even if they have no interest in the technology. Were as much interested in the general public view as technologists.

One of the unnoticed pieces which went up during the launch was our smc presentation for perceptive media.

Like most presentations I do, its low on text and you end up listening to what I say rather than reading the slides. This is great but not so good when you’ve not heard me (and Tony) talking.

So here’s a rough idea of what we talk about over the presentation…

This presentation is for the concept of perceptive media
You may not know but the BBC has a R&D department and they have been with the BBC right from the start. Actually a engineer was hired within the first 10 people to join the BBC. We do a whole load of research and development on questions the BBC faces in the near to long term future. We also feed into standard bodies such as W3C
We use broadcast technology and broadcast to everyone in the UK. We do this because its in our remit and we must reach everyone who pays the license fee. It also provides the best value for the license fee
Unfortunately Broadcast is one way communication and it can feel like your banging your head on a brick wall trying to reply or communicate back.
The best stories are enchanting and engaging but how does this tally up with broadcast communication?
I’ll like to take you back to the original story telling medium, before broadcast changed things… something like sitting around a campfire telling a ghost story. When telling that story, you would look at peoples faces and subconsciously change elements of the story.
What happened? Broadcast happened, and the ability to tell many more people the same story became the default
But in the move to broadcast (that one way medium) we forgot about context, body language, etc. These implicit actions and triggers which once would help form the narrative are no longer included.
Take the comedy conundrum, every comedian has to face
They choose to customise there sets with jokes and references to the local area
Note the word customise rather than personise. The comedian is still in control and fit it in when he or she feels it approbate. They will also work against the typical view of the location if it works with material in there mind
Variables are things which can change depending on other things in this case. But they each have rules, like maximum length. This is the same for narrative but the human mind can do the calculation so quickly on the fly
Currently the state of the art in perceptive like media is centres around internet virals like Take this Lollipop. But we feel there unsubtle and frankly bit simple with the two way pipe of the internet. Now if you could do this on a one way pipe, wouldn’t that be interesting
It needs to scale in a way which rivals Broadcast otherwise no one will take it seriously
We this is possible with the incredible power the client side now has compared to previously.
The power has been shifting to the user for many years with on-demand and other technologies
We created with a bunch of other peoples help a prototype called “Breaking Out” to prove it can be done
As you can see its not interactive, there is no feedback loops or anything like that. Its a customised experience
Because there is clear difference between explicit and implicit feedback. We feel storytellers would love to work off the implicit feedback rather than the explicit stuff. Thats the stuff which drives your ghost story
How? Well there is a ton of work and money going into adding sensors to your living room. From 3D cameras which see all to simple light sensors to adjust the picture brightness. We’re just talking about using that same data generated to customise a narrative
Of course this all fits with the trend around big data sets, something the BBC has a lot experience in with BBC Backstage
Back to the audience and narrative. Broadcasters have been losing the connection with the audiences. Lots of people have the TV on like the Radio. Its just on and if something picks up their ears, they will tune in or listen.
There is a concept called the attention economy which you may know about and it gets talked about a lot. One of my favor quotes related to the concept is from John Doe on the film Se7en. Most of the examples fit in the sledgehammer category while…
We feel we can achieve the same effect with little tickles here and there.
Were talking about highly relevant customisation of narrative
Which fit and run on the narrative rails setup by the author/storyteller
When I watched Vanilla Sky first time, there was a scene which stuck a cord with me. I couldn’t work out what it was till the end when it was revealed they had re-imagined points of Tom Cruises memories (I won’t spoil it further)
We feel we can strike a cord and reestablish that connection with our audiences which has been so badly missing
Thank you!

Its of course, a lot better when we present it together and add all the additional stuff you won’t get in the notes. Plus it usually throws up a million questions which we have answers for…

Perceptive Media Launch at Social Media Cafe Manchester

If you’ve not experienced Perceptive Media yet, stop reading and go to futurebroadcasts.com to listen to the Breaking Out audioplay.

We’ve been sitting on Breaking Out for months slowly improving it as the browsers caught up with what we were trying to get them to do (WebAudioAPI is very topical at the moment). When we first started there was no way it was going to work in anything but the latest chrome. However things are starting to change…

Anyhow because of the wait to get things working correctly, we picked a date to release much later than expected. That date slotted right in between the end of the Euro 2012 and The 2012 Olympics. That date co-insided with SMC_MCR’s July event, the event where I first talked about Perceptive Media openly for the first time.

