Perceptive Media at TedXBristol

This is my high level talk I gave for TedXBristol.

The powerpoint is a little screwy on the presentation but generally you get the gist. Its also the ones where I decided to mock up a clip of the introduction of Flashforward to give a instant view of what Perceptive Media could do.

I’m waiting to see how long it is till the video clip is taken down off Youtube for possible copyright violations (which I feel is totally wrong and it fits under transformative works). I used the same videos at Oreilly Tools of Change to amazing effect, although I do feel with more time I should have found some text to change slightly. Maybe I’ll do this for the writer workshops at the end of the month?

I could swear I wrote up my feelings about TedXBristol somewhere already, but can’t seem to find it right now.

Either way, I’m very happy to see it online and look forward to the feedback from people interested in Perceptive Media. I thank the team for inviting me and I look forward to spending more time in Bristol in the near future and good to see Bristol growing its digital community…

Looper Directors Commentry

Looper poster

I heard about the director’s commentary for looper via my rss reader and though it was well worth a another watch anyway after watching it at the Salford Cinema Club first time.

The idea is quite simple… Download the extra track to your phone or mp3 player. Go to the cinema again and  watch the film again with the extra sound track.

Johnson has recorded a commentary track that is meant to be heard in-theater. (Of course, he strongly cautions against listening to it on a first viewing.) Considering that the new film starring Joseph Gordon-Levitt and Bruce Willis has a much higher profile and a plot better suited to directorial untangling than Bloom, Johnson was besieged by requests from fans to repeat the experiment.

The Looper commentary is a totally different track than the version that will be included on the eventual DVD/Blu-ray release. This version is more technical and detailed, meaning don’t expect any anecdotes about how the actors got along or what the weather was like during filming. There’s an introduction up top that instructs users on how to sync up for the optimum viewing experience

The only problem I had was the introduction says to pause and unpause when the tristar logo comes up on the screen. In the UK it wasn’t Tristar, it was something else. Which caused a moment confusion and then a delay. It wasn’t too bad a delay but certainly meant seeing something then the director referring to it a second or so later.

The other thing is the volume… My headphones are a bit low and in the cinema it was sometimes hard to hear the director talking.

Overall it was a good experience and I would recommend it for films like Looper, Donnie Darko, Inception. Yes you can wait for the DVD/Bluray but its like having a friend nudging you with useful facts in the cinema.

Could this be a signal of things to come in the future? Don’t think so but if the syncing is cleared up it could open the door to much more interesting experiences and heck even personalised experiences layed on top of a mass medium. You could certainly see Perceptive Media in such a role…

Is Metrolink ripping us off?

Metrolink in Manchester map

I went to the Sharp Project today for BBC Connected Studio which was great. But I noticed something with my travel there.

I have a year travel card which allows me to go between Piccadilly Station and Media City. However my pass actually says From City – To Eccles. I assume this allows me to go anywhere between Piccadilly or Victoria and Eccles. Sounds great but today I wanted to go to Central Park on the Oldham line (Rochdale on the one above, which includes lines which are yet to be finished)

As it was outside the city zone, I decided to pay for the extra 2 stops. 2.20 pounds worth of travel. I’m sure it was the same price as buying a ticket from anywhere in the city zone including Piccadilly. In fact it would make no difference that I had a year travel card (in theory)

Ok forget the cost, what I don’t understand is why there is no zones like Transport for London? Frankly Central Park is closer to central Manchester than Media City and Eccles.

The other day I went down to Cholton and totally forgot that my year pass only covers me between Media City and the City Zone. If Metrolink had caught me, who knows what it would have cost me in a fine. But to be honest I would have argued against it because frankly its a stupid system without zoning.

My thoughts is because Metrolink choose not to add zones, they are earning money from those who have spent money opting for a week, month or year pass and do happen to go other places.

Tell me I’m wrong…?

Thanks to Chris who left a comment on my Facebook with a link to this news article from the MEN.

Metrolink set to move to new ‘zone’ ticket prices

Greater Manchester’s tram system could be split into London Underground-style zones within two years. The plan is for the new system to come into force when ‘smart’ fare-payment cards – similar to the capital’s Oyster cards – are introduced in 2014.

Tram stops would be allocated to a zone depending on how far they are from central Manchester. Fares would vary accordingly – with journeys crossing more zones costing more. The proposals were due to be discussed by transport leaders tomorrow.

A view of the zones

I knew I was right…!

Cloud Atlas USA Oct 2012, UK release Feb 2013!

Clouds

I tweeted…

If true, expect another #donniedarko. Bad mistake not to go worldwide first.
‘#CloudAtlas‘ gets new UK release date
http://m.digitalspy.co.uk/movies/news/a404612/cloud-atlas-gets-new-uk-release-date.html

A friend asked me to explain…

Cloud Atlas is now due to be released in the UK, a good 4 months after the American box office! This is crazy and frankly insane in this day of age (and with such a big movie)

What did I mean by quoting Donnie Darko?

Donnie Darko did pretty badly in the American box office, it was later released in the UK and did really well. So well that by the time it was released on DVD in America, the buzz from the UK and other markets translated to really good DVD sales.

