Perceptive Radio

perceptivemedia radio

Photo credit: Greg Povey, @topfife CC-BY-SA (official photo)

Today at the Thinking digital conference in Gateshead, we (BBC R&D) launched the latest prototype for Perceptive Media.

Perceptive Radio, is a project collaboration between BBC R&D, Mudlark and MCQN ltd.

Perceptive Radio credits

It can playback Perceptive Media content and has sensors of its own (proximity, light and microphone) to modify the media elements/objects in real-time. I quickly did an audioboo interview with Christian while finishing publicly showing the radio for the first time.

It will be compared to the Olinda radio which Berg made years ago, and they both share the prototype label…

…aims to provoke discussion on the future and design of radios for the home

Exciting times and there will be loads more information coming soon including details of the open sourcing of this…

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Peaktime trains vs Hotels

Overhead power lines

I can happily say I have to date never knowingly paid for a peak time ticket to London.

Even when going back and forth to London from Manchester for those meetings with the rest of the BBC, I just couldn’t do it.

Two questions bugs me around this…

  1. How can Virgin trains charge more than a hotel in Central London (booked within 24hours) for a peak ticket?
  2. Why is there peak time from 3pm – 7pm if you leave London but not the same if you leave anywhere else at the same time?

The current price of an Anytime peak return is £308! This means you can get on a train anytime and return anytime within a month. Even if you don’t need that level of flexibly, the cheapest peak time return tickets are roughly £217. Yes you can get 2 singles but there still roughly a total of £210 and you must go on that train there and back.

An Anytime off peak return is £77.30 with the same return anytime within a month. Giving you plenty of flexibility (just remember to avoid the 2nd peak time).

To be fair all these prices are based on a booking within a month of travelling and are for Virgin Trains to and from London. If you book over a month before the prices do lower and 2 months before can be reasonable. Just a shame the discount fares are not that great.

So saying all that, what I worked out early on while at BBC Backstage was, if you take a off peak train and stay in a hotel, its still cheaper than a peak time train fare. Yes believe it or not, and its not one of those crappy unknown hotels, I mean the likes of Holiday Inn, Ibis, Ramada, etc. So not your elite or boutique level hotels but a good hotel with a good bed and breakfast. Plus I don’t mean booking way in advance, I mean booking within 24hours.

The only issue is you have to give up your night before to catch the off peak train.

For many this is a absolute no way/no chance. Its hard enough going down to London to spend a night or two away from the family, let alone prolong it by adding more time away. I totally understand and who am I to judge, but for someone like myself, this is a great opportunity to save some licence fee, sleep soundly over night in a hotel and wake up early for that 10am meeting. Sometimes I even get the chance to meet up with old London friends on the Sunday, which certainly sweetens the deal some what. At least it doesn’t seem like I’m using my personal time for work then.

Frankly I hate getting up early, and there is nothing better than being able to get up later and still make that 10am meeting, without worry about delays or scrapping for the last seat on a stupidly packed peak-time train.

Why you should never pay for online dating 101

match.com - Make Love Happen

I have said it many times but never really wrote about it in detail…Why you should NEVER pay for online dating

Check out BBC’s Adrian Goldberg’s show recently and the news item

Customers of one of Britain’s largest online dating companies have voiced concerns that they may have been lured into paying subscriptions by potential dates who did not exist. Men who signed up to a number of sites owned by Cupid plc complained to the BBC’s 5 live Investigates programme that flirty messages they received as free members rapidly tailed off when they became paid-up subscribers. Cupid plc said it did create staff profiles, but only for “the express purpose of monitoring the site for quality assurance and moderation purposes”.

It categorically denied the company sent communications in order to tempt free members to pay subscriptions.

The messages are generic in nature, only appear when your not a subscriber or membership runs out and don’t reply when your signed up and a member? Not only that, many people have experienced this on many dating sites including cupid.com or in my case speedater.com. I say one thing not putting myself in a difficult position… Ockam’s razor.

From online dating insider

But let’s get one thing straight, many dating sites have engaged in sketchy practices when it comes to growing their user databases. This is an industry-wide issue. Cupid LLC is just the latest to find themselves in the media’s crosshairs. Similar allegations have been made against Yahoo Personals, the Match fake profile lawsuit, Spark Networks and other sites over the years.

I’ve heard lots of stories over the years of how dating sites will do some pretty ridiculous things to achieve enough customer density to get people to stick around long enough to (re)monetize. Some choose to buy fake profiles during the launch process. I think most would agree that this is a terrible idea. Other use automated messaging of different sorts (email, IM, chat). This has been going on for a decade. The truth of the matter is that like any industry, there are always bad actors that will do anything to grow their businesses.