The event hosted at the excellent Cornerhouse Cinema was great. First up was Elliot Wood discussing the process behind his most recent digital art installation in Korea with studio Kimchi and Chips. Really interesting as there were some key points which matched some of our thinking. Mainly around openness and generative/organic systems.

After the break came some announcements and then Perceptive Media with me and Tony.

We quickly ran through our reformatted presentation from the EBU in April, to lay the context for those who were not at the SMC event in February. Afterwards we went into a live demo of Breaking Out the audioplay.

The audience enjoyed the play and seemed to respond well to part of the play I’m not going talk about now.

After hearing the audioplay we switched to a panel discussion with me, Tony Churnside, Henry Swindell (from the BBC Writers room) and Sarah Glenister (the writer of the script from the BBC Writers room). We also had Mark Boas and Mark Panaghiston (from Happyworm, the developers) on Skype just in case.

The questions were coming thick and fast, at one point I counted about 20 hands up of the 60 strong audience. Lots of questions about the idea of Perceptive Media and quite a few about the storyline. It was great having Henry there because he laid it out from the writers point of view. Sarah jumped in and gave her point of view writing the script, something she just published on the BBC Writers room blog.

The event was a big success for ourselves, SMC and everyone involved. The feedback we got was great and we did record the event for the purposes of research.

Following on from the launch. We’ve watched the prototype spread to quite a few places.

The BBC unveils its first perceptive media experiment and you can try it now – Martin wrote this pretty much live from the event and its gone a few places. And it appeared on Techmeme for a couple of days.

The BBC opens up its first perceptive media experiment and you can try it out right now

BBC demonstrates revolutionary perceptive media – Nice

BBC perceptive media brings the next big thing in tv and radio

Angie chan who did the illustrations talks about the project

Metafilter goes off on Perceptive Media – Would love to join this debate but alas I’m not going to get involved in the debate.

Google+ also has a few comments

Experience Perceptive Media yourself

Following up from my posts (here) (here) (here and also now here) about Perceptive Media… I’m very proud to announce Breaking Out, our BBC R&D experiment into new editorial formats.

The prototype requires performs best on Chrome using the new WebAudioAPI, but does work in Firefox, Opera and Safari through a fallback solution (this will eat your bandwidth as it uses WAV’s rather than compressed audio like Ogg Vorbis and Mpeg3). I would suggest keeping memory and cpu intensive applications shut while running the demo because there some serious calculations happening client side.

But most of all I’d urge everyone to leave feedback, no matter how bad or good it is… Then share it around for other people to hear and experience.

Massive thanks to everyone involved in the project…

Writer: Sarah Glenister
Harriet: Maeve Larkin
Lift operator: Anthony Churnside
Producers: Anthony Churnside and Ian Forrester
Media Engine code: Happy Worm
Jplayer Audio engine: Happy Worm
Website code: Yameen Rasul and Matthew Brooks
Illustrations: Angie Chan
With special thanks: Sharon Sephton, Henry R Swindell, Maxine Glancy, Usman Mullan, Elizabeth Valentine and the BBC Writers Room

I’m also happy to say we will be making the Media Engine code available under the Apache License for all you guys who want to hack around with the concept yourself.

Actually there might be some easter eggs in the audio drama to find for those not interested in getting all dirty in the actual code.

A Perceptive on storytelling

As most of you know BBC R&D have a demo of Perceptive Media which we’ve shown a few places including the EBU in Copenhagen. Its been a hidden gem for a long while and its been amazing to see what people have had to say about the concept of perceptive media. Specially liked the two Brits sitting on the sofa talking about it.

We’re really hoping as many people will enjoy it and give their honest feedback to us (good and bad). But its not just the individual feedback we would like to research, its the interconnected stories of how people tell others about it and how they explain it to each other…

How memes spread has always been high on my list of loves and to be honest should be high on the BBC’s research lists (if its not already?) In actual fact there is something about how memes spread and attribution which I think is very interesting and could be a new business model into the future.

Anyway… expect much more about Perceptive Media on the BBC R&D blog this month. In actual fact if you want to be first hear it and respond directly to people behind it like myself, the script writer, actress, coders, etc… Then you should make your way to the next Social Media Manchester.

