Join me for Cloud Atlas at the cinema this Friday?

If you weren’t sure about Cloud Atlas, not heard much about it, well watch this from Digital Spy… and…

Tom Hanks has claimed that his new film Cloud Atlas is as complex as Christopher Nolan’s  The Castaway star explained that the multi-thread plot of both films challenges the audience.

“There are going to be people out there who are going to say, ‘Who do they think they are to make this movie like this?'” he told The Belfast Telegraph.

“That’s been the case with every great film. I think every audience is yearning to be surprised. I am bored when I walk into the theatre expecting A, B and C, and a movie delivers A, B and C.

“I want to see something brand new that I never anticipated coming a hundred million miles away,” he continued, “And my God, that happens before the words ‘Cloud Atlas’ appear up on the screen on this one.”

Speaking to the Chicago Sun-Times, Hanks added: “I loved that it wasn’t going to be simple for audiences.

“Lord, doesn’t that sound beautiful? A film that is original, creative and makes you think. That’s what movies used to be.
“I think it’s as risky as Inception,” he concluded.
Inception was a complete one-off. You saw it the first time and said, ‘How many movies are in this thing?'”

Although I wouldn’t say it was quite as epic as inception, its certainly not far off. This is why  I said on Salford Cinema Club’s micro blog… I will be going to watch Cloud Atlas at the Odeon Manchester Cinema.

If you are also interested in watching this master piece of storytelling and film, give me a shout on twitter or something… Thinking about the 8:20pm showing?

Cloud Atlas is finally coming this way…

Cloud Atlas and Mapo, Seoul
I won’t lie, I’ve already seen Cloud Atlas a few times.

I couldn’t wait and I’m very glad I did, as the film is so complex and very true to the book. Everytime I see it I’m amazed in how rich the plot is and how amazingly gorgeous the each scene looks and feels.

As usual I want to see this in the cinema, ideally at the Manchester IMAX.

The Official UK Release date for Cloud Atlas is Friday 22nd Febuary.

I’m not certain it will be in the IMAX but I’m going to watch it on the Friday…

Who’s with me?

Films you may have missed from 2012

and when i see you,

I’ve been doing this type of list [1][2][3] for a while but when I saw filmstate’s Top 5 movies 2012 you may have missed. I was in total agreement with so much of the list, I felt 5 was too short.

This is the list…

  1. Headhunters
    I’ve not actually seen this but its in my collection to watch when I got time just like the intouchable. Everyone has good things to say about this movie.
  2. Your sister’s sister
    I actually didn’t think much of this one… Drama and not exactly gripping in anyway.
  3. Safety not guaranteed
    Quirky tale which seemed to be going no where fast but then it seems to head towards a ending which shocks. I know what Ryan means about the ending, but I actually quite liked it.
  4. The raid redemption
    Like a few others I’ve not seen it yet, but its also in my collection. I think after seeing Dredd, I prefer it already. But its totally unfair as I saw it first. Oh by the way he’s the official word on who copied who
  5. Martha Marcy May Marlene
    I have already talked about this movie in depth here… Always uncomfortable to watch but really good

Here’s my additional list…

  1. Upside Down
    I’m a total sucker for romantic films with a hint of sci-fi for example time travelers wife. But this one is stunning to watch and reminds me of what dreams may come in visual impact.
  2. Dredd
    Yes I know its exactly the same concept as the raid redemption and there will be those who prefer it to Dredd but for me the slow-mo shots and having Judge Dredd involved in the mix is awesome. I know a lot of people were put off because they thought it was like a Judge Dredd sequel but they are very wrong.
  3. Compliance
    Just recently watched this and was blown away at the sequence of events and levels of social engineering deployed in this real life is even more scary drama.
  4. Fire with Fire
    This reminds me of Law Abiding Citizen, where you think you got its number but actually you don’t. Also asks how far would you go for witness protection?
  5. The Words
    Interesting tale about a man who uses another mans words to profit greatly and never considers where they came from. When faced with the real author sparks fly. Slow and smooth film.
  6. Not Suitable for Children
    Got me think for interesting reasons. Its about a guy who finds out he has prostate cancer and will loose the ability to have kids. The story is funny and a bit tragic. Weirdly I had a dream the same thing happened to me a few days after watching this.
  7. Premium Rush
    New York bike messengers drama, not great but entertaining and worth watching if most of my other selections are too deep or too dark and intense
  8. The Intouchables
    Not actually seen this yet but I hear great things about it from friends. Its in my list to watch one day when I’m chilling out and not doing something else at the same time.
  9. Coriolanus
    I’ve watched half of this and keep trying to find proper time to watch it. But what I’ve seen so far it looks good and shame lots didn’t see it because it was put through the independent circuit, even with such mainstream actors. Maybe its the area of focus which makes it less mainstream

Don’t forget to Tweet seat

cinema "Batalha" #4

Tony Tweets a piece following my blog about what cinema could learn from TV.

