What TV needs now…

Television

This is the kind of thing I think about a lot in my job at the BBC. I’m very lucky to be stationed with a fantastic group of like minded people and a hierarchy upwards which I do respect. (Not many people can say that).

So when I explain to people what I do, I tend to make some reference to researching trends and watching the hackers scratch there own itches. It doesn’t sound that exciting to the general public or potential dates but you all know how excited I get about it. Anyway the point of this un-scientific test is I’m hoping to do more stuff like this. In actual fact I actually threw this idea around as a project a while ago. Its great to know we’re not the only one thinking about this stuff.

During a panel at our TVnext summit yesterday, we showed a video with highlights from a recent experiment. For this experiment, we had invited several families to give up their cable and instead use a “connected TV” device for one week following last Christmas.

The results might sound surprising but to be honest, I could have guessed most of them from the time I’ve spent with the hackers.

Nicely Iiya broke it down the learning into some nice digestible pieces, something I certainly need to learn to do much better.

While our sample was by no means representative, the results of our experiment point us toward some real issues that one should consider when thinking about the future of the “connected TV” technologies.

One finding that is probably obvious in retrospect is that TV is invisible until it’s shut off. It’s a bit like walking: you are aware of the direction in which you are headed but you don’t really focus on the individual steps until you come across an unusual terrain. The exclusively on-demand nature of the devices we tested is just such an unusual terrain that makes you think not only about “where” but also about the specifics of “how”.

The devices demand a lean-forward involvement with what has been traditionally considered a lean-back medium, and this requirement proved disconcerting to many when it lasted longer than the usual bursts of involvement with their DVRs or video-on-demand channels.

The Paradox Of Choice

Constantly having to pick what to watch next was daunting not only because it interrupted the usual flow of TV-time activities in the house or required interacting with unfamiliar interfaces but also because of the cognitive load involved in considering all of the numerous content alternatives. “I don’t want to have to think about it” was one of the strongest sentiments we’ve captured in our interviews. As with “the paradox of choice” phenomenon that describes how broadening the range of options leads to a decrease in overall consumption, we saw how families gave up on watching TV altogether when they couldn’t decide what it is that they wanted to watch. This problem is serious enough for Netflix to award a million-dollar prize for a better way to tell people what they should watch next; it didn’t seem the problem was sufficiently addressed by any of the devices.

The paradox of choice gets stronger and stronger the more options there are. Even in my own behavior, I tend to end up watching films which are on TV although I got the HD version with Dolby Digital or DTS surround sound on my home server within 1 minutes reach.

In actual fact, i’m going to from now on make the choice to move over to my own version when I see a duplicate on TV which has me interested.

Expectations

People have well-formed expectations about how a TV should work, and the devices didn’t seem to confirm well to these mental models. Surfing TV channels is seamless; “tasting” unfamiliar on-demand shows includes picking them from different menu categories and waiting for them to buffer first (and often paying for them up-front). This latency is tolerated in exchange for high-consideration longer-form content but it becomes too much of a friction when all one wants is the “in-n-out” material.

Agreed, the interface on most of the on-demand devices are either hideous or non-intuitive. But there are those which take a risk and try new things. The world of hardware moves very slowly and so we won’t see much change from most of the set top makers. However there has been more development in the space. Some of the forward looking makers are buying or partnering with creative software developers who are creating the rich and intuitive interfaces using just software.

Usability

The lack of search spanning multiple video services on a single box was a usability flaw that stood out among other complaints that could be attributed to our users’ brief experience with unfamiliar technology. From the users’ perspective, there is no reason why they had to search the Netflix, Amazon On Demand and other services individually while looking for a particular piece of content on a single device.

Agreed, its all a bit of a mess at the moment. different guides and different structures. Even if there was a global search it would be one heck of a job trying to communicate the different options available to the audience.

Its a fantastic challenge and to be honest, one of the many reasons why I love my job.

Erik Huggers leaves the BBC

Copyright Gareth ford williams

Yep its true the leader of BBC future media and technology Erik Huggers is leaving for a job in Intel.

We heard the news about 5pm today (Tuesday 18th Jan) and funny enough we had an informal meeting with the new director of BBC future media – Ralph Rivera, planned for 5:30pm in the Manchester office.

