The Batman Complex

If only… But what a amazing piece of work by a fan.

And so, as promised, this is the follow up to the teaser. Here we have a full length (well, a bit longer than the norm, but hey, what can you do…hahaha) theatrical trailer that delves a little deeper into the story behind The Batman Complex. As explained in the teaser, the gist of the idea revolves around a few fun topics, mainly the whole “what is real?” train of thought, and also every fans desire, deep down or upfront, to be Batman at least once in their lives. LOL. And so, I tried to craft a story where we see what happens when someone takes their dream of being Batman a little bit too far. An idea, after all, is a truly resilient parasite. ๐Ÿ˜‰

While some of it is still left a bit ambiguous (both unintentionally and intentionally – while there’s only so much that can be strung together, I often like to leave a little bit open so as to see what fellow fans are able to imagine/create), I believe it offers a bit more than the teaser. As you might be able to tell, the theatrical trailer takes on less of a “horror” vibe than the teaser. For this extended look, I wanted to focus more on the character aspects (and a bit of the tragedy as well), and attempt to move past the initial shock of the psychological twist. One aspect I tried to hint at was the paralleling descent of both Bruce and Cobb. As Cobb and the team go deeper into Bruce’s mind, they start to encounter the truly dark issues that his subconscious houses. As a result, Cobb himself gets caught up in the obsession of all that lingers in the mind of a Batman. There are a couple fun things in there that are best left to surprise, but all in all, I’m relatively happy with how it turned out. It’s fairly fast paced and doesn’t leave much room to breath, which helps amplify the tension I think. But that’s just me. I hope it works just as well as the teaser did.

As for the future of the project, I’m not sure what’s next. I don’t think I’ll do a second theatrical trailer. Maybe a couple of TV spots, but other than that, I think I’ll let this one remain as it is. We’ll see. Perhaps I’ll be further inspired by some other ideas that’ll come to me in a dream… ๐Ÿ˜‰

The Wired UK top 100 in 2011

Wired UK's Top 100

I had a slight heads up about the Wired top 100 for 2011 from people around the web. And to be fair there were some surprises… First surprise is the people who dropped off the list this year. People who I know like Erik Huggers, Peter Molyneux, JP Rangaswami, Tom Loosemore, Matt Locke and Anthony Rose. However I have to say there maybe right in this case… I’ve not really heard anything they’ve been up to for a while.

However some things I still don’t understand… How did Ashley Highfield dropped to 14 but Microsoft’s UK profile has really come on leaps and bounds from last year… Jonathan Ive at 7, well what can I say… except its maybe very debatable how much link he has to the UK? Except maybe a British accent. Rory Cellan-Jones number 40, really? Mike Butcher at 25, well I guess he’s been on the scene for long enough but I do fear once again the Wired London bias is at fault again here?

One great turn around is the introduction of Herb Kim at number 74. I’m still convinced that if he was doing the exact same thing in London, he would be up at least another 40 positions but don’t even get me started on how many people from the North, Midlands or even the West are on the chart. I understand there will be a bias because London attracts a lot of people into its region but obviously Wired isn’t really working on finding the people doing the creative work outside the South East. And I guess you could argue why should they? I would explain why they should but to be fair, popularity contests are so last year ๐Ÿ™‚ And even David Rowan says…

This can never be a scientific exercise — but we are trying to be as open in our selection criteria as we can, and to consult widely among people who know the Wired world.

Wired UK, you are at risk of making yourself less relevant thats all I’m going to say…

At last the balance of woman in the top 100 have gotten much better. Joanna Shields tops the list at number 1. Also great to see Clare Reddington from Bristol’s iShed at 73 although shes down from 55.

One last surprise, Dan Heaf at 94 as director at BBC worldwide? When did this happen? I must have been away when that email went around, good to see him back at the BBC and in a great position.

The White Space Conflict mix

  1. Dark side of the sun – Rory Gallagher
  2. Breathe (Blake Jarrell remix) – Anna Nalick
  3. Wonder of life (F&W remix) – Tukan Light
  4. The strings that bind us – Arnej
  5. Please save me (Push remix) – Sunscreem vs Push
  6. Everythings been Written – 8 Wonders
  7. Gouryella – Gouryella
  8. Unexpectation (Dengavs Manus mix) – Vengeance
  9. The Truth (David West Remix) – Handstrong feat Tiff Lacey
  10. Language (Santiago Nino Dub tech mix) – Hammer and Bennett
  11. Nothing else matters – Max Graham feat Ana Criado
  12. 1999 (Gouryella mix) – Binary Finary
  13. Constellation (John O’Callaghan remix) – Thomas Bronzwaer
  14. Invisible Touch (Ferry Corsten’s Touch) – Bohina

Another new mix by myself, once again recorded via the analogue input in my laptop because the pacemaker’s own recording system is still screwy for myself. In actual fact I did record the mix twice at the same time, once on the pacemaker and again on my laptop. One sounded far better that the other as you would imagine. In actual fact I’m very tempted to upload the busted pacemaker mix, so people can hear the screwy recording but I’ll have to make it clear on another site (maybe archive.org) what its up there to do.

The mix is recorded while relaxing one day recently in my house. So there’s few mistakes, unlike when I’m attempting to mix while walking the streets of Manchester or heading down the wrong way in Irlam….

I’m tempted to upload this to soundcloud too, even though I somewhat dissed soundcloud for its lack of mix support. But the ability to download and licence the track is killer and mixcloud seem not bothered about ever supporting downloads of the mix. Meaning a whole group of people never listen to the mix because frankly who wants to listen to a mix on there browser? Even with the nice fuctionality they have around tracklistings and all that… Its still flash and worst still its mobile flash and once again Flash kind of sucks even on Android…

I a while ago suggested to Mixcloud the concept of mobile playlists tailored for Mixes, but they didn’t really see the point. But recently I suggested the same thing to Dirty Si and he was a lot more receptive to the concept. Right now when I do a mix, I tend to create a piece of metadata to go with the mix. The NFO file (yep straight out of the darknet) contains the playlist order and any other metadata I feel is required. I would use PLS, M3U or even XSPLIF but I’ve just done something to scratch my own itch. I might switch to using XSPLIF with a namespace for my own metadata and add the SMIL namespace. There’s a whole bunch of hacking which needs to be done in this area…