Chronicle vs The Craft

I was watching Chronicle again recently and started thinking, how a like it is to the Craft. Doesn’t matter to me because frankly there both great films. Funny they also have similar votes…

Chronicle
Three high school students make an incredible discovery, leading to their developing uncanny powers beyond their understanding. As they learn to control their abilities and use them to their advantage, their lives start to spin out of control, and their darker sides begin to take over.

The Craft
A Catholic school newcomer falls in with a clique of teen witches who wield their powers against all who dare to cross them — be they teachers, rivals or meddlesome parents.

Prometheus, thoughts…

Prometheus

I finally saw Prometheus at the Odeon IMAX in 3D with my friend Dave and his girlfriend, a few weeks ago and I’ve been thinking about it ever since. No Spoilers!

I never thought I’d enjoy it because I’m not a fan of horror (I never jump or find them scary) but it worked because they removed all the long periods of tension with small amounts of action.

I did feel slightly uneasy about the amount of religious points within the film but the concept of our technology leading us to make our makers is certainly interesting but I’ve said no spoilers. If you really want to get down and dirty into spoiler zone… Have a good old read of this blog.

Some of the most uncomfortable films you can watch

Martha Marcy May...

These are some of the most unconformable films I’ve seen recently… The kind of films where you can’t move from your seat afterwards or when you do, you feel like having a shower straight afterwards.

  1. Martha Marcy May Marlene
    Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.
  2. Requiem for a Dream
    The drug-induced utopias of four Coney Island individuals are shattered when their addictions become stronger.
  3. Shame
    In New York City, Brandon’s carefully cultivated private life which allows him to indulge his sexual addiction is disrupted when his sister Sissy arrives unannounced for an indefinite stay.
  4. Irréversible
    Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass.
  5. Trust
    A teenage girl is targeted by an online sexual predator.
  6. Hard Candy
    A mature 14-year old girl meets a charming 32-year old photographer on the Internet. Suspecting that he is a pedophile, she goes to his home in an attempt to expose him.

Each film has a unique reason why they are deeply uncomfortable, challenging and unsettling but each one is a masterpiece in its own way. Certainly worth watching each at least once… I also use the words uncomfortable as the films are not nasty or sick, they linger in the air and slowly choke you. For example, Trust is partially nasty, depraved or evil, but its the after effect of seeing someone whose obviously being taken advantage of feeling pity for her predator. This is almost exactly the same for Martha…

The psychological effect Shame and Requiem for a Dream is intense and although you don’t actually see anything depraved or so dark. They both put American Psycho to total shame (although I understand American Psycho is meant to be a very black comedy). They for me also totally swipe horror films out the way. For me I could sit and watch Nightmare on Elm Street without flinching and sleep soundly. But Requiem for a dream gives me chills each and everytime.

I guess a good example is Trust vs Untracable?

One room multiple people trying to undertand why

Panic Button

I’m a bit of a sucker for mystery thrillers such as Cube.

One room or space, people trapped or stuck. An external entity working to convince them that they must kill each other to escape or be let free.

Here’s a few of those types of films which you may have missed but are worth checking out

  • Exam – How far would you go for the ultimate job
    Eight talented candidates have reached the final stage of selection to join the ranks of a mysterious and powerful corporation…
  • Panic Button – Have You Read The Terms & Conditions?
    Four competition winners find out why they should have adjusted their internet privacy settings.
  • 9 Dead – It doesn’t have to end this way
    Communication is the key to the survival for nine strangers who have been kidnapped by a masked gunman and told that one of them will die every ten minutes until they discover how they are all connected. Who of the nine lives and who dies?

 

The Batman Complex

If only… But what a amazing piece of work by a fan.

