Tag: 3d

Public Service Internet monthly newsletter (May 2021)

a dark forest

We live in incredible times with such possibilities that is clear. Although its easily dismissed seeing Facebooks dismissal of 530 million users data leaked and actively being exploited, joining the general dismissal of data leaks this month.

To quote Buckminster Fuller “You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.”

You are seeing aspects of this with Google maps providing eco-friendly routes, Europe seeking to limit AI use in society and how Ben & Jerry’s combine activism with business.

Facebook/Nick Clegg attempts to gaslight us all

Ian thinks: Nick’s blog post is cleverly written ultimately saying the right things even touching on algorithmic transparency. However the key message is, you are the problem, and ignores the power dynamic an entity like Facebook really has over their users lives.

What is the dark forest theory of the Internet?

Ian thinks: Yancey (co-founder of kickstarter) shares his thoughts about the dark forest theory in light of a year plus in a pandemic and our ever increasing reliance on the internet. Recently followed up with more thoughts.

Is more data or a more human outlook the future of shopping?

Ian thinks: Data use is a worrying trend and it reminds me how Ford decided the data was the goal of the car sell, but maybe shopping is missing the human element?

How is remote working going to effect the future of work?

Ian thinks: A good summary of the development work if you are a office/knowledge worker. Little for other types of work which seemed a obvious hole in this all.

The doomsday machine: scale is the enemy of human progress?

Ian thinks: The comparisons of Facebook to the doomsday machine is quite a leap but the points made are clear and re-enforces my thoughts about scale being the enemy of humanity

Those face filters were never fun

Ian thinks: I turn off the filters as they are usually not flattering for black skin. However there is much greater affect on women who have their faces and bodies under the microscope every moment of the day causing anxiety and even worst.

A new decentralization pattern library

Ian thinks: Its great to see a pattern library focused on decentralised, distributed applications and systems. Its still early days but do get involved if you see something obvious missing from the current 22.

The future of 3D printing is truly impressive

Ian thinks: There is so much covered in this video, everything from 3D printed houses, food and organs. The most impressive for me after the organs is the bio-mimicry printed structures.

If you don’t know dark patterns, this will explain it all in moments

Ian thinks: Really good to share this with people are not clear on the effects of dark patterns, also interesting to see Trump using dark patterns recently.

Sudhir explores the motivations, mistakes and conflicts of mainstream social media

Ian thinks: Although nothing new, its interesting to hear someone who has spent time with gang leaders and street prostitutes; lend his thoughts to the ugly side of social media from the inside out, in new podcast.

Find the archive here

A tango with reality

You got to hand it to Google… Johnny Lee heads up Project Tango.

The goal of Project Tango is to give mobile devices a human-scale understanding of space and motion.

I’m not sure if Project Tango can work in real time? But the possibility for Perceptive Media is something I’d certainly love to experiment with. It might also make Surround Video much easier to setup and get running?

I have applied for a prototype, so we can experiment with Perceptive Media. Although its very unlikely it will be accepted.

Look forward to seeing my prototype in the post Google…

Toshiba LED screen

Toshiba 40TL963B

My Samsung LCD gave up the ghost recently and although its fixable with a soldering iron and new capacitor. I pretty much decided a while ago that its time for an upgrade. I bought the Samsung almost 6 years ago I think and it was one of those 720p/1080i LCDs.

I finally bought a Toshiba 40TL963B because it seemed to have most things I wanted.

Top of the list DLNA, Freeview HD, USB recording (well its useful now and then) and of course 1080p. You will notice I didn’t include 3D because frankly the idea and reality of 3D at home makes me break out in hives on the inside of my mouth. Funny thing is the Toshiba actually supports 3D but I won’t be using it ever. Worst still it has that turn 2D into 3D mode which makes me break into hives in places I’d rather not say.

I decided to stick to 40 inch because the next one up was 46 inch rather than 42 inch. It certainly looks smaller because the bezel is about 15mm deep around most of the frame.

To date I haven’t really drove the screen because my xbmc box is set to output 720p. The freeview HD tuner works well and I was pleased to be able to see the paralympics in HD. Things look great in HD and as the review says, SD content looks a bit smudgy. Its ok but noticeably bad. The review is right about that and also about the black level which looks like black ink (this is a good thing). Actually when I changed the Xbox 360 to 1080p and loaded up Geometry wars 2, it felt like I was play on a surface which was best described as the night sky.

Not even touched the Toshiba web TV crap except to get DLNA working, XBMC blows away everything Toshiba’s places item can do and will ever do.

So generally I’m happy with my purchase. I didn’t want 3D but the price difference meant I would only be paying an extra 30 pounds for 3D capability and I would also get higher refresh rates too. Yes it could be nicer about SD content but its only on Freeview SD content I notice it.

Watched Avatar twice in 3D, why?

Avatar screenshot

So leaving out all the stuff about the movie being racist and what ever people want to say about the film. I thought I’d have a look at the 3D technology behind the experience, but I can confirm I enjoyed the film and watched it twice. Why?

First time I watched in Odeon Manchester’s 3D cinema (note this is not a IMAX screen, although the same cinema does have one) before Christmas. Then again with a friend in Cardiff, while I was in Bristol. We got talking about Avatar and my friend had not seen it yet. But worst still he had never been to a IMAX cinema ever let alone to a 3D screening. So we drove all the way to Cardiff Bay (Bristol’s IMAX was suspend earlier in 2007 year and was due to be open again) to the Odeon IMAX there.

