I saw it coming, changes to Mixcloud

Mixing live in the EMFCamp null sector

Today there was a email from Mixcloud.com

Nico here, CEO and co-founder of Mixcloud. Today we’re announcing upcoming changes to Mixcloud:
From December 1st we’re introducing a maximum allowance of 10 published shows for creators on the basic tier.

Why is this happening?

We believe DJs and producers should be rewarded for the skill and creativity that goes into their work. That’s why for over 10 years we’ve subsidized hosting costs and built tools that enable creators to grow and earn money.

We also believe artists should be paid when their music is played. That’s why every show uploaded to Mixcloud is scanned by our content ID system. This enables us to identify the tunes being played and pay royalties to the artists who made them.

Unlike other platforms, we’ve spent years securing comprehensive licensing deals with the major and independent labels to ensure this money is paid to the right artists. We have shouldered these costs in order to create a fair music ecosystem.

Until now we’ve kept our basic tier uncapped. However, as we’ve grown our royalty and hosting costs have risen and we are not profitable. To continue running and improving Mixcloud we need to become more sustainable as a business, and Pro memberships help us cover our costs.

How will you be affected?

On 1st December all of your shows will remain published and available to listeners. But, if you want to make space for a new show, you will need to manually move shows into drafts until you are within the allowance or upgrade to Pro for unlimited published shows.

Fair point but I’m not totally convinced, as it wasn’t that long ago when rewind and track listing became not possible. It was clear to me that I needed to do something ahead of this all, hence why I setup my own webmix garden. I agree it would be great to pay the creators of the music, and using webmotization considered a way to do this.

Maybe this is where I part ways with Mixcloud? Its a shame but like all the people leaving Twitter due to Elon Musk. its just not suitable for me anymore.

I would still like to try that distributed payment pointer system and also explore the notion of distributed charts using DHTs, removing the need for huge amounts of centralised storage.

WebMix: Webmonetization + Dj mixes for the next internet

Mark and Ian at Mozfest 2018

While recovering from Covid, I got a little time to finally sort out the WebMix idea which I also wrote up for Mozfest earlier in the year.

With the incredible and generous help of Mark Boas of Hyperaudio, I was able to use Hyperaudio lite to make clearly mark up a list of tunes in a DJ mix. Its what I’ve been looking to do for ages to move away from Mixcloud,

My finally setup was something I was playing with for ages but mainly via a self installed wordpress on my raspberrypi. I found problems when installing hyperaudio and in the end decided to go with a static website. I choose Publii as it had a linux client and I could just write the HTML easily (so many use markdown and other things, which would have made working with hyperaudio more difficult than it needs to be)

With the site creation out the way, I needed somewhere to host it.

Originally I was going to use Yunohost but I couldn’t find a simple webserver to just host the static files, instead I found a proxy server, which points at my NAS, which is running a very simple webserver. Of course the NAS has plenty of space, its also where the mixes sit, has a excellent redundancy and backup system.

The result of the experiment all sits here – https://cubicgarden.info/mixes

Digital Italics WebMix

The core part of WebMix (as I’m calling it) sits in hyperaudio’s transcript and webmontization support.

Hacking hyperaudio’s transcripts

Originally I always saw Hyperaudio for its ability to tie a knot between the written word and the audio (& video). It wasn’t till I saw a demo of the WebMon functionality is when I understood it could be the thing I need for DJ mixes.

With correctly written HTML, I can tell Hyperaudio what it should do, and with Mark’s help we had a prototype up and running.

Here is an example of the code from the quiver in the underground mix.

<li class="active" data-wm="$ilp.uphold.com/B69UrXkYeQPr">
<span data-m="0">Activator, I know you can (That kid chris mix) - Whatever girl</span></li>
<li data-wm="$ilp.uphold.com/3h66mKZLrgQZ"><span data-m="127000">Air traffic (Erik De Koning remix) - Three drives</span></li>
<li data-wm="$ilp.uphold.com/B69UrXkYeQPr"><span data-m="445000">Chinook - Markus Schulz pres. Dakota</span></li>
<li data-wm="$ilp.uphold.com/3h66mKZLrgQZ"><span data-m="632000">Opium (Quivver remix) - Jerome Isma-Ae &amp; Alastor</span></li>

Each tune has a time configured using the attribute data-m, this is  in milliseconds. As I have all the data in the old CUE files I created a long time ago. Mark helped me out with a nice script which saved me manually copying and pasting. (I also considered writing a XSLT to do the conversion). In between sleeping and relaxing with Covid, I got a number of mixes up, changed the theming and finally got to grips with the static file uploading process, and the results you can see on the site.