And so, as promised, this is the follow up to the teaser. Here we have a full length (well, a bit longer than the norm, but hey, what can you do…hahaha) theatrical trailer that delves a little deeper into the story behind The Batman Complex. As explained in the teaser, the gist of the idea revolves around a few fun topics, mainly the whole “what is real?” train of thought, and also every fans desire, deep down or upfront, to be Batman at least once in their lives. LOL. And so, I tried to craft a story where we see what happens when someone takes their dream of being Batman a little bit too far. An idea, after all, is a truly resilient parasite. 😉

While some of it is still left a bit ambiguous (both unintentionally and intentionally – while there’s only so much that can be strung together, I often like to leave a little bit open so as to see what fellow fans are able to imagine/create), I believe it offers a bit more than the teaser. As you might be able to tell, the theatrical trailer takes on less of a “horror” vibe than the teaser. For this extended look, I wanted to focus more on the character aspects (and a bit of the tragedy as well), and attempt to move past the initial shock of the psychological twist. One aspect I tried to hint at was the paralleling descent of both Bruce and Cobb. As Cobb and the team go deeper into Bruce’s mind, they start to encounter the truly dark issues that his subconscious houses. As a result, Cobb himself gets caught up in the obsession of all that lingers in the mind of a Batman. There are a couple fun things in there that are best left to surprise, but all in all, I’m relatively happy with how it turned out. It’s fairly fast paced and doesn’t leave much room to breath, which helps amplify the tension I think. But that’s just me. I hope it works just as well as the teaser did.

As for the future of the project, I’m not sure what’s next. I don’t think I’ll do a second theatrical trailer. Maybe a couple of TV spots, but other than that, I think I’ll let this one remain as it is. We’ll see. Perhaps I’ll be further inspired by some other ideas that’ll come to me in a dream… 😉

Paramount goes with no DRM bittorrent distribution

I’ve been meaning to blog this for a while but

In a little over two months time, the long-awaited horror movie The Tunnel will receive its world premiere. Rather than a traditional theatrical release, the movie – which is set in abandoned real-life tunnels under Sydney, Australia – will make its debut online for free with BitTorrent. Simultaneously it will be released on physical DVD, to be distributed by Hollywood giant Paramount Pictures.

I almost fell off my chair when I heard the news that Paramount will be releasing the Tunnel for free on bit torrent with no DRM of any kind!

No matter what the film is like, Paramount and the guys behind the tunnel have basically won. A film which would have gone straight to DVD somewhere in a junk bin somewhere could just have been elevated to the most downloaded movie of May (maybe).

Someone in Paramount must have done the maths…

The movie budget was $135000 and to be honest any film will easily eat that for a worldwide publicity. On top of that, its a small risk. The copyright owners (the team who created the film keep the copyright and are licensing it to Paramount) have created something which looks like a cross between Blair witch project and Creep so its got limited mainstream appeal. In actual fact, it would have made more sense of films like FAQ: about time travel would have blown away everything else if they had choose to do release in the same way. I also wonder if the process can be popular enough to get stuff back into the cinemas? Bit like my experience of Donnie Darko.

Paramount gets a Kudos +1 from me…

The black movie rules

A while Girlwithaonetrackmind, posted a tweet about tron legacy and after following the tweet, I found out about the Bechdel test

The Bechdel Test, sometimes called the Mo Movie Measure or Bechdel Rule is a simple test which names the following three criteria: (1) it has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man. The test was popularized by Alison Bechdel’s comic Dykes to Watch Out For, in a 1985 strip called The Rule. For a nice video introduction to the subject please check out The Bechdel Test for Women in Movies on feministfrequency.com.

Since I’ve been wondering if there was a way to do a similar thing for Black people in films? We usually get stereotyped and frankly typecasted in certain films, so would it work? I certainly think so…

So here’s my start…

  1. The film has to have at least 2 black people in it, who…
  2. Talk to each other calmly and not threatening, about…
  3. Anything except Drugs, Guns, Hiphop or Cash.

Sounds simple but trust me, now you’ve seen these rules… you will be surprised how many films fail on even point number one.

  • Tron Legacy – Fails on all points
  • The Social Network – Fails on all points
  • Inception – Fails on all points
  • Scott Pilgrim vs the World – Fails on all points
  • Unstoppable – Passes on all points
  • The Matrix series – Passes on all points
  • I am Legend – Passes on all points
  • Enemy of the state – Fails on all points

I can certainly think of a load more… Can you?

The bechdel movie test

Scott Pilgrim vs The world (2010)

Zoe Margolis sent me a link to her review of the new Tron Legacy on Screen Jabber. Although I was thankful for her review because Cristiano and Melinda had also seen it and said some pretty bad things about it, I saw a link to the Bechdel Test.

