Spotify exclusive ignites closed vs open RSS flames again

Spotify logo

So Joe Rogan, comedian and host of one of the standout hits in the podcasting world, is getting in to bed with Spotify. Making it a Spotify exclusive,

When I first heard this news I felt something had changed as I knew the time of the platform exclusives was on its way. Opening the debate about open ecosystems like RSS vs closed ones systems.

James Cridland is always on the ball and covered this much better than I could. He makes some very good points

  • The show will be free to Spotify users (both Premium and Free users).

This is Spotify’s platform play, exclusive free access but only if you use our player.

  • It will be available in video on Spotify as well as audio. Spotify tested video (May 7) but were tight-lipped as to why.

I was aware Spotify have been testing a few things for their player including video as James pointed out. Canvas their tool for creating interesting music videos went quiet a while ago.  I wonder what else they have added and are keeping quiet about. This is the big advantage of your own proprietary player/platform, do what suits you and make the rest come to you.  I keep wondering if perceptive podcasting needs to get ahead of this now before we are all buried in proprietary closed systems.

  • His full show won’t be on YouTube any more, though he will post clips. Possibly not that coincidentally, YouTube is readying a full launch of YouTube Music, a Spotify competitor.

I hadn’t really clocked that of course Youtube music is coming out almost exactly at the same time. The date makes a lot of sense now

  • His full library, going back 11 years, is to switch to Spotify from September 1; exclusivity comes later in 2020.

Moving all those archives to Spotify is a interesting but potentially bad news for future plans. Especially if things go wrong.

Sounds, Spotify and Luminary

I also found these reactions very apt as it doesn’t take much to see the important discussion over podcasts vs audio shows instantly flare up again.

  • “Fuck Spotify, and fuck any ”podcast” that’s only playable in one app”, tweeted Overcast’s Marco Arment, adding that “moving an existing, open, free show behind a proprietary wall results in massive audience loss. I hope he at least leaves his public feed up so he can return to it when his Spotify exclusivity fails.”
  • Spotify’s new strategy is to kill podcasts (Simon Cohen, Digital Trends)

James made clear podnews stance on this all.

A “podcast” is something that is delivered via an RSS feed to multiple podcast apps. Podnews refer to things available exclusively on Spotify, BBC Sounds or Luminary as “shows”. Accordingly, from late 2020, we’ll no longer refer to The Joe Rogan Experience as a podcast.

Harsh? I think not, he’s right this isn’t podcasting…

Public Service Internet monthly newsletter (Mar 2020)

Microphones on a desk

We live in incredible times with such possibilities that is clear. Although its easily dismissed by looking at the sorry state of the UK during our EU withdrawal or the tech press panic over the corona-virus.

To quote Buckminster Fuller “You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.

You are seeing aspects of this happening with the rise in unions and labor rights in the gig economy.


Google users in UK dropped into GDPR limbo

Ian thinks: I always thought this was going to happen, once out of the EU our data privacy laws won’t be respected by the GAFFA’s and why would they?

Signaling to the masses, leave whatsapp

Ian thinks: Signal as a behemoth is concerning but its clearly made the best use of open source licenses to keep itself in check. Love the new systems which are being built on the protocol, real opportunity for something very new.

A future without public service media?

Ian thinks: All public service is under treat and hearing the words of the CEO of the CBC, really sends the message loud and clear

Governments who lockout their Public service broadcasters

Ian thinks: Following the previous link, a look at the sorry state of American’s public service broadcasting. The up lift of donations is good but for how long, how sustainable is public donations?

Making the digital economy working for the 99%

Ian thinks: 3 words – Transparency, auditing, diversity.

Spotify’s plans to take over podcasting?

Ian thinks: The comparisons are spot on and its clear podcasting is going through a massive change right now. Spotify’s play to commodify and dominate is hard to break unless there is experiences they can not own.

Centralising podcasting with trapping techniques

Ian thinks: The writer makes a good point about Spotify taking decentralised open media and locking inside a closed proprietary system. Lessons to be learned for future services we use.

The utopian vision of Airbnb vs the harsh reality

Ian thinks: I like Airbnb, I’m even a host but its clear there isn’t just a problem but its fundamentally broken and actively exploited by too many.

Could containers for web browsing benefit you too?

Ian thinks: Been using Firefox containers for the last 6-8 months and find them incredibly useful. The user experience is a mess and provides an opportunity for design disruption.

The effect of spotify on music generally

Dear musicians who make £0.0033 per stream on our utopian music platform
Dear musicians who make £0.0033 per stream on our utopian music platform, haha, hahahaha – Spotify. Thanks, 2016 we made lots of money via Jason Lytle

It was Mike who sent me a link to this classic piece of culture jamming seen in Bristol. Of course it’s not by Spotify, but they (whoever is responsible for this work of genius) went as far as to use their logo and typeface.

