Chronicle vs The Craft

I was watching Chronicle again recently and started thinking, how a like it is to the Craft. Doesn’t matter to me because frankly there both great films. Funny they also have similar votes…

Chronicle
Three high school students make an incredible discovery, leading to their developing uncanny powers beyond their understanding. As they learn to control their abilities and use them to their advantage, their lives start to spin out of control, and their darker sides begin to take over.

The Craft
A Catholic school newcomer falls in with a clique of teen witches who wield their powers against all who dare to cross them — be they teachers, rivals or meddlesome parents.

This is not a Dark Knight Rises review

The Dark Knight Rises at 5am BST

There will be *no spoilers* in this micro-review for the dark knight rises. In actual fact this is more about my experience of waking up at 3am to head to the Odeon IMAX at 4am

Yes I did the whole 5am thing and actually really enjoyed it, somewhat more than the Tron Legacy 12:01am opening thing which had me wishing I had gone to bed instead (plus I wasn’t impressed with the film besides the 3D). However I got up at 3:05am, jumped in the shower and had breakfast. I didn’t leave the flat till 3:50am which had me rushing along the very wet but pretty quiet streets.

I decided if I saw a cab I would jump into it because it was really coming down (as it does too often in Manchester). Of course I didn’t see any cabs with there yellow lights on and I just kept walking. By the time I got through the Northern Quarter it was pointless getting a cab and I walked into the Printworks complex from the east side to find a massive queue of people waiting to get into the actual Odeon. This took me back because I was planning to be there about 4am but I had arrived about 4:15am. So much for getting a decent seat I thought. But then the line started the move as the doors opened and people walked in single file. Almost everyone ran towards the ticket pickup machines and box office while a few of us went straight up to the 1st floor to the IMAX.

I was expecting another queue but it was straight into the IMAX and I must have been about 50/60th in to the cinema meaning I could get the row just in front of the Premiere seating (row G). Generally I find row G, H and I are the sweet spots for most cinemas. Of course I didn’t get the centre but I got left of it then the couple I sat next to moved because they were actually booked in the premiere seats. Meaning I could move closer to the middle.

The Odeon staff were pretty good about the whole thing with loud atmospheric music from previous Nolan films playing. The Inception sound track got a massive smile from me. However when it came to the moment we waited for, there was a delay while they had to restart the IMAX projector. Not elegant but after 3mins we were away.

The dark knight rises takes place in a time after the dark knight when the cops of the city are pretty much use to keeping the peace and not much else. Of course the dark knight comes back however against Bane played by Tom Hardy he’s pretty much out of sorts. Bane’s presence on screen is amazing and you can really feel the bass in his breathing and speech. Other characters are also great including Catwoman… I read a review somewhere else saying it was an emotional end to a great series and there not wrong. The heart strings are pulled but not in a gimmicky way. Confidence, Self believe and wellbeing, all come into play. This will touch some and will float over the head of many others (so expect lots of disappointed people)

 

However before I start talking about the plot and spoil it for you all. I would like to say this film is the defining reason to watch it in the IMAX.

Containing over an hour of IMAX footage, the movie leaps up on the giant screen, absorbing and lush and practically enveloping the audience in its 70 mm celluloid. The most notable use of IMAX from The Dark Knight, the swooping overhead city shot at the beginning of the film, is repeated over and over again in The Dark Knight Rises, but it never loses its impact. We constantly see Gotham from above, and it fills the entire screen and our entire field of vision; just as Batman is committed fully to this city, we cannot escape it.

I swear my jaw was locked in place and chin on the floor for most of the later parts of the film. It was stunning and absorbing. The level of immersion was breathtaking. I’m so glad I got a chance to watch it in the IMAX first and I’m lucky enough to live close to a real IMAX. Unlike previous films by Nolan and others, its been clear when its the IMAX camera and not. Don’t get me wrong it was still clear but the difference this time is there was plenty of footage, enough to make it blur together.