Its worth pointing out Cupid.com is Cupid.LLC which has nothing to do with OkCupid.com, which published many reasons why you should never pay for online dating a while back then removed it.

No matter if its fake profiles sending emails, fake users, fake whatever. The nature of the sending and receiving messages when a subscriber or not, works to keep you on the site and extract money…

Go on demand?

Webuser says Don't renew your TV Licence

I saw this while waiting in line at Booths today… and thought

The cord cutting group think is starting to take root… Of course i’d advise against it 🙂

Interesting to see the whole cord cutting thing is starting to come out into the mainstream.

As an early adopter this isn’t really news and many years ago I was doing this but of course paying the TV Licence. Because of the TV licence covers more than just the TV. Regardless, at least 90% of the media I watch on my TV screen is on demand. Live content is rare and if it is, its the backchannel of twitter which encourages me to even think about going for live media.

Why I shut down BBC backstage

BBC Backstage Meets the NW communities networking bash

George sent me a tweet saying how much Elizabeth Murdoch loved BBC Backstage, as she mentioned it in her speech to the Edinburgh TV Festival last year.

The BBC has been the market leader for building new relationships and services with creative’s from every sector. Be it the early ground breaking Backstage initiative for technology engineers.

Shes right and it does beg the question, why is there no more BBC Backstage?

I thought this was covered in the BBC Backstage ebook which was put together by the lovely Suw. But it looks like I may have been slightly mistaken. On top of this, I keep making reference to this blog post which I never seem to quite finish. So enough, its finished and out there for all to read…

First misconception: The BBC never shutdown BBC Backstage

Actually I did… When I first mentioned the possibility of closing down BBC Backstage to Adrian (my manager) he thought I had totally lost it. I remember a meeting with Adrian and Matthew (head of R&D) where I talked about shutting it down and I gave my reasoning which made soften the blow a little. I had thought long and hard about leaving BBC Backstage and passing it on to someone else younger and full of energy (I even had a number of names put forward to consider). But it didn’t make sense.

The problems with Backstage were not about who was running it but more about what was happening around it (as we will see in number 4)

Second misconception: The BBC sits on a ton of data.

The core of BBC Backstage was the backstage license which is founded on non-commercial reuse of data. This gave backstage the license to go around the BBC educating/persuading/convincing stakeholders about the benefits of open data at a time when data wasn’t a big thing. The problem is the data wasn’t ours. For example the Met Office would make the weather data available to the BBC under strict licensing. Deals were done for non-commercial use and it was always neigh impossible to reverse a deal without effecting the production side of the things.

Lots of people imagine most of Backstage was hacks. In actual fact lots of it was people experimenting.

Third misconception: Developers found new business models

This backs off the non-commercial problem. Because everything was under the non-commercial license, when things like the Apple App Store came along and offered developers clear ways to make money from their work. We had to shut down a lot of prototypes and tell people not to use BBC backstage data in there apps.

This was actually a issue from early on when Google Adsense, offered developers a nice way to make a small amount of money based on numbers of people who came to the site. It was argued that if developers made enough money to just cover the hosting of the prototype, we could turn a blind eye to. This wasn’t sustainable as it kept coming back to bite every once in a while. But it wasn’t till the App stores when the number of prototypes and services wanting to go commercial blew up.

Once developers learned it was actually against the terms and conditions, they naturally moved on to other platforms.  We did talk to BBC Worldwide many times about working together but it just wasn’t to be.

Forth misconception: The Open Data Revolution passed it by

Backstage had a hand in getting this revolution going in the UK and beyond. 7 years later, we had influenced everyone from other companies to the government. We were there right at the start of this revolution and fundamentally changed the BBC’s thinking about data. However it was clear this was just the start and as a part of BBC R&D, it was right to move on and have the same impact in another emerging area. The developer network part of Backstage was tricky to balance with the push to drive forward.

We did think about splitting it off and working in partnership with others who were later to the scene but it just didn’t quite happen and in the era of cost cutting and doing the things which really have an impact for our audiences it was harder to justify.

