Selling old Rave stuff

Dreamscape 1 flyer

Over the Easter weekend I have been cleaning out all the old crap I own and found not only my vinyl collection (mainly hardcore/rave and happy hardcore) but also my magazine collection. I have a load of the home computer course magazines and early T3’s but more interestingly I have Eternity which is not the monthly conservative Christian magazine according to Wikipedia. Nope its the controversial underground dance magazine and I seem to have issue 4 onwards till the last one. Currently Fantazia.org.uk are selling them at between 9.99 and 14.99 a issue which is a markup of at least 500 percent, and they seem interested in buying more. Which is good, because I could shift my lot and it will go back into the hands of someone who will enjoy them.

I also have a ton of Rave flyers in a briefcase (heaven knows why). I was able to remember the combination even after so many years and so now have access to about 250+ flyers. Once again Fantazia seem to want to buy them, but I also noticed Fantazia don’t just sell them, they can put them on Canvas and ship it to you if you like. So I’ve been thinking it would be great to get some of the really good flyers up such as the Obsession fish flyer. Like the magazines, I’d be happy to help out on any project which puts all the flyers online including Fantazia, raveflyers, its-all-about-flyers, phatmedia and hyperreal.

There is so much that happened during this short period of rave culture. The history of house music timeline is worth reading if your not aware of the differences and don’t know where house music came from. Its also quite interesting to super impose the timeline of house music on top of the history of rave timeline. There are some classic bits that even I remember reading or hearing about….

1988

At a time when football violence was escalating, rival fans dance together in an ecstasy induced euphoria thinking the world is going to change. – “…like angels from above, come down and spread their wings like doves…”

Paul Stone & Lu Vukovic start RiP. They provide a harder edged party. Located in a labyrinth like warehouse complex on Clink Street, near London Bridge, home centuries ago to Britain’s first prison. RiP sees Mr C (Later of the Shamen – who played their first experimental acid set at RiP) and Eddie Richards & Kid Batchelor play a harder more underground house (“as opposed to the pop songs at Shoom” – Mr C) to a very diverse crowd, from gangsters to people in shell suits.

In Manchester the Hacienda’s Hot & Nude nights kick start acid house in the North.
April – RiP (still at Clink) move to Fridays with their ‘A-Transmission’ nights and Sundays with ‘Zoo’.

April 11th – Paul Oakenfold opens Spectrum in London. A brave move, in that it is to be held at Heaven, near Trafalgar Square (at the time one of the biggest club venues in London). To make matters worse it is held on Monday nights. Even so after 3 weeks they had 1200 people in every week with just as many locked out. Spectrum quickly gains a musical reputation as anything goes. Paul Oakenfold even plunges the complete club into total darkness and played Tchaikovsky’s 1824 Overture on one occasion. They also hold a few nights at Legends in Manchester and one party in a marquee by the Thames.

1989

The location of these events was a closely guarded secret up until an hour or so before the start. Meeting points would be made available through flyers and pirate radio stations (Sunrise, Centre Force, Fantasy). Mobile phones were still widely regarded as Yuppy toys but thanks to BT’s messaging service they became an ideal way to co-ordinate people to different meeting points (Motorway service stations usually) and eventually the venue itself. It generally turned into a game of “follow the car in front” until you find a party. By keeping the venue secret like this they could get everyone on the move heading for the party or in the wrong direction if needed. The police have no option but to follow. So the end effect is that 1000’s of people can descend on one location in a matter of minutes. Once a party’s goes past a certain size there is, in reality very little the police can do.

June 24th – Sunrise’s Midsummer Nights Dream at White Waltham airstrip, Berkshire is attended by over 11000 people. The Sun newspaper runs the headline “Ecstacy Airport”. Other reports involve “youngsters so drugged up they ripped the heads of pigeons!” & “at the end of the night the floor was covered in empty ecstacy wrappers”, unsurprisingly , both are untrue, the empty wrappers are actually pieces of silver foil that fell from the ceiling – dead pigeons nowhere to be seen.