It’s also annoying that all the female characters in the film are wearing high-heels, as if all women in the digital future are – or should be – obsessed by looking as sexy as possible, rather than wearing something more practical and fitting for the dystopian environment. TRON: Legacy certainly doesn’t pass the Bechdel test.

So I had a look at the Bechdel Test, and found the rules.

  1. It has to have at least two women in it
  2. Who talk to each other
  3. About something besides a man

Wow this has got to go in future Geeks talk sexy conversations! I had no idea such a thing existed but boy oh boy are they interesting. Inception barely passes the test with a dubious mark.

Marina writes

Yeah, I think I’d go beyond "dubious" and say it fails–both because Marion Cotillard’s "character" is actually part of a male character’s subconscious and because the (<10-second) conversation she has with Ellen Page’s character is at least subtextually about the male character.

However Scott Pilgrim vs the World also bearly passes with a dubious mark too.

Danny writes:

I’d call it dubious. Knives and Tamara talk about how much Knives hates Ramona, and how Knives is dying her hair. It’s dubious because both conversations are really about Scott.

Knives does talk to Kim about the band, but it’s not really a "conversation" so much as three lines of dialouge ("Are you a drummer?" "…Yes" "That’s so cool!". I still think it counts, though.

This is fantastic but also its sad that so many films stereotype woman into stupid roles.

Cinema’s Code of conduct

Cinema code of conduct

Generally the Wittertainment Code of Conduct is….

  1. No Eating
  2. No slurping
  3. No rustling
  4. No irresponsible parents
  5. No hobbies
  6. No talking
  7. No mobile phone usage
  8. No kicking of seats
  9. No arriving late
  10. No shoe removal

I’m in agreement with some of these, Simon Mayo and Mark Kermode have certainly put the cat out between the pigeons.

  1. No Eating…. Well thats just simply stupid, popcorn and cinemas fit together like the internet and porn. Salt popcorn is nosier than sugar popcorn but cinemas still sell it by the bucket load. I do think its a pain when someone starts tucking into a bag of crisps but I’m not going to ban them from the cinema. However there are certain foods which should be banned, such as nuts with shells!
  2. No Slurping… Come on if your sucking down on a drink and you can’t help but slurp, you must be under 10.
  3. No Rustling… Ok agreed, no one wants to hear you undoing your bag in the middle of a film. The worst has to be someone cock undoing his velcro bag in the middle of inception.
  4. No Irresponsible parents… Oh my goodness yes! No one wants to hear your kid screaming as the saw cuts through the actors hand in the latest saw movie.
  5. No Hobbies… As a cinema usher this drives me nuts, I won’t even tell you what kind of stuff I’ve found after a showing. However I’m also guilty of updating my blog, make changes to a essay, etc while supervising a film as a usher. Of course I wouldn’t do it as viewer.
  6. No Talking… This does wind me up, even now. I hate people who talk in the cinema, I don’t mind talking during the adverts, even during the trailers somewhat. But once the title comes up for the film, shut the heck up! No one wants to hear it. However I remember watching the Matrix Reloaded at Odeon Streatham, and someone shouted out something when Neo is about to take down Agent Smith after visiting the Oracle. It fit the mood perfectly, but then again I know other people who have done something similar and failed
  7. No Mobile phone use… Yes please! I hate it when the person next to you is texting on there phone ruing the effect of darkness. I had this yesterday when I went to watch Harry Potter and the deadly hallows part one. The worst I ever had was when someone left there keypad sound on. On that one, I turned around and said "for f*** sake will you stop!"
  8. No Kicking of seats… Never had this problem to be fair but I’ve told many people off for doing something like this to others.
  9. No Arriving late… I almost don’t understand why cinemas are not like theatre’s which blocks people after a certain time. The nice thing about the IMAX showings in Manchester is that they do just that. Its simply not practical sometimes to have people trying to find there seats in the dark while the film is going. If seats are not allocated, then i’m sorry you lost your right to those seats as far as I’m concerned. Come in late, tuck in somewhere at the front or the far edges. Stay out of the way of the screen.
  10. No Show removal… I’ve also had to tell a few people as a cinema usher to put there shoes back on. I’m not against slipping your shoes off so its still on your feet but I’ve stopped people who have taken off there shoes and even there socks! I mean for goodness sake, are you serious! Nasty public health type stuff!

