Archiving your social media

Found Recollect via Imran…

We archive everything you do online.

There are a lot of great places to share your life online; we know because we use and love most of them. But this means our digital lives are spread across many different services.

It’s easy to get lost trying to find old memories. That’s why we built Recollect, the best place to archive and explore your digital life.

From a Data portability point of view it looks pretty good but its quite limited right now as it only supports Flickr, 4 Square, Instagram and Twitter. 2 of which I don’t actually use and to be honest I don’t really need the Flickr one because I have everything backed up already and I pay another service to archive my tweets.

I am interested to find out what format it saves them all in (I know its Gzipped or Tar’d, but the base format) and also in Twitter’s case how far back the timeline goes back? Does it include Retweets, @replies, Favoruates and other things.

Guess theres only one way to find out…?

Goodbye IT Conversations…

IT Conversations has ceased producing podcats

Since it’s inception, IT Conversations has published over 3300 audio programs. After ten years of operation and six years with me at the helm, all that is coming to an end. Those of us involved in the day-to-day operation and management of the site have decided that IT Conversations has run its course. We will continue to publish shows until around December 1, 2012. We’re going to get the very best of what’s left in the queue out the door before we turn out the lights. You can read Doug Kaye’s announcement and more of my thoughts.

Our goal has always been to publish good, quality shows that will stand the test of time and we’ve always envisioned them being around for a long time. I’m happy to report that the shows we’ve published will continue to be available through an agreement with the Internet Archive. We appreciate your support over the years.

Its a sad day and its fitting for IT conversations to go out with a podcast.

When Doug Kaye created IT Conversations in 2003, most people didn’t know what a podcast was and why they should care. Yet the idea spread and today, all kinds of people and organizations regularly release content to people throughout the world. Doug joins Phil Windley to bid farewell to the Conversations Network. They discuss the background of why Doug chose to be a podcast pioneer and how the network helped revolutionize a new way to distribute interesting content.

ITC and the conversation network was simply amazing and I even got a interview from Jon Udell in the past on to the network along with a early Thinking Digital session.

It will be a shame to see it go and passing all the media on to archive.org makes so much sense, you couldn’t have wished for a better solution. If only all sites would consider something like this when shutting down… I even considered joining Team ITC at one point way back when I was working for the BBC WorldService in 2004. Not for the money, but just because I wanted to help as I was getting so much out of each and every podcast. On top of that, ITC model was what I recommended the BBC should do way back in the early days of BBC podcasts.

Recently I have to say I’ve not listened to a ITC podcast for a while and when I did I tended to skip through it as it was usually not so interesting. I use to spend Sunday evenings listening to them in one go while reading and blogging that got replaced with TED talks. But its worth mentioning ITC bringing PopTech to my brain for the first time. Way before TED had even consider videos, PopTech was making there recordings available via ITC and frankly I was blown away. It might be why I still have a love for PopTech deep down.

IT Conversations brought all these great things to me and anyone who wanted to subscribe or listen.

DougKaye I have nothing but joy and respect for what you created and your decision to stop it and transfer the media. Total respect for everything you’ve done over years… And thanks for feeding my mind with the best of the best. Don’t know how you did it but so glad you did! I know you inspired many of us including the likes of Leo Laporte of the Twit network. You were an inspiration to many… You can hold your head up high forever more…

Parody videos – the start of a remix

Hugh pointed at the importance of parody videos as the start of an important conversation.

I was speaking to a group of students at Salford University earlier this month about the cultural value of parody videos. Even the terrible ones. I made the arguement that the really terrible ones may be more important than the really good ones.

Let me explain.

As I pointed out yesterday most people are waiting for permission to make their moves. As social creatures we take our cues from those around us. We are a nation that needs nudging. We like to copy. Mark Earl talks about this in his book ‘I’ll Have What She’s Having‘.

I explained to the students that for every terrible parody video on Youtube there will be hundreds of super talented viewers saying to themselves “I can do better than that”. The terrible parody video is what it took to kickstart their creative career.

He’s right…

Growing up in cultural revolution of Acid, House and Rave. Not only were these forms of music demonised by the mainstream (can never forgive BBC Radio 1 for not playing Rave music). They claimed there was no talent involved and it was simply pressing buttons.

This may have been true in some cases but frankly it inspired a whole generation of other people to give it a try and write their own tunes. Some of them were successful and others just had fun.

So no matter how much I hate the gangnam style stupid dance. Hopefully it will encourage others to do there own thing instead of just jumping on the bandwagon.

The remix is one of the most important trends we have and it does fit with hugh’s people are waiting for permission too.

Travels with pacemaker is back…

Really good to know the pacemaker device (as its now called to make the difference from the pacemaker app) is back! For quite a while, the only way I could record mixes a level of reliability was to record the output on an external device like my computer. This problem only really started when I upgraded the pacemaker device to the new found firmware which was found in the wild. It wasn’t official and now looking back was the cause for all my on device recording woes. Yes hindsight is always 20/20!