Although I did actually like Erik Huggers, I’m really looking forward to working under Ralph Rivera’s vision. John Linwood will now take on the Technology part of the old Future Media & Technology.

To be fair to Erik, he was actually a very likable kind of a guy. He made some very difficult decisions and brought in some very interesting people including Richard Titus, Anthony Rose, John Linwood, etc. He tended not to shy away from conflict and certainly made his presence felt when required. Erik always supported the Backstage project which is obviously now closed. But the thing which I will always remember Erik for is the look on his face when he came up to Manchester and we presented him with a Manchester City Tevez board saying welcome to Manchester, but switched Tevez for Erik. There was a certain amount of confusion but he never let on, he just accepted the gift with welcoming arms.

I do wish him well and I know he’ll do some great things at Intel given half a chance.

The first thing I asked Ralph Rivera, was about his background and the answer I got back was not just impressive but delightful to hear. Not only did he say all the right things about technology from his computer science background but he also said some great things about games and the internet. Not only does he get it, but he seems to live it. It was almost like if you were to cut him, Geek blood would pour out. So yes Erik was great but Ralph is just something else. To be honest, this is my own opinion, Ralph is exactly what the BBC needs right now. A geek running things…

Someone suggested it could be like when Greg Dyke joined the BBC. I wasn’t there for those times but I heard some amazing stories and some great projects. Bearing in mind Ralph is not the Director General of the BBC only (I say only, but you know what i mean) the director of Future Media. I’m intrigued and very excited what plans he has to shape up the BBC and take it on to to the next Decade. So excited I can’t bloody sleep…

BBC Backstage in the guardian again

So now the ebook is out there, this pretty much spells the end of the BBC Backstage project. The backstage site & blog will go into a deep freeze so none of the links will be broken. It was interesting to read the Guardian wrap up of backstage, there was some good quotes from our interview way back in December 2010. But what got me was after a while was the slideshow from Rainycat. She was so good at documenting things. Of course afterwards I spent about a hour or so going through my own photos tagged bbc backstage.

I’ll say it again, BBC Backstage was an amazing project to be part of and even run. Not just the big stuff but also the small stuff. The good times (the many events we did, the prototypes and finally getting our own backstage playground servers off the ground) and the times when I thought I might be sacked (such as undermining the podcast trial by launching our own using blip.tv or crossing the hacker/BBC divide by sympathising with the DRM protests).

Its been simply incredible and looking back through the pictures, I see a lot of really happy people. Theres no doubt I’ll be chasing the high of working on backstage for quite some time to come. I think I remember a conversation I had with Rain after her attachment came to an end.

"Working for the BBC should be that way, and anything we can do to make that happen is always a good thing."

As always thanks for tags hackers of the new world, hopefully what we do next will be even more exciting that backstage ever would have been.

The history of BBC Backstage (the ebook)

At long last the Book charting the highlights of BBC Backstage is available for everyone to download and read.

Download in [PDF] [print ready PDF] [EPUB] [MOBI] [RTF]

Originally I wanted to celebrate the 5th Anniversary of backstage in May 2010 with a book made up with the contributions of the actual people who made it work over the years. So I contracted Suw Charman Anderson back in early 2010 to start work collecting the material for the backstage book and newspaper.

By April 2010, she collected and started to write up whole sections of the book with help from Kevin Anderson (Suw’s husband and good friend of Backstage). The whole thing was done over Gmail, Google Docs, Basecamp and Dropbox. The plan was to go to print with the book by Thinking Digital 2010, which was also the time when I was going to announce the closure of BBC Backstage. Of course we all know what happened in May/June to me (I had the bleed on the brain if you don’t remember).

This of course put everything in a tail spin and so we missed all the dates for printing, publishing and announcing the end of Backstage.

So fast forward to the point when I’m out of hospital and things are shifting at work. It made sense to pick up the large body of work which was almost finished back in May and put it out in the public domain. Of course this was easier said that done.

Brendan Crowther, Ant Miller and Adrian Woolard worked there socks off collecting together all the bits which were floating on these different services. Not only that, they built a small team of professionals who helped manage the process of making the ebook (as it became).