There is loads more I could personally add but this list isn’t bad at all. Now which cinema chain’s going to adopt these rules? Don’t all rush at once…

And even more films you may have missed…

Inception – Everyone knows I love this film. Actually the clip above came to me via the inspirational which is imran ali. The reason why I love the film is because frankly its amazing to watch and enjoy, but also I got the idea for mydreamscape.org after watching inception. Some people have said its the matrix of this generation, I’m not so sure but I can certainly see why people would say that. Its breath taking from start to finish and theres a healthy amount of background mythology to keep us all guessing. I can’t wait to own a copy of my own, so I can watch it at home with my home cinema.

4, 3, 2, 1 – This is the Urban version of Sliding doors and although I wanted to not like this film, I actually enjoyed it. Theres pace and a clever storyline which overlaps its self when it makes sense. Noel Clarke has really worked hard on this one, once again staring in it and co-directing it. All the stars from the Adulthood and kidulthood are in this one and its slightly weird to see them play a different role from there other films. The woman are the centre stage in this film and they play there parts to the maximum, but the killer role for me has to be Kevin Smith’s role as a American courier. What I can’t work out is if it was before or after the no fly incident.

Donnie Darko: The Director’s Cut – When I first saw this version of Donnie Darko I turned my nose up at it. I felt it gave away too much. Now although I’m still glad I got the original version, I found this version in retrospect a interesting twist on the tail. It does spell out a lot more whats going on but then again, it brings a more informed discussion about the ethics of time travel.

Exit through the gift shop – This is a film very few people saw in the cinema but I did watch it with a friend. Its basically the story of Banksy and street art. I can’t really say much about the movie without giving away the plot but I will say its not about Banksy exactly, its more a story about street art which was never told. In actual fact its about a guy called Mr Brainwash or Thierry Guetta who started to film street artists doing there work and promised to make it into a documentary. He did but boy oh boy was it bad. He went on to do Madonna’s next album cover. Anyway, this must be watched specially because it seems so unreal but in actual fact its actually mainly true.

I love this quote at the end of the film by Banksy – I used to encourage everyone I knew to make art; I don’t do that so much anymore.

The social network – Just watched this one in the cinema in Digital projection and to be honest I didn’t really want to like it but I found myself warming to some of the characters in the film. I know its not the exact story of how facebook started but the general story is all there. Zuckerbergs (played by Jesse Elsenberg) clever wit shows through but you can’t help but feel sorry for Eduardo Saverin (played by Andrew Garfield) who gets shafted on a share deal by Sean Parker (Justin Timberlake) and Zuckerberg. To be fair he may have killed part of the idea with the advertising but hey we will never know. I guess at the end of the day, I do think the woman in the film are almost laughable and thats a big problem but Zuckerberg is a nerdy guy and the opposite sex is simply another lifeform for him.


If you liked these recommendations, theres even more dotted around my blog. [1][2][3]

Peering into the science of dreams with inception

Found on twitter via @girlonetrack and ultimately @rowanNS, the science of dreams.

Dom Cobb (Leonardo DiCaprio) is a dream snatcher. He’s an industrial spy, who steals secrets when his victims are at their most defenceless: when they are asleep, and dreaming. But he has an even rarer ability, that of inception. He can plant an idea in someone’s sleeping mind, and watch it grow and take root in reality. "The most resilient parasite is an idea," he says.

Inception is a complex sci-fi thriller that lies somewhere between a James Bond film and The Matrix. Many of the film’s themes are often covered in New Scientist, so we have assembled a spoiler-free guide to the science of the movie, and all you need to know about dreams and the unconscious mind.

I can’t really get enough of inception(currently number 3 in imdb’s top 250 films of all time.) Its such a great film, not only because of the great action sequences but because of the whole premise. I love the idea of entering the dream state of someone else.

The film somewhat reminds me of the Cell but its a lot more clever than the cell. It also has a lot of notions which make sense, such as the memetics stance.

What’s the most resilient parasite? An Idea. A single idea from the human mind can build cities. An idea can transform the world and rewrite all the rules. Which is why I have to steal it.

or even

The seed that we planted in this man’s mind, may come to define him, may come to become him.