1990

10th August – “It’s a fad. It will be over in 3 months” claims Superintendent Mick Bromwich of the Coventry police.

Alex  paterson (later of the ORB) and Jimmy Cauty (KLF) take over DJing in the VIP room at Land of Oz (held at Heaven in London). They play a weird mix of film music and animal noises! Ambient music is born.

October 13th – The Legendary Eclipse opens at Lower Ford Street, Coventry. Britains first legal all night rave club. The club is packed all night every Friday & Saturday.

September 1st – Pirate radio station Kiss becomes Britain’s first legal dance radio station.

1991

January 30th – Hacienda closes after door staff are threatened with a gun. “We are sick of the violence” – Tony Wilson

New Years Eve – 12,000 at Fantazia at Westpoint Exhibition Centre ending with the now legendary Top Buzz set &  Raindance-Big Bad Head at Melton Mowbury.

1992

April 10th – ITV’s Hitman & Her program do a show from the Eclipse in Coventry. A classic TV moment see’s Michaela Stachen having to leave the club because “its too hot … they’ve all got eyes like saucers … “. – I have this somewhere!

June 27th – Amnesia House hold “The B
ook of Love” at Brayfield Stadium. After first announcing hit intention to get married at a rave on the BBC’s “The Time, The Place” back in 1989. Mickey Lynas (partner in Amnesia/Nemesis) gets his wish and marries with 15000 ravers as witness’ and Grooverider as the best man.

July 25th – Fantazia hold “One Step Beyond/Castle Donnington”. Licensed for 25000, the totally outdoor stage is made to look like a castle with a huge dragon in the middle of the crowd.

1993

April 30th – Universe do the first Tribal Gathering with 25,000 people at Warminster near Bath. Total chaos on the surrounding roads with a 15 mile traffic jam leading up to the site at about 9pm.

August 13th – Universe stage their Big Love event attracting 30000. With 2 totally outdoor stages set back to back, Heaven (House) & Earth (Hardcore). Probably the last totally outdoor event. Sound restriction problems cause the levels to be turned right down half way through the Prodigy’s set.

The Criminal Justice bill is put to parliament. With the new rave clause, defining a ‘Rave’ as 100 or more people dancing outdoors to music “mainly comprising of repetitive beats”. New powers for the police will include the right to detain anyone they believe is heading to an illegal rave and the right to confiscate sounds systems (like they hadn’t been doing this anyway)

I watched Kick Ass and enjoyed it

When I first saw the trailer for Kickass the movie, I wasn’t sure about it but after reading Miss Geeky’s review back earlier in the month I gave it a try.

Kick-Ass is an awesome movie and one I’d recommend to anyone who likes the big action-y superhero movies. I was hoping I’d like it, but wasn’t expecting to have this much fun. Everything from story to music works in this movie and I guarantee you’ll have a great time. I so want to see it again once it’s released!

To be honest I walked away loving the movie. But what amazed me about the movie was Hit Girl. Without sounding odd, she was amazing even with a mouth of filth and I can’t believe shes only like 13 years old. Great actress to watch for the future.

Another reason why I bring up the fact Miss Geeky’s review got me interested was down to this fact, mass downloaders, spend the most on media. I’m also floating the idea that downloaders also attribution more than anyone else. Who else sticks trailers on there site and writes such detailed reviews. We’re fans and we want to see it first, again and again. Then we want to write about it and tell our friends and the world about it. If your business model interferes with this, your on to a slow looser.

The one step beyond entropy mix

The one step beyond entropy mix by cubicgarden

The mix isn’t perfect, I almost dedcied not to release it and maybe even do it again, but I changed my mind as theres a lot of new tunes in this mix. Of course there’s classic ones too. Recorded in Bristol while waiting to go out one night, I’m sure yuo will enjoy it.

Its been a while since I’ve uploaded a new mix mainly because I’ve had some trouble getting the Pacemaker editor software working in Ubuntu. I tried to get it working using Wine but it just would not work. So I had to go back to using Sun’s VirtualBox which thankfully does work.