This mix seems to confirm the new official firmware has not only new features but has fixed the recording problem. Meaning I can record while on my travels. Great news for Trance fans…

The power of narrative

Children at First Lubuto Library

While working on Perceptive Media, I came across many examples of narrative and the power of storytelling. Something which I’ve been trying to demonstrate in my presentations pointing at how little subtle things can have huge effects. Recently I saw this which reminded me I haven’t posted anything about it recently

Telling stories is not just the oldest form of entertainment, it’s the highest form of consciousness. The need for narrative is embedded deep in our brains. Increasingly, success in the information age demands that we harness the hidden power of stories…

…in four decades in the movie business, I’ve come to see that stories are not only for the big screen, Shakespearean plays, and John Grisham novels. I’ve come to see that they are far more than entertainment. They are the most effective form of human communication, more powerful than any other way of packaging information. And telling purposeful stories is certainly the most efficient means of persuasion in everyday life, the most effective way of translating ideas into action, whether you’re green-lighting a $90 million film project, motivating employees to meet an important deadline, or getting your kids through a crisis.

When I was training to be a designer, it was drummed in to our brains that you need to have a story to explain the product, service, etc… Without that story or narrative your on a loosing road. Not only that but you want to give them the least distractions as possible.

Stories, unlike straight-up information, can change our lives because they directly involve us, bringing us into the inner world of the protagonist. As I tell the students in one of my UCLA graduate courses, Navigating a Narrative World, without stories not only would we not likely have survived as a species, we couldn’t understand ourselves. They provoke our memory and give us the framework for much of our understanding. They also reflect the way the brain works. While we think of stories as fluff, accessories to information, something extraneous to real work, they turn out to be the cornerstone of consciousness.

Enough said… but if you do get the chance to read all 3 long pages, it will be worth it…

What Cinema can learn from TV?

Adopt the internet

A few blog posts ago I was talking about Cinema and the audience using their phones in the cinema to share the experience and hinted at some other things Cinema can learn from TV.

Me and Hugh were arguing in FYG, Television has gotten the cluetrain like the film industry hasn’t yet. (it has a long way to go, to be at one with the internet but alas…). Live TV is the new fashion and teamed up with Twitter its giving TV a way to do explicit feedback like never before. I’ve attended so many talks where twitter integration is taken as the norm, actually what was weird was hearing our European public broadcasters talking about using Facebook instead of Twitter hashtags.

So generally…

Live TV + Twitter = Good experience

I wonder if Cinema and the film industry can learn something from this?

Cinema + Twitter = ? experience

I already expressed an dislike of people using there phones in the cinema due to the light but if you could tweet without ruing the darkness of a cinema, now that would be interesting… Of course the ability for people to be able to take pictures of the screen is a massive problem but tweeting about scenes could maybe increase the engagement (specially tweeting alongside premieres). Maybe theres a way to replay a hashtag in real-time along with a film?

This could work if films adopted something like status.net along film releases rather than using twitter per-say. Being in control of the microblogging means spoilers can be moderated and that replay feature can work. However your never really going stop people using Twitter oppose to using your own backchannel system? If it did work, imagine what you could do with the DVD, Bluray, digital download releases. Replay the best/insightful comments, add the directors comments, tweets from the actors, staff, etc… Who knows?

Maybe the whole aping TV is a distraction and there is something which it can do which is more interesting and more native to films? I had thought about using sensors within the cinema, perceptive media style? But its strikes me Hollywood is never going to allow customisation of films. Just like TV doesn’t want to see the same. Maybe sending the stats to the Internet and visualising them could be somewhat interesting? But hardly ground breaking… Sure a few people are thinking about this and will make a killing…

Over drinking and dating don’t mix

Thanks Tim for sharing this on Facebook… Reminds me of this date I had one time, maybe the worst date I’ve ever had.

We met in a bar in deansgate locks (yeah classy I know but I was new to Manchester). I was 5mins late at the very most. When I spotted her, she was sitting at a table alone with 4 pint glasses in front of her. Only one was full and I thought well maybe she was with friends before. It became clear that was the wrong assumption very quickly. Me being me, I couldn’t help but ask about the pint glasses after ordering a drink. She said she was nervous and it helps calm her nerves while starting to slur her words. About 5 more minutes and it was clear she was clear starting to become very drunk.

I did something which I’m not proud of. Went into the toilet called up a friend and got him to call me soon after. Yes just like the movies… (I didn’t know what else to do, and because it was one of my earlier dates, not so long after getting divorced. I wasn’t so outspoken as I have become). The call came through and I must have won an award for that performance. However I do think she would have noticed as she was getting more hammered by the moment.

A few days later, she did text me and I did tell her, I don’t think it was going to work mainly because I’m after someone confident but I wished her luck. I did also say my friend was feeling much better after his accident and he was glad he could rely on me (therefore continuing the lie).

From my experience drinking and dating only works to a certain extent. Once you over step the mark, things can go wrong very quickly. Knowing your limits and sticking to them is essential unless you want to sleep around (and frankly a lot of people do… join pof.com) Beer googles applies to wine and cocktails as much as beer. And think about how your coming across to the other person… Who wants a leechy leery drunk as a partner?