For me the Dark Knight Rises was a masterpiece. I won’t be watching it as many times as Inception but Nolan once again has done himself and his audience proud with something which people thought couldn’t be reborn. He for me and others is the greatest director ever now. What ever he touches turns to gold… Dark Knight Rises was simply EPIC!

The dark knight rises should beat the avengers and set the world record for the biggest grossing weekend in current film history, specially with its 12 cert. But please spare a thought for those killed and injured in Colorado the same time I was glued to my seat watching the dark knight rises…

Movies about time travel

Back to the Future

Theres films which do Time Travel and then there are those who do it in a way which is baffling for our mostly linear brains. After watching Men in Black 3 I thought it was worth pointing to the real smart time traveling films.

  1. Back to the Future
  2. Donnie Darko
  3. Frequently asked questions about Time Travel
  4. Primer
  5. Time Crimes
  6. Triangle
  7. Time travelers wife
  8. 12 Monkeys
  9. Sourcecode
  10. Looper (yes I know this isnt’ out yet but it looks incredible)

Perceptive Media Launch at Social Media Cafe Manchester

If you’ve not experienced Perceptive Media yet, stop reading and go to futurebroadcasts.com to listen to the Breaking Out audioplay.

We’ve been sitting on Breaking Out for months slowly improving it as the browsers caught up with what we were trying to get them to do (WebAudioAPI is very topical at the moment). When we first started there was no way it was going to work in anything but the latest chrome. However things are starting to change…

Anyhow because of the wait to get things working correctly, we picked a date to release much later than expected. That date slotted right in between the end of the Euro 2012 and The 2012 Olympics. That date co-insided with SMC_MCR’s July event, the event where I first talked about Perceptive Media openly for the first time.

Elliot Woods

The event hosted at the excellent Cornerhouse Cinema was great. First up was Elliot Wood discussing the process behind his most recent digital art installation in Korea with studio Kimchi and Chips. Really interesting as there were some key points which matched some of our thinking. Mainly around openness and generative/organic systems.

Tony looking nervious

After the break came some announcements and then Perceptive Media with me and Tony.

We quickly ran through our reformatted presentation from the EBU in April, to lay the context for those who were not at the SMC event in February. Afterwards we went into a live demo of Breaking Out the audioplay.

Listening to Perceptive Media

The audience enjoyed the play and seemed to respond well to part of the play I’m not going talk about now.

After hearing the audioplay we switched to a panel discussion with me, Tony Churnside, Henry Swindell (from the BBC Writers room) and Sarah Glenister (the writer of the script from the BBC Writers room). We also had Mark Boas and Mark Panaghiston (from Happyworm, the developers) on Skype just in case.

The questions were coming thick and fast, at one point I counted about 20 hands up of the 60 strong audience. Lots of questions about the idea of Perceptive Media and quite a few about the storyline. It was great having Henry there because he laid it out from the writers point of view. Sarah jumped in and gave her point of view writing the script, something she just published on the BBC Writers room blog.

Sarah at SMC_MCR eventMartin hard at work

The event was a big success for ourselves, SMC and everyone involved. The feedback we got was great and we did record the event for the purposes of research.

Following on from the launch. We’ve watched the prototype spread to quite a few places.

The BBC unveils its first perceptive media experiment and you can try it now – Martin wrote this pretty much live from the event and its gone a few places. And it appeared on Techmeme for a couple of days.

The BBC opens up its first perceptive media experiment and you can try it out right now

BBC demonstrates revolutionary perceptive media – Nice

BBC perceptive media brings the next big thing in tv and radio

Angie chan who did the illustrations talks about the project

Metafilter goes off on Perceptive Media – Would love to join this debate but alas I’m not going to get involved in the debate.