Here’s the playlist for the mix…

  1. Salvation (Album Re-Vised Mix) – M.I.K.E
  2. Second Slience (Michael Jast edit) – Signum vs Delerium
  3. Intution (Martin Roth Remix) – Marninx pres Ecco
  4. Watch out (Extended Remix) – Ferry Corsten
  5. Junk (Body Snatchers Vocal mix) – Ferry Corsten Feat Guru
  6. Strange Bends (Kyau Vs Albert) – Sebastian Sand
  7. A New dawn (Virtual Vault Remix) – Steve Forte Rio
  8. Smack – Simon Patterson
  9. Invisible Touch (Ferry Corsten’s Touch) – Bobina
  10. Sinister (Original Mix) – Airbase
  11. Language (Santiago Nino Dub Tech Mix) – Hammer and Bennett
  12. Shivers (Alex M.O.R.P.H Remix) – Armin Van Buuren
  13. RAMsteram (Jornvan Deynhoven Remix) – RAM

What happened to Escape Magazine?

Escape Mag issue 9

From Magazine Forum,

Dennis Publishing, 1996-?

Short-lived title from Maxim publisher Dennis aiming to explore the World-Wide Web. The first issue was withdrawn for legal reasons. Jennifer Aniston was on the cover.

It was T3 crossed with Loaded, and maybe a too ahead of its time. Now you could do a whole video podcast in the style of Escape magazine, specially with the youtube and Facebook always a place for somekind of monthly excitement. Heck if you throw in the maturity in gaming and you got something quite cutting. There’s no doubt it was a lads mag but I always felt there was more to it than just the pretty lady on the front cover. It at the time was talking about the culture of electronics and culture of the internet, when dot net was still trying to hook people up using AOL cds.

Well I’m weirdly happy to say I found all the issues at my parents house recently, and going by the lack of any details online, I’m sure they will sell for a good amount to some collector. Of course if you’d like to get in on the action a head of time, drop me a email. I’d also like to scan every page one day in the future, so there is a digital copy online somewhere, because right now there seems to be nothing at all. Not even enough details to be clear that it does actually exist (remind me to add a entry to wikipedia one day).

Manchester Werewolf Chapter: PlayEverything special – 15th May

Lady with Candle next to face

Been looking forward to doing this for a long time. Imagine playing werewolf but instead of playing it in the well lit area of a bar. Imagine playing it out doors within a circle of small candles which flicker in the slow moving wind. Well dream no more, its going to happen on 15th May as one of the FutureEverything events at the Contact Theatre. Spaces are limited to 35 maximum so if you are interested please add yourself to the Werewolf group and signup for the attached event.

Like Instapaper, love ReaditLater

I was enjoying instapaper because it just works but then I checked out Readitlater which someone wrote a nice script in Calibre (if you have a ebook readder and are not using this, you should be) for. And I’m converted. Its not as casual but with things like the firefox plugin, its certainly a much richer experience and works how I tend to work. There API could also be very useful for my plans to do with semantic desktop logging or even to move things into a archive space like delicious.

HTML5 yes great but it should have nothing to do with the ipad

I’m getting a little fed up of seeing this company, that company are preparing to launch video streaming using HTML5 so they can catch the Apple ipad users.

Don’t get me wrong HTML5 video streaming is a good thing, finally we can get away from Flash and Silverlight type non-standard technology and give the user the video they require. I do wish they had sorted out the Theora/H.264 codec issue but its too late now, and both are a major step ahead of using Flash. But what gets me is that all these companies are doing purely for the iPad? I’m sure supporting the ipad is in there somewhere but to do a massive swing the other way because Apple launches a massive ipod touch?

Worrysome.

Replacing Copyright, is it time?

Ars Technica, has a nice piece about a couple of efforts to replace the current copyright law with something much more enlightened.

Suggesting something new to replace it can be a harder job, and Litman turns her attention to that task in an unpublished new paper called “Real Copyright Reform” (PDF). Part of a spate of recent reform proposals (Public Knowledge is heading another high-profile effort, for example), Litman’s quest to reform the 1976 Copyright Act is, as she acknowledges, quixotic.