The making of Perceptive Media’s Breaking Out

I have been talking about Perceptive Media to many many people. Some get it some don’t… Everytime I try and explain it I use my perception to work out what method would work for them to understand it. When I did the talk at Canvas Conf way back in September I wanted to go into real depth about what we had done, but I had to explain the concept which takes a long while.

However now we got enough feedback, its time to reveal what we done to make it work. Theres a blog post coming soon on the BBC R&D blog but till then… Happyworm have done a excellent blog post explaining the whole thing down to some serious detail, including how to reveal the secret easter egg/control panel!

How to open the easter egg

To open the Easter Egg, Breaking Out must have finished loading and then click under the last 2 of the copyright 2012 on the bottom right. You’ll then have access to the Control Panel.

The easter egg, really unlocks the power of Perceptive Media like never before.

Everything is controllable and the amount of options is insane but all possible with the power of object based audio (the driving force behind perceptive media).

Breaking Out Control Panel

Practically just changing the fade between foreground and background objects can be a massive accessibility aid for those hard of hearing or in a noisy environment like driving a car? Tony Churnside is working on the advantages of object based audio so i won’t even try coming with conclusions on whats possible but lets say, the whole turning your sound system up and down to hear the dialogue could be removed with Perceptive media. Because of course perceptive media isn’t just the objects and delivering the objects, its also the feedback and sensor mechanisms.

Mark Panaghiston writes in conclusion…

The Web Audio API satisfied the goals of the project very well, allowing the entire production to be assembled in the client browser. This enabled control over the track timing, volume and environment acoustics by the client. From an editing point of view, this allowed the default values to be chosen easily by the editor and have them apply seamlessly to the entire production, similar to when working in the studio.

Web Audio API was amazing… and we timed it just about right. At the start of the year, it would not have worked in any other browser except Chrome. But every few months we saw other browsers catch up in the WebAudioAPI front and I’m happy to say the experiment kinda of works on Firefox and Opera.

One of the most complicated parts of the the project was arranging the asset timelines into their absolute timings. We wanted the input system to be relative since that is a natural way to do things, “Play B after A”, rather than, “Play A at 15.2 seconds and B at 21.4 seconds.” However, once the numbers were crunched, the noteOn method would easy queue up the sounds in the future.

The main deficiency we found with the Web Audio API was that there were no events that we could use to know when, for example, a sound started playing. We believe this is in part due to it being known when that event would occur, since we did tell it to noteOn in 180 seconds time, but it would be nice to have an event occur when it started and maybe when its buffer emptied too. Since we wanted some artwork to display relative to the storyline, we had to use timeouts to generate these events. They did seem to work fine for the most part, but having hundreds of timeouts waiting to happen is generally not a good thing.

Yes ideally we would want to be able to turn a written script into a Javascript file complete with timings. Its something which would make perceptive media a lot more accessible to narrative writers.

And finally, the geo-location information was somewhat limited. We had to make it specific to the UK simply because online services were either expensive or heavily biased towards sponsored companies. For example, ask for the local attractions and get back a bunch of fast food restaurants. But in practice though, you’d need to pay for a service such as this and this project did not have the budget.

Yes that was one of the limiting factors which we had to do for cost. And because of that we couldn’t shout about it from the roof tops to the world. However the next experiment/prototype will be usable worldwide, just so we can talk about perceptive media on a global stage if needed

As Harriet said, “OK, I can do this.” And we did!

Yes we did! and we proved Perceptive Media can work and what a fine achievement it is! This is why I can’t shut up about Perceptive Media. When ever we talk about the clash of interactivity and narrative I can’t help but pipe up about Perceptive Media, and why not? It could be the next big thing and I have to thanks James Barrett for coming up with the name after I had originally called it the less friendly Intrusive Media.

Not only did we prove that but it also proved that things off the work plan in R&D can be as valid as things on it. And finally that the ideology of looking at whats happening on the darknet, understanding it and thinking about how it can scale has also been proven…

I love my job and love what I do…

Happyworm were a joy to work with and the final prototype was not only amazing but they also believed into the ideals of open sourcing the code so others can learn, understand and improve on it. You should Download Perceptive Media at GitHub and have a play if you’ve not done so yet… what you waiting for?

Pacemaker mixes are ago go?

The Pacemaker in use

For a long while now I’ve had a problem with my pacemaker… The problem is I can’t reliable use the internal mix recorder. It records like midi by recording the actions and tunes then when you export from the editor it flattens the whole thing into a flatten Ogg Vorbis file.

Problem is it seems to screw up the mixes even though I know the mix was correct. I posted details on the unofficial pacemaker forum but people were blaming Linux, 64bit, Wine or Firmware problem.

Well I’m happy to say since I upgraded the Pacemaker with the new official beta it seems to be better (not perfect). I’m going to give it a proper test soon… If its correct, then it was the firmware all that time, and I should be able to rescue the old mixes, which would be fun. Because the Pacemaker is just a linux device, I’ve also backed it up a few times to my server and then to the cloud.

Expect more travels with pacemaker soon including my airplane mixes…