Google+ also has a few comments

Prometheus, thoughts…

Prometheus

I finally saw Prometheus at the Odeon IMAX in 3D with my friend Dave and his girlfriend, a few weeks ago and I’ve been thinking about it ever since. No Spoilers!

I never thought I’d enjoy it because I’m not a fan of horror (I never jump or find them scary) but it worked because they removed all the long periods of tension with small amounts of action.

I did feel slightly uneasy about the amount of religious points within the film but the concept of our technology leading us to make our makers is certainly interesting but I’ve said no spoilers. If you really want to get down and dirty into spoiler zone… Have a good old read of this blog.

Seeing the Dark Knight rises at 5am

Dark Knight rises

After the pledge for the dark knight rises failing.

The tickets went on general sale almost the following week. Of course some of my friends were lucky to get tickets for the 8:30pm showing of the dark knight rises in the Manchester Odeon IMAX (1 of 4 real IMAX’s in the UK…) and they disappeared within a few hours. I missed it and only got options for 4:20pm and 11:30pm also in the IMAX.

However I later discovered when watching Prometheus (more on this very soon) that there will be a 5am (yes 5am not 5pm) showing to match the midnight showing on the east coast of America.

I had planned to take the day off to see it, but with the 5am showing, I can get up early watch this amazing film (which I think will blow Prometheus and the Avengers away) then go to work afterwards. Of course I will be rubbing it in my friends faces 🙂

So 5am on 20th July if I look a little tired you now know why…

Fan Art on everything…

I love movies and decided a long time ago to hang them in my living room instead of the usual pictures.

However recently I’ve grown tired of the movie posters. There always too brash in my mind or don’t include the parts which are movie defining.

I got the idea a while ago to blow up Fan Art using Rasterbator and then replace my crappy movie posters with them. It might seem slightly cheeky but if I’m not replacing any of the attribution and I’ll happily point to where I got the art. I know Deviantart do sell poster sizes of some of the art but I quite like the rugged non-descript way Rasterbator makes Fan art.

So for my first piece I did one for Inception…

I used PosteRazor which is one of the most ugly linux apps I’ve ever used (but it does the job) and created a A2 sized poster out of some excellent Fan Art. Then bought an Ikea frame.

The result is…

Inception poster

And this is only the start… Not bad for the first attempt, although the line up isn’t right and I’m not so happy with the framing…

Certainly like the idea of changing the art around every once in a while too

Perceptive Media presentation at the EBU, Copenhagen

Copenhagen

I really enjoyed my time in Copenhagen… It kind of reminded me of a combination of Berlin, Amsterdam and Stockholm. I had wished I had more time there for many reasons.

Copenhagen Archtecture

So what was I doing there? Well me and Tony Churnside were asked a while after that presentation at SMC_MCR by the European Broadcasting Union (they run the Eurovision song contest I’ve heard) if we would offer a unique look at a possible future for broadcasting. Originally we said no because the idea wasn’t fully formed (hence the early thinking) but it became clear we might have a demo which we could maybe show. That demo of course is still under-wraps and we hope to reveal it to the world soon enough (keep an eye on the BBC R&D Blog for more details). It was well received and it certainly got people thinking, talking and wanting much more. And yes it is Perceptive Media

EBU campfire reference

On top of doing the presentation and heading up a question and answer session with Tony, we got a good chance to see the rest of the summit and speak to many TV related people. Its amazing what our European public broadcaster friends are doing. Thanks to the always busy but super smart Nicoletta Iacobacci (who also uses troublemaker in her job title) from the EBU who was the one who invited us and made us feel very comfortable. Of course the amazing Mia Munck Bruns, who I had the joy of sharing my love for good cocktails with on the last night.

Cocktails in Copenhagen

We also got to see parts of Copenhagen but we were mainly in Ørestad. I could only see the one of the moutain dwellings  as talked about in the Channel4 documentary recently from a far, but it looked very impressive. And to be honest the architecture and design effort in Copenhagen was amazing… It was like walking through Stockholm or the pages of Inhabatit.