Donnie Darko had its first screening at the Sundance Film Festival on January 19, 2001, and debuted in United States theaters in October 2001 to a tepid response. Shown on only 58 screens nationwide, the film grossed $110,494 in its opening weekend.This may likely have been the result of the movie containing major scenes involving a plane falling out of the sky, and thus coinciding with the Sept 11th terrorist attacks, many distributors and theaters were unwilling to house the film at that time.By the time the film closed in United States theaters on April 11, 2002, it had earned just $517,375.It ultimately grossed $4.1 million worldwide.

The film was originally released on VHS and DVD in March 2002. Strong DVD sales led Newmarket Films to release a “Director’s Cut” on DVD in 2004. Bob Berney, President of Newmarket Films, described the film as “a runaway hit on DVD,” citing United States sales of more than $10 million.

What would Perceptive publishing look like?

TOC in Frankfurt

Perceptive Media was titled that because there was always a feeling the same concept could be applied to many more things than just broadcast. Although the BBC doesn’t really have a deep history in publishing, we do have a very deep history in narrative…

What would Perceptive Publishing look like?

My interview is actually worthy of a quick read…

We have only scratched the surface and do not know what else it can be adapted toward. In BBC R&D, we watch trends by looking at early innovators. It’s clear as day that ebook reading is taking off finally, and as it moves into the digital domain, why does the concept of a book have to be static? Skeuomorphism is tragic and feels like a massive step back. But Perceptive Media is undoing the limitations of broadcast. It certainly feels like we can overcome the limitations of publishing, too.
Tools of Change for Publishing (http://s.tt/1nB8P)

As the readership starts to involve more electronic devices such as ereaders like the Kindle. Why limit the scope of the story to a single narrative? Why not have the narrative play out with local references? Change and morph depending on the time of the day? How about a story which truly challenges the way you think or see the world?

These are the type of questions I’ll be exploring at Oreilly’s Tools of Change Conference in Frankfurt, Germany.

Innovators Track: Innovations in Storytelling

Innovators Track curator, Sophie Rochester gathers together an incredibly talented group of creators in a panel devoted to innovations in storytelling! From the futuristic personalization taking place at the BBC’s Perceptive Media, to the masterfully interactive work of RH’s Dan Franklin, to the engagingly addictive genre fiction serialization of Plympton – this session will give you a glimpse at how some of our best technologists and storytellers are working together to craft ever richer “reading” experiences.

Ian Forrester, BBC
Dan Franklin, Random House UK
Justin Keenan, Plympton
Jennifer 8 Lee, Plympton
Moderated by Sophie Rochester, The Literary Platform

I look forward to joining Tools of Change Germany later today…

Who thinks this is a good idea?

Tribute to Steve Jobs | We are orphan...

One of the most stupidest things I’ve heard of late…

Finding the next steve jobs… Will i am and Simon Cowell cashing in on a dead man’s legacy more like it. Not only is it insulting to the intelligent working on new and cutting edge things but also a nasty thing to do on the 1 year anniversary of steve jobs death in my view.

To be frank its as dumb an idea as offline netflix… At least its not as offensive as Simon Cowell and Will i am jumping on a bandwagon.

Follow the money… or rather follow the naff ideas to eternity? Stupid…!

My new skateboard

My new magenta skateboard

Yes I am over 30 but after Ross and Carley got me one for a joke on my 30th birthday I’ve been thinking about using it for a while. I had a little mess around on the skateboard but the bearings were shot and the whole thing was basically too sucky.

Devil board

I was considering getting a pair of rollerblades but can’t seem to find many my size and frankly I prefer the idea of skateboarding as I use to go everywhere on it for miles. Hopefully with more use of the skateboard I’ll also get fitter and even lose a bit of weight.

The other day I was able to skate from the Media City platform to the Harbour City tram stop and catch the tram coming from Eccles. If I was walking/running there would be no way I could have caught it but with the skateboard I had plenty of time.

My new magenta skateboard

My skateboard is pretty mental. When I was skating year and years ago I swear the bearings and wheel technology wasn’t anywhere as good as these ones. The ride is so smooth and just keeps going for ages.

Yet to fall off it but I did have to loosen the trucks because it was too tight and I’m still not confident enough to skate through traffic or even while people are walking along the street. At this pace, it won’t be long till I’m back skating down the middle of the road and weaving in and out of the human traffic…

I am calling you from Windows… Oh really?

Ars Technica has a great piece about the scammy calls I sometimes get when I pick up my house phone (currently broke).

When the call came yesterday morning, I assumed at first I was being trolled—it was just too perfect to be true. My phone showed only “Private Caller” and, when I answered out of curiosity, I was connected to “John,” a young man with a clear Indian accent who said he was calling from “Windows Technical Support.” My computer, he told me, had alerted him that it was infested with viruses. He wanted to show me the problem—then charge me to fix it.

Thankfully somethings happening to stop this scam

This scam itself is a few years old now, but I had not personally received one of the calls until yesterday—the very day that the Federal Trade Commission (FTC) announced a major crackdown on such “boiler room” call center operations. The very day that six civil lawsuits were filed against the top practitioners

Its a shame Ars Technica didn’t record it, but of course I did, twice…!