Current webmix site

Payment and royalties

You will also notice each tune/list item also has data=”wm” attribute with a $ilp (payment pointers). Currently they are pointing to myself and Mark Boas. Obviously I would change them to the payment pointers of the artists/producers/djs involved but I don’t know any which have them so far. Which leads nicely on to the next challenge for WebMix.

I did/do have a plan to do a mix with dance music from artists which have payment providers but that is still in the pipeline. Along side this, myself and Mark thought about some kind of database/airtable/spreadsheet/etc with payment pointers crossed linked to their discogs profile.

WebMix active on my site

Maybe this is something which could be done in the next grant for the web call for participation?

Back to the current experiment, here is Opium (Quivver Remix) – Jerome Isma-Ae Alastor. You could imagine one payment provider decided between all involved which could be used to pay for each time its played on the site. (I am very aware this is very simplex and the royalties of music is a total nightmare!) but the point of the payment pointer is to hide the complexity behind one simple payment pointer, how its divided afterwards is up to each of the parties involved. I’m imagining a management agent, organisation or even dare I say it DAO; responsible for the payment pointer. There’s already things like revshare, which means you can have multiple people/entities behind the payment pointer and theres interest in this space. Long tail economics certainly could benefit here.

Anyway its a long complex area which I’m best staying out of…?

The main point is its all working and expect more updates soon… I know Mark has other ideas, while I still need to get older mixes up. I also would like to tie the whole thing to something federated or at very least setup a activity-pub feed.

Maybe I should be more ill more often?

Its going to be a busy few weeks again

Ethical Dilemma Cafe Manchester through the windowIts been a very busy few weeks and theres little let up heading into May.

I noticed I haven’t blogged for a while. Not out of choice, its just been a super busy time.

Between the creation of the ethical dilemma cafe in Manchester, developing the adaptive podcasting app and web creator (more on this soon), suffering with a cold (not covid, I even got my first PCR test just incase the 4 rapid tests were all wrong), my birthday and dating an amazing woman (now my partner).

Of course I’m ok but its amazing how things I use to do all the time like booking trains, hotels, flight, etc have become more tricky than in the past. In the coming month I’ll be in London, Bristol, Newcastle/Gateshead (for the covid delayed Thinking Digital conference), Brussels (for the Exit platforms hackathon) and maybe even Amsterdam (for the in person Publicspaces conference #2). I’m also trying to go by train when ever possible!

My sleep cycle has become a bit of a mess and things keep pushing earlier starts into my calendar. If I could show a graph of my quality of sleep, sleep length, weight and effectiveness… It would be so telling.

I’m keeping a eye on this all and have a holiday booked for Lisbon. Not using my airline credit which was a total con for short haul flights. Ultimately I had to pay a large fee from the airline credit and I was able to book with another airline for cheaper than the fee! What a joke!

So in the next month, expect more quiet time while I work things out and relax in between. I really hope to sort out the webmontizated DJ mixes and heck even do some more mixes, as the incidental contact high is great but its time for a new mix. Good thing about traveling is more time for mixing.

Web Monetised DJ mixes anyone?

Its Mozilla Festival 2022 virtual week and the grand WebMontisation experiment is underway.

While thinking about the experiment and the ability to tip people, I thought about this aspect within mixes. Originally I thought about it per mix as WebMontization is page level, although there are plans for link level monetization in store.

Then I saw a bunch of Hyperaudio experiments with WebMon. This got me thinking imagine if every artist/label had a payment pointer?
Its not like we don’t have the precise timing metadata, especially when recording a mix digitally.

WebMon Mixing

For example here is the Pacemaker editor, which gives you exact times of when tunes are used and not used. The mix is my latest one, the incidental contact high mix, I do love that mix!