When we first arrived (our flight was 2 hours delayed) I had a massive headcold and couldn’t hear out of my right ear due to not flying well. But we walked straight into a session involving media study students and TV producers. It was run by Nicoletta and reminded me of when BBC Backstage invited the people behind UK Nova in to meet the BBC. The students explained there media habits and the TV producers tried to make sense of it all.

The thing which shocked me was the lack of twitter usage in Denmark. The students talked about using Facebook as we use Twitter. Google Plus never really came up ever. The 2/4 screens meme came up time and time again. And a few of the TV producers started getting irate why the students were treating TV like radio or as I prefer wallpaper.

They couldn’t understand why they have the screen on if there not watching it. Little disagreement broke out saying they should be watching what they broadcast. Well what followed was some ice words on both sides… As usual, as I’ve heard all my life. The students media habits were dismissed as early adopters. I asked if any of them created there own media rather than just consumed and shared? Very few did (maybe one) further indicating there not early adopters but just the norm.

Fantastic session along with

During the trip the EBU treated us to a series of lovely dinner including one at a amazing Opera Hall.

Opera House

Unfortunately the way to the opera hall was via boat which isn’t exactly great for me. But I made it even with Tonys teasing…

The rest of the conference was dominated by TV as you’d expect and there was some real interesting things from other public European partners including Äkta människor or Real Humans

In a parallel present the artificial human has come into its own. Robots no longer have anything robot-like about them. New technology and advancements in the field of science have made it possible to manufacture a product – a kind of mechanized servant – that is so similar to a real human that it can often be considered a perfectly good substitute. The Human Robot (HUBOT) have also given rise to new problems and dilemmas. Thorny legal questions have increasingly started to occupy people’s minds and are still waiting to be answered: Who is responsible for the actions of a hubot? Do hubots have some form of “hubot rights”? Should they be paid for their work? As an ever growing number of people form relationships with hubots, the boundaries between human and machine become blurred. When humans make copies of themselves, which are so close to the real thing they form emotional bonds, the questions arises – What does it really mean to be ‘human’?

Looks like one to watch for sure…

Great to experience Copenhagen and see that crazy bridge/tunnel to Sweden from the plane.

Inspiring media with Touch

connecting people

If you’ve not seen Touch your missing out. According to Rachel Clarke its already on Sky and not far behind its American showing either.

“Touch” is a preternatural drama where science and spirituality meet in which we are all interconnected. The show follows a group of unrelated characters. One of these is Martin Bohm (Kiefer Sutherland), a widower and a single father who is haunted by an inability to connect to his mute and severely autistic 10-year-old son, Jake. Martin has tried everything he could do in order to reach his son, but at no success. To spend his time, Jake has cast-off cell phones, disassembling them and manipulating the parts. This allows him to see the world in a different way entirely. Martin is visited by social worker Clea Hopkins. She insists on doing an evaluation of the living situation. Clea sees Martin as a man whose life has become dominated by a child he can no longer control.

Touch is seriously great and really seems to fit with inspiring media which is really coming into focus right now.

Last year the film The Tree of Life was released and caused a little stir. Its one of those films you either love or really hate…

Likewise, Touch will be one of those things you either love or hate. A few people have already said they loved the pilot episode but now its going nowhere fast. I can see what they are saying but I’m usually so wrapped up in the episodes it doesn’t bother me. Tim Kring is also the kind of person who tends to come good with well thought out layered narratives.

Or at least I hope…

Touch does (ironically) touch the current zeitgeist of our hyper connected times.

It all fits with my own thoughts… Slide 48 onwards in the TEDx Manchester talk the story of me and a great tune I’ve been loving for a while, the string which binds us by Arnej

Some of the most uncomfortable films you can watch

Martha Marcy May...

These are some of the most unconformable films I’ve seen recently… The kind of films where you can’t move from your seat afterwards or when you do, you feel like having a shower straight afterwards.