The theater may seem like the least appropriate place to check your Twitter feed, but that’s exactly the kind of behavior a Minnesota venue is encouraging with the launch of a designated “Tweet Seats” section. The Guthrie Theater in Minneapolis opened up its Tweet Seats for the first time this week, for the first of four performances of The Servant of Two Masters. Priced at $15 a ticket (compared to the $34 a standard ticket costs), the seats are all located in a balcony-level section where, according to the theater, spectators’ Twitter habits “will not be disruptive to other patrons.”

Tony is worried this might effect the way films are actually made but as I blogged it could be interesting for cinema…

My biggest problem is the light and sound phones generate when I’m trying to watch the film. If the seats are up above or right at the back, then it could work? Although the back seats are usually for couples not really interested in the film… Won’t even tell you what I’ve found in the backseats while I’ve been working…

End of the day, its coming like it or not Tony and others…

…regardless of how theatergoers choose to allocate their tweet time, the Guthrie and other venues seem more willing to embrace the mobile habits of contemporary audiences, rather than discourage them. Theaters in Boston launched similar experiments late last year, as have the Cincinnati Symphony Orchestra, Palm Beach Opera and New York’s Public Theater

Now is the time for the Cinemas and the movie industry to get behind this and do some interesting prototyping…

Sign me up people…!

Looper Directors Commentry

Looper poster

I heard about the director’s commentary for looper via my rss reader and though it was well worth a another watch anyway after watching it at the Salford Cinema Club first time.

The idea is quite simple… Download the extra track to your phone or mp3 player. Go to the cinema again and  watch the film again with the extra sound track.

Johnson has recorded a commentary track that is meant to be heard in-theater. (Of course, he strongly cautions against listening to it on a first viewing.) Considering that the new film starring Joseph Gordon-Levitt and Bruce Willis has a much higher profile and a plot better suited to directorial untangling than Bloom, Johnson was besieged by requests from fans to repeat the experiment.

The Looper commentary is a totally different track than the version that will be included on the eventual DVD/Blu-ray release. This version is more technical and detailed, meaning don’t expect any anecdotes about how the actors got along or what the weather was like during filming. There’s an introduction up top that instructs users on how to sync up for the optimum viewing experience

The only problem I had was the introduction says to pause and unpause when the tristar logo comes up on the screen. In the UK it wasn’t Tristar, it was something else. Which caused a moment confusion and then a delay. It wasn’t too bad a delay but certainly meant seeing something then the director referring to it a second or so later.

The other thing is the volume… My headphones are a bit low and in the cinema it was sometimes hard to hear the director talking.

Overall it was a good experience and I would recommend it for films like Looper, Donnie Darko, Inception. Yes you can wait for the DVD/Bluray but its like having a friend nudging you with useful facts in the cinema.

Could this be a signal of things to come in the future? Don’t think so but if the syncing is cleared up it could open the door to much more interesting experiences and heck even personalised experiences layed on top of a mass medium. You could certainly see Perceptive Media in such a role…

Chronicle vs The Craft

I was watching Chronicle again recently and started thinking, how a like it is to the Craft. Doesn’t matter to me because frankly there both great films. Funny they also have similar votes…

Chronicle
Three high school students make an incredible discovery, leading to their developing uncanny powers beyond their understanding. As they learn to control their abilities and use them to their advantage, their lives start to spin out of control, and their darker sides begin to take over.

The Craft
A Catholic school newcomer falls in with a clique of teen witches who wield their powers against all who dare to cross them — be they teachers, rivals or meddlesome parents.

Prometheus, thoughts…

Prometheus

I finally saw Prometheus at the Odeon IMAX in 3D with my friend Dave and his girlfriend, a few weeks ago and I’ve been thinking about it ever since. No Spoilers!

I never thought I’d enjoy it because I’m not a fan of horror (I never jump or find them scary) but it worked because they removed all the long periods of tension with small amounts of action.