“None of these proposals is likely to attract serious attention from Congress or copyright lobbyists,” she writes. “Right now the copyright legislation playing field is completely controlled by its beneficiaries. They have persuaded Congress that it is pointless to try to enact copyright laws without their assent.”

Still, academics have never limited themselves to something as tawdry as “reality,” and Litman’s theoretical work here is no exception. Her entire reform proposal is based on a few key principles: returning power to both creators and consumers, radically simplifying the law so that people can understand it without a lawyer, and beating the record companies, publishers, and movie studios about the head with a shovel.

Who might object to that? The big distributors, for one, would probably not be pleased with any plan devoted to ousting “the current vested intermediaries from their control of pieces of copyright, and return that power to the creators.”

I had a read through the PDF of Jessica Litman’s and although I found it hard to follow at first, it started making a lot of sense. The arguments and references seem to be up to scratch but as the whole piece concludes on, the fact that Copyright was never written to cover the millions of ordinary people who want to share there culture with one another. The last few extensions to Copyright have had such a massive chilling effect, maybe it is time to relook the whole damm thing from scratch, even if its going to take a lifetime it will be worth it for our children and there children.

A Bill of Rights in Cyberspace

Jeff Jarvis from Buzzmachine has published a bill of rights for cyberspace. To be honest I actually quite like them, I’m not sure about cyberspace. I’d also love to hear Jonathan Zittrain’s view on the last right, I think its ok but could be better written.

point and click for cyberspace

A Bill of Rights in Cyberspace

I. We have the right to connect.

This is a preamble and precondition to the American First Amendment: before we can speak, we must be able to connect. Hillary Clinton defines the freedom to connect as “the idea that governments should not prevent people from connecting to the internet, to websites, or to each other.” It is this principle that also informs discussion of net neutrality.

II. We have the right to speak.

No one may abridge our freedom of speech. We acknowledge the limitations on freedom of speech but they must defined as narrowly as possible, lest we find ourselves operating under a lowest common denominator of offense. Freedom is our default.

III. We have the right to speak in our languages.

The English language’s domination of the internet has faded as more languages and alphabets have joined the net, which is to be celebrated. But Ethan Zuckerman also cautions that in our polyglot internet, we will want to build bridges across languages. We will want to speak in our own languages but also speak with others’.

IV. We have the right to assemble.

In the American Bill of Rights, the right to assemble is listed separately from the right to speak. The internet enables us to organize without organizations and collaborate and that now threatens repressive regimes as much as speech.

V. We have the right to act.

These first articles are a thread: We connect to speak and speak to assemble and assemble to act and that is how we can and will change the world, not just putting forth grievances but creating the means to fix them. That is what threatens the institutions that would stop us.

VI. We have the right to control our data.

You should have access to data about you. And what’s yours is yours. We want the internet to operate on a principle of portability, so your information and creations cannot be held prisoner by a service or government and so you retain control. But keep in mind that when control is given to one, it is taken from another; in those details lurk devils. This principle thus speaks to copyright and its laws, which set the definitions and limits of control or creation. This principle also raises questions about whether the wisdom of the crowd belongs to the crowd.

VII. We have the right to our own identity.

This is not as simple as a name. Our identity online is made up of our names, addresses, speech, creations, actions, connections. Note also that in repressive regimes, maintaining anonymity — hiding one’s identity — is a necessity; thus anonymity, with all its faults and baggage and trolls, must also be protected online to protect the dissenter and the whistleblower. Note finally that these two articles — controlling our data and our identities — make up the right to privacy, which is really a matter of control.

VIII. What is public is a public good.

The internet is public; indeed, it is a public place (rather than a medium). In the rush to protect privacy, we must beware the dangers of restricting the definition of public. What’s public is owned by the public. Making the public private or secret serves the corrupt and tyrannical.

IX. The internet shall be built and operated openly.

The internet must continue to be built and operated to open standards. It must not be taken over or controlled by any company or government. It must not be taxed. It is the internet’s openness that gives it its freedom. It is this freedom that defines the internet.