  1. Martha Marcy May Marlene
    Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.
  2. Requiem for a Dream
    The drug-induced utopias of four Coney Island individuals are shattered when their addictions become stronger.
  3. Shame
    In New York City, Brandon’s carefully cultivated private life which allows him to indulge his sexual addiction is disrupted when his sister Sissy arrives unannounced for an indefinite stay.
  4. Irréversible
    Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass.
  5. Trust
    A teenage girl is targeted by an online sexual predator.
  6. Hard Candy
    A mature 14-year old girl meets a charming 32-year old photographer on the Internet. Suspecting that he is a pedophile, she goes to his home in an attempt to expose him.

Each film has a unique reason why they are deeply uncomfortable, challenging and unsettling but each one is a masterpiece in its own way. Certainly worth watching each at least once… I also use the words uncomfortable as the films are not nasty or sick, they linger in the air and slowly choke you. For example, Trust is partially nasty, depraved or evil, but its the after effect of seeing someone whose obviously being taken advantage of feeling pity for her predator. This is almost exactly the same for Martha…

The psychological effect Shame and Requiem for a Dream is intense and although you don’t actually see anything depraved or so dark. They both put American Psycho to total shame (although I understand American Psycho is meant to be a very black comedy). They for me also totally swipe horror films out the way. For me I could sit and watch Nightmare on Elm Street without flinching and sleep soundly. But Requiem for a dream gives me chills each and everytime.

I guess a good example is Trust vs Untracable?

The year of making love part 2?

I have no idea what they (Fevermedia) think there up to now…

But they seem to be recruiting for part 2, cover there tracks or trying to rescue the year of making love… A friend (removed details just incase), sent this to me, I first thought it was a old email but when I looked at it again, I noticed the date was way after the epic fail which was the year of making love event.

From: Flanagain, Kerry, Fevermedia [kerry.flanagan@fevermedia.co.uk]
Sent: 14 March 2012
Subject: Exciting new BBC Three show looking for single people to take part!

I am contacting you from Fever Media on behalf of BBC Three.
We’re currently looking for people to take part in one of the UK’s biggest relationship experiments, for a brand new BBC television series.
The show will put the new science of compatibility to the test and in order to do this we are looking for single men and women that would be interested in going on a date with their perfect partner.

I have attached a flyer to this email, it would be great if you can pass this onto your students via the intranet, or display it somewhere? Anyone that is interested can contact the team using the details on the flyer and someone will get back to them ASAP.

Alternatively we’d be really grateful if you can help spread the word via your social media networks to get encourage students to get involved. Can the you retweet the link to our application stage please? Our twitter account is @yearofmakingluv
And to post the following on your facebook page please:

Would you like to be set up with your ideal date in a ground breaking scientific dating experiment? Fever Media and BBC3 are looking to fond you the perfect match! To take part please call 02074285759 or email your details toyearoflove@fevermedia.co.uk

Many Thanks,
Kerry Flanagan – The Year of Making Love
Researcher

And I’m not the only one to spot this… On the Facebook group setup by people who were there the first time, someone posted this Exciting new BBC three show looking for single people to take part!

Yes it seems Fevermedia didn’t learn their lesson first time around and want to repeat the mistake once again. But this time it might be that they stacking the deck (as such) this time to be sure? (of course this is all rumors, but if true show how desperate Fevermedia really are and serious lack of any scientific standing in the show)

My mate runs a modelling agency , yesterday he got a phone call from the fever team asking if any of his models would like to be on the tv show ..

Once again, the scientific experiment is just a washed away in the aim of creating TV. I certainly won’t be taking part, although I will be watching and researching to see what they do this time around.

One room multiple people trying to undertand why

Panic Button

I’m a bit of a sucker for mystery thrillers such as Cube.

One room or space, people trapped or stuck. An external entity working to convince them that they must kill each other to escape or be let free.