Anyway I still find the dream world fascinating and i’m surprised how many people can’t direct there dreams. Things like changing there dreams or continue there dreams the next night can be learned an come in very useful.

I’m considering writing a story or even a script about dreams based on inception.

Orange Wednesdays saves Cinema?

I’ve been going to the cinema quite a lot recently, further proving that file sharers are truly film lovers an will pay for convenience and the film industry should consider this. So far I’ve been to the cinema 4 times in the last 2 weeks. I even bought Empire magazine while waiting in Manchester Hospital for my physical therapy session

Anyway, I went to the cinema today and it was packed. Compare this to Tuesday and even Thursday last week, where it was very quiet.

It got me thinking about the effect of Orange Wednesday.

It seems a lot of people are waiting to Wednesday to go to the cinema which makes sense with it being two for one.

Obviously it was setup with the major cinema chains because Wednesday is officially the last day of the cinema week, so anything to get people in on the last day makes a lot of sense. The weird thing is that a phone company would do this, specially with everything the cinema chains have tried to get people in. Everything they have tried from offering one pound tickets on cinema day to playing computer games on the massive screens.

Orange Wednesdays certainly nets the cinemas a huge amount of money and I wonder how they compare to Saturdays and even Sundays. There’s little secret that the cinemas make almost all there money on Food and drink, the money for films actually mainly go back to the distributor and studio depending on the popularity of the film. Something like 4,3,2,1 which I saw on Monday will typically take all the box office money in the first 2-3 weeks. Something like the dark knight or even avatar will have a longer period set on its return. Maybe even up to 8 or even 10 weeks for a high ranking blockbuster. Which means cinema usually try and hold a film as long as they can or have many theatres as possible (hence things like the 16 screen AMC multiplex in Manchester, my local cinema). Obviously on the flip side they also try and get rid of the films that don’t do so well for them too, quickly.

You could say Orange Wednesdays was a early Four Square or Gowall type system, its just a shame the cinemas are only just catching on to the potential of loyalty schemes. How good would it have been if you could have a home cinema and got points or even prizes if you visited others? Heck they could have bluetooth access points in the box office area where they could do a whole bunch of things.

Orange Wednesday is a very clever concept, and if you look beyond the silly ads you might find its the saver of modern cinema.

So having just watched Spiderman 3

spiderman3 poster

So I just saw Spider-man 3 in the cinema, and the general feeling is its certainly reached the end of the line. Please don't make anymore (unless its spider-man begins or something). It had its moments and I certainly saw glimmers of what made Spiderman 1 and somewhat 2 good. However people actually laughed at the corny scenes, the extra money spent on sandman were obviously taken from the story budget and like John Stewart said on the daily show a while ago. The symbiote thing from outer space which turned out to be venom was laughable at best. Don't get me started on how Sandman was created, geez suspend all believe or don't turn on your brain for the next 2 hours. What really killed it for me was the moment when spiderman jumps pass the american flag, long enough for me to grab my camera and snap a shot. Obviously I did't but I was thinking about it.

I can't believe they ruined Spiderman. Sarah went all out on it, and shes right, it was crap. We wasted 7.20 pounds on a film which sucked. I knew we should have seen something else but my mind was pretty much made up after seeing the first 3 shows were sold out. Watching the last hour of the film was something like pulling nails out or like the picture above.

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The Corporation available for free, but is it remixable?

The Corporation poster

From Torrent freak, which I've been meaning to blog for a while…

The award winning Canadian documentary The Corporation has been released on BitTorrent for free. Filmmaker Mark Achbar just released an updated official torrent of it. Everyone is free to download, watch, discuss, and share it. Although the torrent download is free, the filmmakers encourage people to donate a small fee if they like what they see. We asked Mark Achbar how the first round of donations went. He said, since my initial torrent launch of The Corporation at the end of August, there have been $635.00 in contributions. They ranged from $2 to three very generous gifts of $100 each. All are very much appreciated. He added, my only regret is that I didnt put up my own torrent sooner.

Although this is great stuff, I couldn't find the licence anywhere. So I'm assuming its downloadable, sharable but not remixable? Shame because its a great documentary but I would like to see a slightly shorter version which I could lend to some friends without them falling a sleep. You could easily do a 1hour version which gets the core message across and then the 3hour version full of examples and more depth.

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