One of the things which I never got around to doing before my bleed was the design of the book. We had planned to use the newspaper club’s default templates with a little fix here and there. But Nicole Rowlands has done a amazing job stamping her distinct style into the ebook.The copy also had a rethink and re-edit by Bill Thompson and Production editor Jim McClellan. Between all these people and of course Sarah Mines everybodies favorite BBC publicist and PR Lady…

….We finally give the world Hacking the BBC: A Backstage retrospective.

BBC Backstage was a five year initiative to radically open up the BBC, publishing information and data feeds, connecting people both inside and outside the organisation, and building a developer community. The call was to “use our stuff to make your stuff” and people did, to the tune of over 500 prototypes.

This ebook is a snapshot of some of the projects and events that Backstage was involved in, from its launch at Open Tech 2005, through the triumph of Hack Day 2007 and the shot-for-web R&DTV, to current visualisation project DataArt. We take a diversion to Bangladesh to see how a Backstage hacker helped the World Service keep reporting through the horrendous Cyclone Sidr, and look at the impact of the ‘playground’ servers, used inside the BBC.

Backstage’s mandate, throughout its history, was for change. It changed the way people think, the way the BBC interacted with external designers and developers, and the way that they worked together. So what remains, now Backstage is no more? The legacy isn’t just a few data feeds and some blog posts. Backstage brought about permanent change, for the people who worked there, for its community of external developers and for the BBC. What better legacy could one ask for?

Download in [PDF] [print ready PDF] [EPUB] [MOBI] [RTF]

Join the BBC in the North

When I first sat down and thought seriously about going up north to Manchester, I kind of dismissed the idea thinking well its not really for me but after a few visits to Manchester I got a real sense of the excitement and passion which surrounds the North. I couldn’t help but sign up and be one of the first to go.

Anyway 2.5 years later (yeah I can’t believe it myself either) happily shacked up in my new flat and on the verge of moving into Media City mid next year. I can’t shout loudly enough that we’re looking for talented and creative people to join us on our quest into the unknown future.

Everything you think you know about the BBC, you should forget. This is the time to frame the BBC as you want it to be.

As Sean Parker played by Justin Timberlake (of all the people) says in the film the social network,

Photo by Merrick Morton – Columbia Tristar

It’s OUR time…

The economic climate means things are very tight and we will have to take more risks that in previous years/decades. The only way to do this is hiring the right type of people who are willing to try new things and calculate the risks.

As you’d expect there is a bbc website for people to learn more and hopefully apply. I’ll see you at the interviews

Cinema’s Code of conduct

Cinema code of conduct

Generally the Wittertainment Code of Conduct is….

  1. No Eating
  2. No slurping
  3. No rustling
  4. No irresponsible parents
  5. No hobbies
  6. No talking
  7. No mobile phone usage
  8. No kicking of seats
  9. No arriving late
  10. No shoe removal

I’m in agreement with some of these, Simon Mayo and Mark Kermode have certainly put the cat out between the pigeons.

  1. No Eating…. Well thats just simply stupid, popcorn and cinemas fit together like the internet and porn. Salt popcorn is nosier than sugar popcorn but cinemas still sell it by the bucket load. I do think its a pain when someone starts tucking into a bag of crisps but I’m not going to ban them from the cinema. However there are certain foods which should be banned, such as nuts with shells!
  2. No Slurping… Come on if your sucking down on a drink and you can’t help but slurp, you must be under 10.
  3. No Rustling… Ok agreed, no one wants to hear you undoing your bag in the middle of a film. The worst has to be someone cock undoing his velcro bag in the middle of inception.
  4. No Irresponsible parents… Oh my goodness yes! No one wants to hear your kid screaming as the saw cuts through the actors hand in the latest saw movie.
  5. No Hobbies… As a cinema usher this drives me nuts, I won’t even tell you what kind of stuff I’ve found after a showing. However I’m also guilty of updating my blog, make changes to a essay, etc while supervising a film as a usher. Of course I wouldn’t do it as viewer.
  6. No Talking… This does wind me up, even now. I hate people who talk in the cinema, I don’t mind talking during the adverts, even during the trailers somewhat. But once the title comes up for the film, shut the heck up! No one wants to hear it. However I remember watching the Matrix Reloaded at Odeon Streatham, and someone shouted out something when Neo is about to take down Agent Smith after visiting the Oracle. It fit the mood perfectly, but then again I know other people who have done something similar and failed
  7. No Mobile phone use… Yes please! I hate it when the person next to you is texting on there phone ruing the effect of darkness. I had this yesterday when I went to watch Harry Potter and the deadly hallows part one. The worst I ever had was when someone left there keypad sound on. On that one, I turned around and said "for f*** sake will you stop!"
  8. No Kicking of seats… Never had this problem to be fair but I’ve told many people off for doing something like this to others.
  9. No Arriving late… I almost don’t understand why cinemas are not like theatre’s which blocks people after a certain time. The nice thing about the IMAX showings in Manchester is that they do just that. Its simply not practical sometimes to have people trying to find there seats in the dark while the film is going. If seats are not allocated, then i’m sorry you lost your right to those seats as far as I’m concerned. Come in late, tuck in somewhere at the front or the far edges. Stay out of the way of the screen.
  10. No Show removal… I’ve also had to tell a few people as a cinema usher to put there shoes back on. I’m not against slipping your shoes off so its still on your feet but I’ve stopped people who have taken off there shoes and even there socks! I mean for goodness sake, are you serious! Nasty public health type stuff!