Here’s a few of those types of films which you may have missed but are worth checking out

  • Exam – How far would you go for the ultimate job
    Eight talented candidates have reached the final stage of selection to join the ranks of a mysterious and powerful corporation…
  • Panic Button – Have You Read The Terms & Conditions?
    Four competition winners find out why they should have adjusted their internet privacy settings.
  • 9 Dead – It doesn’t have to end this way
    Communication is the key to the survival for nine strangers who have been kidnapped by a masked gunman and told that one of them will die every ten minutes until they discover how they are all connected. Who of the nine lives and who dies?

 

Media ahead of the curve: Welcometothescene

Welcome to the scene series 2 ep 19

Does anyone remember welcometothescene by Jun Group?

I wrote about it a while back here and here.

For me this was way too early for a lot of reasons but in a world where hackers are dominating the headlines and endless war against piracy this series could actually work very well now. The style is also being duplicated by the likes of some recorded google hangouts I’ve seen recently.

The drama slowly unfolds and although I’ve not seen series 2, I expect the risky move to do very slow drama has been reconsidered. It wasn’t gripping but intriguing enough…

The method of distribution at the time was very radical, creative commons licensed and freely shared on bit torrent (and even e-donkey, geez do you remember that?). Even created in sharing friendly formats like Divx, Xvid, etc… Although quite a obvious move now… back in the day this was pretty amazing and people lapped it up as soon as they could get there hands on it.

Yes Welcome to the scene deserves a place in my ahead of the curve series.

The hierarchy of darknet video encoding

Some people make the grave mistake of thinking the darknet is full of kiddies messing with stuff to defeat drm and commit mass copyright.

They are so wrong and what they fail to understand is some of the smartest people are working together.

If you need any proof of this, see the recent changes in Standard Definition x264 release standards… Frankly the darknet puts the standard process of the likes of Ultra Violet to shame…

The whole NFO file is here.

-ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª¼
- -
- The SD x264 TV Releasing Standards 2012 -
LªªªªªªªTTªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªTTªªªªªªª-
-ªªªªªªª++ªªªªªªªªªªªªªªªªªªªªªTªªªªªªªªªªªªªªªTªªªªªªªªªªªªªªªªªªªªª++ªªªªªªª¼
- Lªªª[ INTRO ]ªªª- -
- -
- x264 has become the most advanced video codec over the past few years. -
- Compared to XviD, it is able to provide higher quality and compression at -
- greater SD resolutions. It also allows better control and transparency over -
- encoding settings. With CRF in the mix, we can also ensure that a diverse -
- array of material will get the most appropriate bitrate for them and not -
- arbitrary and fixed sizes. This standard aims to bring quality control back -
- to SD releases. There are many standalone players/streamers such as TviX, -
- Popcorn Hour, WDTV HD Media Player, Boxee, Xtreamer, PS3, XBOX 360, iPad, & -
- HDTVs that can playback H264 and AAC encapsulated in MP4. -
- -
- The SD x264 TV section was formed to separate releases from the ruleless -
- world of TV-XviD. This document will cover the rules and guidelines for -
- only SD resolution x264 television rips. -
- -
LªªªªªªªTTªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªTTªªªªªªª-
-ªªªªªªª++ªªªªªªªªªªªªªªªªªTªªªªªªªªªªªªªªªªªªªªªªªTªªªªªªªªªªªªªªªªª++ªªªªªªª¼

I would go as far to as to say some of the best video encoders and there results are in the darknet including the likes of Yify, Froggie100, etc. Of course I’m not condoning what they do but its amazing they are able to squeeze a HD video down to a 700meg CD.

Question: How do you do it? Making movies so small, yet such good quality?

Answer: Magic hehe. But in all seriousness I use a combination of software and settings that I have found to work best. For beginner encoders I recommend Handbrake and Format Factory, very powerful tools that do a really good job.