With the advantage of metadata lookup, it wouldn’t take a lot to correctly identify the tune and auto discover the payment pointer of the artist/label. For example here is Protoculture which is appears 3 times in the mix. With something like hyperaudio, it would be pretty straight forward to automatically send a stream or micropayment to the artist/label everytime the track is played within a mix.

With all this in mind, I’m thinking about creating an experiment.

If I was to do a mix using creative commons attributed licensed music, with all artists who have payment pointers. Then provide it through hyperaudio on my site.

Wouldn’t that be a really interesting experiment?

Following what Coil & Mozilla have done with the tipping experiment, I could use payment pointers for a number of charity’s instead?

Coil tipping

My first tip went to Hyperaudio!

Its certainly feel like a perfect DJ Hackday project?

I have refined the idea on the WebMon community site

Project description

The existing models for distributing DJ mixes is frankly painful with many DJs having to fight with take-down notices and copyright flags.
I am investigating ways to self-host and share DJ mixes with the care and attention of what a DJ would like to bring to the mix, and include a way to pay the artist/creator of the music in the mix.

Ways in Which I Am Web Monetizing These Resources

Currently I am Web Monetizing the whole of the site but I am going to change the audio player to HyperaudioLite and take advantage of the new feature to pay per section of the audio.
As a DJ, my main interest is to share the mix with as many as possible without limits and constraints. I will turn off WebMon for myself and use the payment providers of the artists instead. As I expect many artists have not heard of WebMon and so I recommend using payment providers of charities and non-profits instead (same ones Mozilla have used throughout the Mozilla virtual festival).

As more artists and labels start to support WebMontization and get payment pointers. It will be easy to reroute the payments to the new payment pointers and even split payments between groups/collaborations.

Ideally I’d like to see this fit within the fediverse systems like funkwhale, reel2bits or Castopod enabling support for future forms of sharing, ignoring and distributing.

The Grand Mozilla Festival Web Monetization Experiment is go

I was aware of this also being a Mozfest ambassador but at the end of last week it was announced. The grand Mozfest 2022 web monetization is go.

In short every Mozfest ticket holder will receive a free coil account with 5 dollars of webmon funding. On top of all the usual coil benefits, you will see changes in the virtual mozfest with the ability to tip speakers for their workshops. Tipping is quite new but a interesting addition to webmon.

Bet you wished you booked yourself a ticket for Mozfest now?

You are in luck, there are still tickets and the advantages of being involved just got a lot better!

Erica’s video sums it up with that huge dog and cute kitty.

What is The Grand MozFest Web Monetization Experiment, you ask?

It is an experiment to see how the creative minds of MozFest Community can apply the Web Monetization Standard to their MozFest resources and assets to raise money for an Internet Health initiative of their choosing, inclusive of their own work.

What Does this Mean for MozFest Attendees?

This means that every MozFest attendee will receive a 6-month pre-paid Coil account* stocked with $10 US worth of tips to use on Web Monetized resources and assets at MozFest, in addition to $5 US / month of micropayments to stream to Web Monetized resources and assets that you spend time on each month.

I look forward to seeing how the experiment changes how virtual Mozfest works in 2022 and beyond (maybe). Its certainly something which I can imagine many others conferences try and copy in years to come.

It happened and I have updated my Coil account after getting my email from Mozilla

https://twitter.com/cubicgarden/status/1496657712570155013

Public Service Internet monthly newsletter (Sept 2021)

Metaverse

We live in incredible times with such possibilities that is clear. Although its easily dismissed seeing the lack of coverage for facebook whistleblower sophie zhang, thinking about those batteries and yet another data breach.

To quote Buckminster Fuller “You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.

You are seeing aspects of this with seeing twitter crop bias bug bounty, the discussion about removing the landline and the social dilemma free on youtube for a month.


Tech Crunch gets on the moving train

Ian thinks: Reading this, I can’t really take Techcrunch seriously, because for every one of these startups focused on privacy and security. Theres at least 20 more startups covered the opposite. Maybe its just me?