There is loads more I could personally add but this list isn’t bad at all. Now which cinema chain’s going to adopt these rules? Don’t all rush at once…

Dream recording device possible, better get mydreamscape.org up

Go Deeper

My boss Adrian sent me a very interesting tweet which linked to a article on bbc news from Nature.

Dream recording device ‘possible’ researcher claims

Writing in the journal Nature, scientists say they have developed a system capable of recording higher level brain activity.

"We would like to read people’s dreams," says the lead scientist Dr Moran Cerf.

The aim is not to interlope, but to extend our understanding of how and why people dream.

Theres some interesting parts to the article including this one.

"There’s no clear answer as to why humans dream," according to Dr Cerf. "And one of the questions we would like to answer is when do we actually create this dream?" Dr Cerf makes his bold claim based on an initial study which he says suggests that the activity of individual brain cells, or neurons, are associated with specific objects or concepts.

He found, for example, that when a volunteer was thinking of Marilyn Monroe, a particular neuron lit up. By showing volunteers a series of images, Dr Cerf and his colleagues were able to identify neurons for a wide range of objects and concepts – which they used to build up a database for each patient. These included Bill and Hilary Clinton, the Eiffel Tower and celebrities. So by observing which brain cell lit up and when, Dr Cerf says he was effectively able to "read the subjects’ minds".

I’m really interested in this stuff too. My thought is somewhat consistent with the memetics theory.

A meme, analogous to a gene, is an idea, belief, pattern of behaviour (etc.) which is "hosted" in one or more individual minds, and which can reproduce itself from mind to mind. Thus what would otherwise be regarded as one individual influencing another to adopt a belief is seen memetically as a meme reproducing itself. As with genetics, particularly under Dawkins’s interpretation, a meme’s success may be due its contribution to the effectiveness of its host (i.e., a the meme is a useful, beneficial idea), or may be "selfish", in which case it could be considered a "virus of the mind."

Anyway, before I drop into the theory behind dream science and how one method is maybe better that the other… Some people have wondered whats happened to mydreamscape.org?

Well at the moment I’m running a modified version of Status.net (open microblogging system) in the backend. I’ve decided that after watching the Social network (the facebook movie) its maybe more important that I get something up even if it doesn’t have all the functionality that I described or would want in the previous blog post or the slideshow. So right now I’m taking the advice from Imran Ali and dropped the ability to hide stuff (levels).

On the system side, I’m ummming and errrring between a few options…

  1. Ideally I would have the framework which runs Flickr (hopefully Caterina Fake and Stewart Butterfield are listening) and I would adapt it to mydreamscape.org.
  2. Second ideal option I would use Diaspora once its publicly available. I’m watching it with quite keen interest.
  3. Thirdly I would use W3c’s Anotea server if I can actually work out how to install it. That would mean you would need to download some browsers extras to comment, collaborate and annotate other peoples dreams. But then you would have a robust annotation system instead of just comments.
  4. I’ve consider using a standard solution like drupal and even alfresco to do the bulk of the work. In actual fact I’m very interested in Drupal because I spotted the Drupal Social Network Framework (unfortunately it seems very early days).
  5. Using microblogging platform Status.net, Blojsom or WordPress with maybe Anotea as a kicker for real annotations.
  6. Write something custom…

In addition I’ve started writing my own dreams down in an app called Rednotebook which is an example of the kind of app I would like to attached to mydreamscape. Maybe once things are up and running I could modify the source code to include sync with mydreamscape.org or something…

I also have something big up my sleeve for mydreamscape.org and its founded on Ludicorp’s original idea for Flickr (Game Never Ending). Have a guess what it is…

BBC Backstage – The End of an Era

So there’s been talk about the end of BBC backstage for a while and in certain circles its been heavily discussed.