I was reading about the domino effect on my Kindle via Instapaper the other day on the London Tube prompted after reading this tearjerker story. This bit really got into stuck in my throat, further proving that I’m just a sucker and massive romantic…

At the end was this bit…

Here’s the power of a story: someone hands me one, like a gift (I imagine it wrapped in shiny paper with the bow, the handmade letterpress card, the whole nine yards), and in that gift, I find parts of myself that have been missing, parts of our world that I never imagined, and aspects of this life that I’m challenged to further examine. Then—and this is the important part, the money shot, if you will—I take that gift and share it. In my own writing, sure, but the kind of sharing I’m talking about here is the domino effect: how I hear/watch/read a story, and then tell everybody and their mother about it, and then they tell everybody and their mother, and somewhere in that long line of people is someone who, at this exact point in their life, needed its message more than we’ll ever know.

The power of a story indeed…

You could look at this as a example of why Perceptive media isn’t going to work but actually I disagree. Someone (out there) has written a story which perfectly suits the medium but they don’t know it yet.

Perceptive Media presentation at the EBU, Copenhagen

I really enjoyed my time in Copenhagen… It kind of reminded me of a combination of Berlin, Amsterdam and Stockholm. I had wished I had more time there for many reasons.

So what was I doing there? Well me and Tony Churnside were asked a while after that presentation at SMC_MCR by the European Broadcasting Union (they run the Eurovision song contest I’ve heard) if we would offer a unique look at a possible future for broadcasting. Originally we said no because the idea wasn’t fully formed (hence the early thinking) but it became clear we might have a demo which we could maybe show. That demo of course is still under-wraps and we hope to reveal it to the world soon enough (keep an eye on the BBC R&D Blog for more details). It was well received and it certainly got people thinking, talking and wanting much more. And yes it is Perceptive Media…

On top of doing the presentation and heading up a question and answer session with Tony, we got a good chance to see the rest of the summit and speak to many TV related people. Its amazing what our European public broadcaster friends are doing. Thanks to the always busy but super smart Nicoletta Iacobacci (who also uses troublemaker in her job title) from the EBU who was the one who invited us and made us feel very comfortable. Of course the amazing Mia Munck Bruns, who I had the joy of sharing my love for good cocktails with on the last night.

We also got to see parts of Copenhagen but we were mainly in Ørestad. I could only see the one of the moutain dwellings as talked about in the Channel4 documentary recently from a far, but it looked very impressive. And to be honest the architecture and design effort in Copenhagen was amazing… It was like walking through Stockholm or the pages of Inhabatit.

When we first arrived (our flight was 2 hours delayed) I had a massive headcold and couldn’t hear out of my right ear due to not flying well. But we walked straight into a session involving media study students and TV producers. It was run by Nicoletta and reminded me of when BBC Backstage invited the people behind UK Nova in to meet the BBC. The students explained there media habits and the TV producers tried to make sense of it all.

The thing which shocked me was the lack of twitter usage in Denmark. The students talked about using Facebook as we use Twitter. Google Plus never really came up ever. The 2/4 screens meme came up time and time again. And a few of the TV producers started getting irate why the students were treating TV like radio or as I prefer wallpaper.

They couldn’t understand why they have the screen on if there not watching it. Little disagreement broke out saying they should be watching what they broadcast. Well what followed was some ice words on both sides… As usual, as I’ve heard all my life. The students media habits were dismissed as early adopters. I asked if any of them created there own media rather than just consumed and shared? Very few did (maybe one) further indicating there not early adopters but just the norm.

Fantastic session along with

During the trip the EBU treated us to a series of lovely dinner including one at a amazing Opera Hall.

Unfortunately the way to the opera hall was via boat which isn’t exactly great for me. But I made it even with Tonys teasing…

The rest of the conference was dominated by TV as you’d expect and there was some real interesting things from other public European partners including Äkta människor or Real Humans

In a parallel present the artificial human has come into its own. Robots no longer have anything robot-like about them. New technology and advancements in the field of science have made it possible to manufacture a product – a kind of mechanized servant – that is so similar to a real human that it can often be considered a perfectly good substitute. The Human Robot (HUBOT) have also given rise to new problems and dilemmas. Thorny legal questions have increasingly started to occupy people’s minds and are still waiting to be answered: Who is responsible for the actions of a hubot? Do hubots have some form of “hubot rights”? Should they be paid for their work? As an ever growing number of people form relationships with hubots, the boundaries between human and machine become blurred. When humans make copies of themselves, which are so close to the real thing they form emotional bonds, the questions arises – What does it really mean to be ‘human’?

Looks like one to watch for sure…

Great to experience Copenhagen and see that crazy bridge/tunnel to Sweden from the plane.