Envisioning the future of social media

Ian thinks: This interview with Ethan Zuckerman is full of some great points to get you thinking, I find it hard to disagree with Ethan especially around using affordances and setting up small town based on Mastodon.

Values not eyeballs please

Ian thinks: Its always interesting to hear from experts in the space, on the work you are involved in. Its a really good read especially if you haven’t come across the Human Values, which also has new podcast interviews.

Apple cares about your privacy?

Ian thinks: I do find it so ironic, Apple making a song a dance about their privacy changes but their own browser Safari, not including any strong level of privacy? Of course Apple are in privacy hot water for much more too.

What is really behind Only Fans new policy? and its Uturn?

Ian thinks: There is a important question about the platform and who has influence over the platform. As this twitter thread says, you really need to think about the platform & infrastructure,

The dystopia which is the metaverse

Ian thinks: There is so much talk about the metaverse but few looking at the privacy, security, infrastructure and trust within this space. Till then I can’t help but think Vice is kind of right.

Its started with a MP3 player

Ian thinks: Dan Hon’s rant starts with a want and spans the internet media ecosystem, pointing out so many of the problems we all know too well.

Blackhat & Defcon happened, here’s the scary flaws

Ian thinks: I always love seeing what comes out of these security events. You can also watch the full videos from Blackhat and Defcon online here.

Web Monetization showcase

Ian thinks:The webmon showcase is a nice summary of some of the projects which came out of the Grant for the web initiative

Mozilla thumbs down Facebooks claims about Ad Observer

Ian thinks: Its so interesting to see Facebook’s concerns around Ad observer squashed in one post by the privacy first Mozilla. This is deeply concerning behavior, what is Facebook worried about?


Find the archive here

The future of the browser conference

I was very happy to take part in the future of the browser conference, along with my amazing colleague Jasmine. It was a different kind of conference and this was very clear from the introduction with Amber in the future! (amazing and well worth watching)

Each section started with a really different video from different artists. This was a great move with most conferences, generally starting with a keynote before the conference talks) This conference turned that on its head before jumping into number of deep dives around aspects of the future browser. All the videos are now up online, so go have a watch now.

Since the conference I have installed Brave on my Ubuntu machine now and also Puma on my mobile.

There was quite a few new developments I hadn’t really seen before.

Project fugu

Project Fugu is an effort to close gaps in the web’s capabilities enabling new classes of applications to run on the web. In short things like controlling Zigbee, USB and Bluetooth devices. I heard about this a while ago and thought Living room of the Future controlled via a browser.

Handshake

Handshake is a decentralized, permission-less naming protocol where every peer is validating and in charge of managing the root DNS naming zone with the goal of creating an alternative to existing Certificate Authorities and naming systems. Names on the internet (top level domains, social networking handles, etc.) ultimately rely upon centralized actors with full control over a system which are relied upon to be honest, as they are vulnerable to hacking, censorship, and corruption.
I think that says it all, something which many people have pointed out many times as a major problem with the DNS system.

Handshake is an experiment which seeks to explore those new ways in which the necessary tools to build a more decentralized internet. Services on the internet have become more centralized beginning in the 1990s, but do not fulfill the original decentralized vision of the internet. Email became Gmail, usenet became reddit, blog replies became facebook and Medium, pingbacks became twitter, squid became Cloudflare, even gnutella became The Pirate Bay. Centralization exists because there is a need to manage spam, griefing, and sockpuppet/sybil attacks.

Unlock protocol

As most of you know, I have webmontization enabled on this blog and also on my mixes site. But Unlock is aimed at subscriptions and memberships. This is great news, except its not a standard yet but looks promising.

The coming age of the 402

I had heard Matt talk previously during May’s Manchester Futurists. There is a lot of unexplored areas in the http status codes including 402, which could be used to do new and interesting things like WebMon, which was also covered in Manchester Futurists and the future of the browser.

Better ways to archive and save the page.

Saving the page has been a nightmare for a long while, and I found Webrecorder and ArchiveWeb.page quite interesting solutions. Its also interesting to think about the lengths we have gone through to stop people saving the page.

This is why I like these community driven conferences… Big thanks to @caseorganic, @anselm and all the speakers.