It was only less than 24 hours previously at my new years eve party, when a couple of people wanted to control the music playing. I know wanting to control the music isn’t anything new; but I’m finding people are assuming the music is from Spotify.

Before the holidays, I was at a party where the music was chosen by people typing names into a laptop connected to the sound system. As you can imagine, people would select a few tunes and queue them up. Then someone else would come over and select more. Some  would then shift around the playlist to move their tunes to the top, etc. It was a bit of mess with different people deleting other people’s selected tunes and others hogging the playlist. The inner DJ in me, choose to turn my back on everything and ignore the chaos.

The mindset has changed and although I love what Pacemaker are doing. I do slighly wonder about the future of mixed music. Theres a sense of instant gratification in playing track after track in a playlist and bumping things up and off the list, rather than trusting a mix to take you on a great journey. Maybe this is why I never use spotify and use mixcloud more? Delayed gratification is something which seemed to go right out the door with the increase in blood alcohol levels

Of course this is absolutely nothing compared to whats happening with the artists of course. Which leads right back around to the culture jamming in Bristol. Like Uber, the big behemoths across the sharing economy (if thats what we are to call it) are most likely to feel pressure in the long run from more humane practices such as Juno. Or at least I certainly see becoming true…

What if Spotifiy was a Coop?
Seen this during the mozretreat at BetaHaus, Berlin

There is a blog draft which I’ve had saved about the state of business now and into the future. Its big and likely needs slicing into smaller blogs but cooperatives are certainly a big part of it.

Ben pulled me up on this recently surround Evernote

Ian, are you against these companies making money/turning a profit? I’m curious how you otherwise see them paying for both the innovation and the on-going costs of running the service?

I replied without the links (but now I can finally put them in)…

No I’m not against that Ben Metcalfe, I’m in favour of up front telling people up front what they are getting into. You have to be honest and say EULAs are a joke no one reads except myself and a few others.

I’m also not a fan of massive endless profits growth which ends up ruining the companies…like Twitter, Pebble, Evernote, etc, etc. I see it over and over again and I think the likes of the media are also part of the problemhuge valuations attracting/temping more startups to get involved.

Its a mess and killing the long term sustainability of a exciting future.

This starts to summarize some of the main points of the longer blog post…

NFC mixtapes

Thanks to Cefn for dropping myself the Cassette project.

I originally dismissed a bit thinking it only played one song per tape but from the video you can see it does actually play a playlist. I think its a neat idea but I prefer the shareability of our own physical playlist project. (interested in seeing more? it will be at mozfest this weekend) I’m also wondering how you create the playlists? But its worth saying the engine which reads the playlist and the actual player are separate on the physical playlist machine for this exact reason.

Love to work together on something which combines both things really…

https://twitter.com/MysticMobile/status/525531688701808640

Making your playlists really tangible

Tangible Playlist machine

Today my Desert.FM playlist went live to the front of the site.

Wrote about Desert.FM a while ago and also talked about the CX Tangible playlist machine/project with Lancaster University.

I connected the two of them in my mind, but it wasn’t till I saw the link to the spotify playlist. Thats when it really hit me, I could easily/will be creating a physical playlist for my desert.fm playlist. Then when its done, I’ll customise the playlist band to reflect my  music choice (unlike this).

Tangible Playlist machine

The tangible machine we built supports BBC iplayer, Spotify and YouTube. (BBC Redux and others were considered and may make it in to any updates). I noticed there is a slight difference in the Spotify version and my whole list but as I imagined Spotify hasn’t got everything. However Youtube can nicely fill in the rest, just as the guys on Desert.FM have done. For example Time to get ill by 4 Hero, which doesn’t seem to be on Spotify?

I can see a unique little collaboration coming from this, how great would that be? Imagine it, you create your list on desert.fm, it prints a nice band out for you and creates adds NFC tags to it. You then get it in the mail. Or even better you create it for someone else, you design the band and they send it out to a contact. Just need a nice way to mass produce the machines 🙂

Tangible Playlist machine

I can’t wait to explore video playlists and share some of the great ideas we’ve been thinking about.

Where is spotify for dj mixes?

I see Spotify is  updating its linux users with new features first… But I still wonder where and if there is interest in a spotify for dj mixes?

A while ago I wrote about the differences for soundcloud vs mixcloud then went on to write about mixcloud. I highlighted these as problems with mixcloud…

  • The ability to license content including creative commons
  • Allow people to download the mixes if the dj allows it, like soundcloud do
  • Allow alternative versions of the same mix (this could be a nice pro feature, pro users get access to the transcoder)
  • Add the ability to comment on sections of the mix and the whole mix if they want to
  • Groups are a good idea (they work well on flickr and soundcloud)
  • Spend a little more time on the design of the site if possible

The download one was always a problem. Something which strikes at the heart of mixcloud’s licensing and something spotify seemed to have solved too.

So I wonder if mixcloud will ever release a desktop client or if anyone else will jump in and do it first?