As has been discussed recently in the press and various channels online, the BBC has taken the decision to close BBC Backstage in December 2010. Given the report recently in the Guardian Tech blog this no doubt comes as little surprise to most. However, I thought I’d take the opportunity to explain why this decision was made and what it means for the BBC as an open innovator in the future.

BBC Backstage has been a great success. I am very proud to have worked with the team on numerous projects. It was the forerunner to many other emerging, successful initiatives and has made a valuable contribution in driving the BBC towards genuine open innovation. In many ways it has been very much of its time.

More details will follow over the next few weeks but I can say…

  • I am not out of a job instead I’ve been planning to do more research for a while
  • The BBC have not done this behind my back (I’m still off work on sick leave)
  • We had planned to shutdown BBC backstage since May but thats exactly when I had my bleed on the brain, so everything got pushed
  • I had planned to do an announcement at Thinking Digital 2010 in Newcastle
  • I’ve been behind backstage for about 4 years and I really do care about this amazing innovative project
  • I’m not the only person whos been involved in its success. James Boardwell, Ben Metcalfe, Matthew Cashmore, Rain Ashford, Ant Miller and Brendan Crowther all have worked for BBC Backstage.
  • Also Matt Locke, Tom Loosemore, Jem Stone, Huw Williams and Adrian Woolard have managed the slippery beast which is BBC Backstage. Oh and never forget Sarah Mines the BBC Publicist whos work life was changed when she got bbc backstage as her new project.
  • Although there was lots of events and large scale prototypes which will be talked about over the next few months. Please please don’t forget the small prototypes, events and sponsorship which bbc backstage was responsible for, as those matter as much as the big stuff.

Hopefully over the next few months, we’ll explain the impact backstage has had on the BBC as a whole and why all good things must come to a end.

Inbox zero?

Not likely…

My inbox at work
24k of unread messages

I’m planning to put all the unread messages from while I was away in the DMZ folder and then pretty much dump them all in the trash bin once I go back to work. So if you’ve contacted me during the time I was off due to the bleed on my brain, then tough luck. I won’t be answering back sorry… There is no way I’m going to run through 24k of unread messages from May – October

The Data Visualisation Manchester Weekender

So as you may have already seen, Data.gov.uk, BBC Backstage and Manchester Digital Development Agency (MDDA) will be running an ‘unconference’ focussing on data visualisations. The unconference will team up 100 developers and 100 designers to create diverse and imaginative data visualisations from open data. The aim of the event is to facilitate an unusual opportunity allowing the diversity of the two traditional job roles to bring together imaginative use of open data sources.

The website for more information and to sign up is dvwm.weebly.com

Whats the schedule?

April 9th will see a pre-party get together at a central Manchester venue (TBA)

April 10th will be the first day of the event complete with open sessions to help get you inspired

April 11th will be the day when you can show off your visualisation on stage

This may also help answer your questions?

  • It will be a mix of hackday/mashed with a unconference type event, its the same format as we have used for Over the Air 2008
  • There will be lots of coding, designing and general hacking.
  • We have secured a venue in central Manchester which will allow over night stay, so theres no need to worry about hotels on the Saturday night.
  • A small but good amount of food and drink will be available, but if you ever feel hungry for more theres plenty of shops and restaurants in central Manchester.
  • The venue isn’t far from Piccadilly station, so getting to and from the South, East and West should be pretty easy.
  • Anyone coming into Victoria Station should change on to the tram heading to Piccadilly.
  • The event is totally free but requires signup beforehand and confirmation from the organisers.
  • Visualisations don’t have to be just virtual, they can be physical too.
  • You can use the hashtag or tag – DVWM to find related stuff
  • Yes its in Central Manchester not Central London
  • Yes we all love open data

Interested designers and developers can find out more and apply for an invitation via the DVWM website.