I did feel slightly uneasy about the amount of religious points within the film but the concept of our technology leading us to make our makers is certainly interesting but I’ve said no spoilers. If you really want to get down and dirty into spoiler zone… Have a good old read of this blog.

Some of the most uncomfortable films you can watch

Martha Marcy May...

These are some of the most unconformable films I’ve seen recently… The kind of films where you can’t move from your seat afterwards or when you do, you feel like having a shower straight afterwards.

  1. Martha Marcy May Marlene
    Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.
  2. Requiem for a Dream
    The drug-induced utopias of four Coney Island individuals are shattered when their addictions become stronger.
  3. Shame
    In New York City, Brandon’s carefully cultivated private life which allows him to indulge his sexual addiction is disrupted when his sister Sissy arrives unannounced for an indefinite stay.
  4. Irréversible
    Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass.
  5. Trust
    A teenage girl is targeted by an online sexual predator.
  6. Hard Candy
    A mature 14-year old girl meets a charming 32-year old photographer on the Internet. Suspecting that he is a pedophile, she goes to his home in an attempt to expose him.

Each film has a unique reason why they are deeply uncomfortable, challenging and unsettling but each one is a masterpiece in its own way. Certainly worth watching each at least once… I also use the words uncomfortable as the films are not nasty or sick, they linger in the air and slowly choke you. For example, Trust is partially nasty, depraved or evil, but its the after effect of seeing someone whose obviously being taken advantage of feeling pity for her predator. This is almost exactly the same for Martha…

The psychological effect Shame and Requiem for a Dream is intense and although you don’t actually see anything depraved or so dark. They both put American Psycho to total shame (although I understand American Psycho is meant to be a very black comedy). They for me also totally swipe horror films out the way. For me I could sit and watch Nightmare on Elm Street without flinching and sleep soundly. But Requiem for a dream gives me chills each and everytime.

I guess a good example is Trust vs Untracable?

One room multiple people trying to undertand why

Panic Button

I’m a bit of a sucker for mystery thrillers such as Cube.

One room or space, people trapped or stuck. An external entity working to convince them that they must kill each other to escape or be let free.

Here’s a few of those types of films which you may have missed but are worth checking out

  • Exam – How far would you go for the ultimate job
    Eight talented candidates have reached the final stage of selection to join the ranks of a mysterious and powerful corporation…
  • Panic Button – Have You Read The Terms & Conditions?
    Four competition winners find out why they should have adjusted their internet privacy settings.
  • 9 Dead – It doesn’t have to end this way
    Communication is the key to the survival for nine strangers who have been kidnapped by a masked gunman and told that one of them will die every ten minutes until they discover how they are all connected. Who of the nine lives and who dies?

 

The Batman Complex

If only… But what a amazing piece of work by a fan.

And so, as promised, this is the follow up to the teaser. Here we have a full length (well, a bit longer than the norm, but hey, what can you do…hahaha) theatrical trailer that delves a little deeper into the story behind The Batman Complex. As explained in the teaser, the gist of the idea revolves around a few fun topics, mainly the whole “what is real?” train of thought, and also every fans desire, deep down or upfront, to be Batman at least once in their lives. LOL. And so, I tried to craft a story where we see what happens when someone takes their dream of being Batman a little bit too far. An idea, after all, is a truly resilient parasite. 😉

While some of it is still left a bit ambiguous (both unintentionally and intentionally – while there’s only so much that can be strung together, I often like to leave a little bit open so as to see what fellow fans are able to imagine/create), I believe it offers a bit more than the teaser. As you might be able to tell, the theatrical trailer takes on less of a “horror” vibe than the teaser. For this extended look, I wanted to focus more on the character aspects (and a bit of the tragedy as well), and attempt to move past the initial shock of the psychological twist. One aspect I tried to hint at was the paralleling descent of both Bruce and Cobb. As Cobb and the team go deeper into Bruce’s mind, they start to encounter the truly dark issues that his subconscious houses. As a result, Cobb himself gets caught up in the obsession of all that lingers in the mind of a Batman. There are a couple fun things in there that are best left to surprise, but all in all, I’m relatively happy with how it turned out. It’s fairly fast paced and doesn’t leave much room to breath, which helps amplify the tension I think. But that’s just me. I hope it works just as well as the teaser did.

As for the future of the project, I’m not sure what’s next. I don’t think I’ll do a second theatrical trailer. Maybe a couple of TV spots, but other than that, I think I’ll let this one remain as it is. We’ll see. Perhaps I’ll be further inspired by some other ideas that’ll come to me in a dream… 😉