Speaking at Bucharest technology week

Bucharest - Dâmbovița River

This week Thursday (26th May 2016), I’ll be speaking at Enterprise-IT Summit during Bucharest Technology Week, a celebration of the positive impact technology can have on our personal and professional lives. Its going to be at the Athénée Palace Hilton, in Bucharest.

I’ll be talking on the future of contextual and adaptive media. Something we are really understanding along with others, as you can see in this call for participation for a workshop on Monday 13th June.

You can browse the event agenda and full speaker line-up on the website.

I have never been to Romania or eastern europe till I went to Poland last year. but I am really looking forward to meeting all the great people involved in the digital & tech scene out there. Will be fun to testing their creative thinking in a little workshop following my talk on the same subject.

Let Her… talk to you

Her.

A lonely writer develops an unlikely relationship with his newly purchased operating system that’s designed to meet his every need.

This is a really good film. Some parts are funny and some parts are tragic. But this isn’t a review of a really good film but rather a look at the technology in the film her. There might be some mild spoilers and I would recommend not reading till you’ve seen it in full.

When I first heard about Her, I thought oh no here comes another S1mOne. Don’t get me wrong S1mOne is ok but gets a little silly in parts. Her on the other hand is smart and although it does go towards the obvious, it pulls back and finds a new more interesting path.

Adrian sent me a link to wired’s piece about the UI design in her.

A few weeks into the making of Her, Spike Jonze’s new flick about romance in the age of artificial intelligence, the director had something of a breakthrough. After poring over the work of Ray Kurzweil and other futurists trying to figure out how, exactly, his artificially intelligent female lead should operate, Jonze arrived at a critical insight: Her, he realised, isn’t a movie about technology. It’s a movie about people. With that, the film took shape. Sure, it takes place in the future, but what it’s really concerned with are human relationships, as fragile and complicated as they’ve been from the start.

The film is certainly about people and our relationships in the age of artificial intelligence. Reminds me very much of the book which imran gifted me which I’ve still not read completely, love in the age of algorithms.

But whats really interesting is the simplicity of the technology. Pretty much every interaction is with voice. There’s little interaction with screens, although there are giant screens in some of the shots. Even the camera which the main character uses looks underwhelming simple. I can only suggest in the near future we started to solve the power/battery problems of today.

We decided that the movie wasn’t about technology, or if it was, that the technology should be invisible,” he says. “And not invisible like a piece of glass.” Technology hasn’t disappeared, in other words. It’s dissolved into everyday life.

Here’s another way of putting it. It’s not just that Her, the movie, is focused on people. It also shows us a future where technology is more people-centric. The world Her shows us is one where the technology has receded, or one where we’ve let it recede. It’s a world where the pendulum has swung back the other direction, where a new generation of designers and consumers have accepted that technology isn’t an end in itself-that it’s the real world we’re supposed to be connecting to.

I think Wired is right, the movie is a total U turn on the likes of Minority Report and Blade Runner. There is a great scene where our main character is lying on the grass in a field. He’s talking to the AI like she is lying right next to him. The cinematography actually applies it from the camera angle.

The technology is there but it feels like that Internet of things dream, the technology is embedded everywhere. Not the Google Glass style future. something much closer to ubiquitous…

All of these things contribute to a compelling, cohesive vision of the future — one that’s dramatically different from what we usually see in these types of movies. You could say that Her is, in fact, a counterpoint to that prevailing vision of the future — the anti-Minority Report. Imagining its world wasn’t about heaping new technology on society as we know it today. It was looking at those places where technology could fade into the background, integrate more seamlessly.

After that Wired goes into depth about the User Interface being vocal and how its a perfect fit for the cinema. I don’t disagree but its only one of many types of User Interfaces which can be available. I do agree its a nice depart from touch interfaces which is in most films.

But the AI isn’t simply voice alone (this has been done many times in cinema too), its context sensitive, its perceptive! This is what brings the sense of magic to the exchanges. The AI seems like she is there talking and taking it all in. All those subtle gestures, human expressions, etc. They are all taken into account, making the AI seem very human.

…we’re already making progress down this path. In something as simple as a responsive web layout or iOS 7′s “Do Not Disturb” feature, we’re starting to see designs that are more perceptive about the real world context surrounding them-where or how or when they’re being used. Google Now and other types of predictive software are ushering in a new era of more personalised, more intelligent apps.

Arthur C. Clarke said…

Any sufficiently advanced technology is indistinguishable from magic.

Her is does have a magic quality, its not the best film I’ve seen this year but its one which I do think will cause a trend showcasing different user interfaces in movies, instead of defaulting to the usual push/pull/touch interfaces.

Its well worth watching and enjoying, just don’t think about S1m0ne beforehand.

Context is queen?

I wanted my grandmothers pokerface....

I’m hearing a lot of talk about how 2013 is The year responsive design starts to get weird… or rather how its going to be all about responsive design (what happened to adaptive designing who knows)

Think it’s hard to adapt your content to mobile, tablet, and desktop? Just wait until you have to ask how this will also look on the smart TV. Or the refrigerator door. Or on the bathroom mirror.

Or on a user’s eye.

They’re all coming…if they aren’t already here. It doesn’t take much imagination or deep reading of the tech press to know that in 2013 more and more devices will connect to the internet and become another way for people to consume internets.

We’ll see the first versions of Google’s Project Glass in 2013. A set of smart glasses will put the internet on a user’s eyes for the first time. Reaction to early sneak peeks is a mix of mockery and amazement, mostly depending on your propensity for tech lust. We don’t know much about them, other than some tantalizing video, but Google is making them, so it’s a safe bet that Chrome For Your Eyes will be in there. And that means some news organization in 2013 is going to ask: “How does this look jammed right into a user’s eyeballs?”

Stop! Nieman labs is forgetting something major! And I could argue they are still thinking in a publishing/broadcasting mindset

Yes the C word, Context…

Ironically this is something Robert Scoble actually gets in his blog post, The coming automatic, freaky, contextual world and why we’re writing a book about it.

A TV guide that shows you stuff to watch. Automatically. Based on who you are. A contextual system that watches Gmail and Google Calendar and tells you stuff that it learns. A photo app that sends photos to each other automatically if you photograph them together. And then there’s the Google Glasses (AKA Project Glass) that will tell you stuff about your world before you knew you needed to know. There is a new toy coming this Christmas that will entertain your kids and change depending on the context they are in (it will know it’s a rainy day, for instance, and will change their behavior accordingly)

Context is whats missing and in the mindset of pushing content around (broadcast and publishing) and into peoples faces, responsive design sounds like a good idea. Soon as you add context to the mix, it doesn’t sound so great. Actually it sounds damm right annoying or even intrusive? I do understand its the best we got right now, but as sensors become more common, we’ll finally be able to understand context and hopefully be able to build perceptive systems.

We already demonstrated, sensors don’t have to be cameras, gyroscopes, etc. The referral, operating system, screen resolution, cookies, etc all are bits of data which can (some maybe less that others) be used to understand the context.

I can come up with many scenarios where the responsive part gets in the way, unless you are also considering the context. In a few years time, we’ll look back at this period of time and laugh, wondering what the heck were we thinking…

I’m with Scoble on this one… Context and Content are the Queen and King.