Fifth misconception: It was all about DRM and the BBC wanted rid

Looking at the mailing list, its easy to imagine it being all about DRM and not a lot else. But in actual fact while the DRM debates rages on, there were lots of people creating and making lots of prototypes. Lots of them were documented on the website but there were some which were so illegal there was no way I could put them anywhere public. Those were more of a look what we could do…

Even though they were much more black/grey around the licensing terms, they drove the imagination and clearly got a number of us thinking what if…? One such example is the widely talked about blast from the past called Panadora PVR (now called Promise.TV) which lead to Tom Loosemore’s talk at Etech 2007, the Edinburgh TV unfestival and the building of the infamous BBC Redux.

The BBC gained a lot from having the debate and being rather open about it all.

Sixth misconception: There was no money or love for BBC Backstage

This is somewhat true and false. Yes it became more difficult to justify and we had gone through quite a difficult patch, while losing some key people to project. On top of that we had a new head of Future Media (Erik Huggers), moved into BBC R&D and was shifting the project up to the north of England to fit in with BBC’s increasing push to solve the London and South East bias.

Everything was changing and everytime we took BBC Backstage in a different direction, there was push back from the dedicated community. To me this is the way of the world (forever changing) but it certainly makes funding such projects difficult when you want a 3-5 year plan.

There was much love for BBC Backstage from Future Media and other departments in the BBC, there was lots of talk about setting up other Backstages in different areas as a outreach project alone it hit audiences the BBC was not so good at having conversations with. The formula was repeatable but should it be? We could have done Mashed all over the UK but was that a good idea? I certainly didn’t think so and ultimately my thoughts about driving forward were correct.

Seventh misconception: We ran out of steam

Ok this might be true to a certain extent. But not from the lack of trying… You only have to look at the new things I’ve been working on since, including Channelography, Perceptive Media, etc. There is still fire in myself and I still have a lot to give… During that time, I will admit I was well over worked and I was being contacted by many people on the off chance just because I was out in the open. This certainly slowed down daily looking through BBC emails. Hence why I now have a another BBC email.

Ultimately I want to thank everyone who has been involved in BBC Backstage in the past (too many to name). The decision was made under a ton of stress on my part but I felt I was making the correct decision for everyone including the founders, the BBC and the community. Then and even now. I mean can you imagine BBC Backstage in 2013!?

Things need to end (such as BBC Backstage, Innovation Labs, etc) for others to spark, grow and mature like BBC Connected Studio.

 

Northology podcast ep 8 with Ian Forrester

Ian Forrester

Not long after blogging about Northology and the other great things happening in Manchester, its great to be on the show.

This week Nathan talks to Ian Forrester, a Senior Producer with BBC Research and Development, about his move from London to Salford, his work with BBC Backstage and how narrative and story telling is changing.  He also talks online dating, bar camp, geek dinners and many other things he’s involved in.

The interview was a quick thing and before I even knew it was over. Which means I didn’t quite get everything I wanted to say into the interview.

Judge for yourself by listening here or subscribing here.

A year of making love redeems its self?

Year of making love

If you don’t already know my own personal experience of BBC Three’s year of making love and the crazy things which have followed

However last night it was time for the whole thing to be played out on BBC Three. I had feared the very worst but what was churned out on TV wasn’t so bad. Nope the TV magic or the beauty of editing pretty much cleaned away the slate of last year. With it also the grand claims of a record breaking attempt, 500 couples, blah blah, etc

Interestingly during the show there was no official hashtag, so we used the #yoml hashtag which a few of us had been using during last years recording. Most of the comments were reasonably positive about the show which seemed to focus more on the couples than the experiment and process.

Even Laura said

Looks so smooth, sleek, quick and efficient.. The magic of television!

Was I in the show? Yes I saw myself twice but only really passing shots. The clearest is when Cherry Healy is talking to a guy and there’s me in background.

Most of the shots for the show focused on the start of the day when everyone was happy and still expecting great things to happen. However there are some shots where its clear the audience has thinned and are a lot less enthusiastic about the whole thing. In actually fact there was other signs of the conflict which was unveiling…

Loved seeing all the empty seats – that looked really really good……. Not

Steve G said on the unofficial YOML Facebook group

Nicely edited…the only evidence of the farce that day turned into was when Cherry and the scientists were discussing the matches you could hear the unmatched being called out like cattle like we were…
Yes I remember that moment too.. Being called out like Cattle lead to the sides and then being told they’ve changed their minds.
The scientific nature of the show was played down, because frankly it would have been a major sticking point for me. No matter what they say on the programme, we have the producer on camera talking about speed dating the leftovers. Once again you can’t claim science and then throw people into speed dating…

Ian Arundale said

YOML is a good advert for online dating algorithms! isItscienceOrLuck

To which I said no its not… Actually the science or luck is a interesting one… Being TV and the heavy editing they will show a selection of couples with a bias to the ones who last the longest. If we go on the first week, a possible one serious relationship out of 4 isn’t too great. I would suggest luck is in play more than science at this moment. This is why I’m very interested in the science behind it all as it gets to the bottom of something much greater…

With enough Big Data can algorithms work on some of the most human of things… falling in love?

Unforgettably, this show isn’t going to provide any answers…

Matthew S and Matthew K pointed out…

They didnt talk about the compatibility test at all!

Yeah, very true, the science was brushed over very quickly. TV has really strict guidelines about faking things, and we know there was lots of manipulation going on so they clearly had to be very vague about it!

Actually we were asked to make personal videos which you will see popping up on the show now and there… Of course I did my own and I have now made it public here.

BBC Three turned a smouldering wreck into a tiny little pebble which will satisfy the BBC Three audience I’m sure.

My part to play in it was minimum which was good because frankly Laura is a great woman and I have to say my match which I finally got after many months, seemed slightly off on the face of it. Actually would you like to know who my match was? Well it was woman called Olivia Pinder. I did write to her once but never heard anything so just decided she wasn’t interested or she was as fed up of the whole shame as myself. Then my YOML friend Cristina Conti asked if I had heard anything from my match and convinced me to give it one more shot. Of course I didn’t hear anything, so that was it. Plus frankly I had enough of it by a certain point…

Would I ever do anything like this again? Well if its a dating show/experiment no. I felt like I brushed close enough with those people who have words like “model” and “promotions” in their résumés & had been on other TV shows! Just there looking for stardom?! This so isn’t me and I am still very surprised they let me take part at all.

Almost at blows

Steve G posed a interesting question,

Gotta feel for the people who had sat through until 8pm (like myself and it was 9pm) and didn’t get a match however I don’t know whether I would of preferred that and not knowing then having being matched last minute…

Personally I always wanted to know who my match was… the not knowing was frustrating because I knew someone knew but didn’t want to tell me unless it was in front of broadcast cameras. The moment I knew, it wasn’t such a big deal anymore. Even when I heard nothing back, it wasn’t a problem. I think the not knowing was the problem.

My brush with mainstream TV has been too close for comfort, to date I’ve gotten away with it. Maybe thats a sure sign I should avoid at all costs from now on… I’ll keep watching just to see if some of the friends I made are on there but otherwise this is one experience I can mark up as a close shave.

Broadcast or Perceptive Media?

I was half watching Newsnight and working on my laptop, on Thursday 31st January on BBC2. Newsnight finished and the weather came on. Now the #uksnow is pretty much out the way, I’m not so interested in the weather.

Anyway as the weather man ran through the upcoming weather forecast, I looked up when the man mentioned Manchester. A few moments passed and I thought well its related to rain, so Manchester is a obvious target. A few moments later, Manchester was mentioned again and I looked up again. My glance become more of a stare as I thought about perceptive media.

The moment of attention or as I like to think about it, a moment of deja vu. Was powerful enough to make me lift my head and divert my attention to the weather for a few more moments at least.

The ability to connect and engage with people using slight differences in narrative. It doesn’t require huge sweeping changes, just clever well written narrative.

Year of Making love – Monday 4th Feb

image

Well here it is (sent via a email to me this morning)…

The programme maybe they shouldn’t have made (imho). Monday 4th February 9pm on bbc three, hopefully I wont see myself in the crowd because there’s certainly no way you will see me with a partner.

If there is any mention of scientific I will be laughing to myself knowing the truth

Try Being Me

Screen grab from try being me experiments

I didn’t watch Try Being Me but it sounds great…

It’s only the start of January, but I honestly believe that Try Being Me will be one of the most important pieces of interactive content we will launch on CBBC in 2013. It’s not a large investment of license fee payers’ money, nor is it a particularly significant or complex technological leap. Instead, Try Being Me uses video, quirky animations, and thoughtfully produced game mechanics to give the CBBC audience a deeper understanding of the frustrations and difficulties that dyslexia can sometimes bring, in an engaging, visceral and simple way. It’s an interactive approach to factual content we’ve never tried before. Our aim is to add a physical understanding of the subject to the mental and emotional impact of traditional Newsround journalism. It’s the kind of experimental content that only Newsround and CBBC would make for British children.

I must have mentioned my sister finally got the day to day problems with dyslexia when she watched Kerry Katona’s don’t call me stupid on BBC Three. I guess its a shame more of BBC Three wasn’t more informative like that?