So to be clear both Odeon venues but one is IMAX 3D and the other one is just Odeon 3D. Most people think there the same but there not. Just one look at the different glasses will show you that.

There’s 3 main 3D systems, Imax 3D, RealD and Dolby 3D Digital Cinema. Obviously Imax 3D was first then RealD and now Dolby 3D. 3D vision blog has all the details you need for them all but I’ll stick to the two I experienced.

IMAX 3D

This one is the oldest of the three standards that is famous mostly because of the very big screens present in these cinemas, but they are still not very widely available around the world with most of the IMAX cinemas present in USA. Up until very recently IMAX 3D was only analogue with the movies being shot on large frame 70mm film in order to achieve good image quality on the larger screens these cinemas use, as compared to normal 35mm film. The digital version was introduced last year and still very few cinemas use that and the resolution and respectively the projection screen sizes for these implementations are not as big as on the analogue ones. IMAX uses big linear passive polarized plastic glasses for the viewers that do not provide the best possible experience. Anyway, getting back to the user experience, there is something very specific for IMAX 3D and that is the fact that the movies shown there are usually optimized for more pop-out screen effect than depth. This means that most of the time objects literally seem to pop out of the screen appearing as if you can touch them, kids do love this effect, but this is also more tiring for the brain. So usually longer movies are a bit of a problem to watch and Avatar is close to 3 hours, so you should be carefully consider this, especially if you feel a little “out of this world” when watching movies in an IMAX cinema. Some other drawbacks that are not always present and most of the people miss are the lower contrast in some dark scenes, a bit more ghosting of objects and problems refocusing your eyes quickly enough to follow the whole picture in fast action scenes and thus you might miss some important parts. Anyway IMAX 3D is certainly the most easy way to achieve the WOW effect with just about anyone that is watching his first stereoscopic 3D movie, but it this is not the first for you, then the other alternatives might be better…

RealD

This is a bit newer standard, but a digital one from its start… digital here meaning that the movies are recorded in a digital format and the projectors being used are also digital. RealD 3D cinemas uses circular polarized plastic glasses instead of linear polarized to provide better user experience when watching stereoscopic content. Circular polarization is considered to be better, because viewers are able to move their head as they like without the loss of the 3D depth effect. With the linear polarized glasses you have to be a bit steady, not moving around too much and sometimes you might have trouble finding the right position for your head in order to achieve the best effect when watching the movie to fully enjoy it. The circular polarized plastic glasses used here are also cheap to produce, but this technology requires the use of more expensive silver screen for projection which makes it a bit more expensive to implement. Still at the moment RealD is the most widely used standard for stereoscopic 3D movie projections all over the world, so you will most likely have one of these cinemas where you live. The immersion experience with RealD is a bit different compared to what you get at IMAX 3D projections as here the depth perception is of actual depth so the action is more going inside the screen, and not popping out of it. This does not make things less impressive, although some people might get a little disappointed at first if they were expecting to have the IMAX 3D pop-out effects, but after some time of watching they still get the feeling they are right in the middle of the action. This way of going more in the projection screen and not out of it is also easier on your brain as it is not that overloaded with information and is considered better for longer movies. Also it is easier to keep track of quick action scenes and the ghosting is usually less, so most of the people prefer this technology, although it is still not perfect.

And this is very consistent with my experience. The IMAX 3D glasses were massive and the effect was bigger and bolder that watching it on the RealD setup in Manchester. I thought it was down to the size of the screen but to be honest the IMAX screen in Cardiff wasn’t anything like the IMAX’s i’ve been to in London Waterloo, Minneapolis, etc. I got a feeling it might be one of those Fake IMAX screens.

One of the weird thing about the RealD setup was that the screen didn’t feel as sharp as the IMAX but that could just be the seat position. So for the win, watch Avatar in IMAX 3D for now.

A blast from the past: Persistence of Vision Raytracer

Povray rendering glasses

I was listening to FLOSS weekly with the guy who actually created POV Ray (persistence of vision raytracer). It was amazing to listen to because, I along time ago use to run it on my old Atari ST. At the time I never had access to anything else, and frankly everything else was simply crap in when compared to PovRay's efforts. I believe there were all of about 4 3D rendering programs on the Atari 16bit platform and to be honest the ability to write images and animations using a simple notepad application was insane but ever so useful at the time. After a long while I built my first PC which was a 233mhz beasty and PovRay was one of those benchmark software which I used to prove to myself the investment. I could only dream how fast it would be to render scenes on my current workstation and laptop.

The author of POV Ray in the podcast talks about how he made the software freeware and wrote a basic license saying your welcome to modify it but if you do make a change please send it back to the author. This was before the word open source was around and even before the web had taken hold, so POV Ray was distributed on floppy discs, CDs and BBS. It was written before licenses like BSD, GPL and Apache were common, although PovRay 4 is going to be rewritten under the GPL 3 license.

PovRay isn't dead actually there starting to add some well needed features like native mutliprocessor support. In the past you would specify a part of the final image to do on one machine/cpu and the other bit on the other machine/cpu. This may sound very bizarre for a heavy duty raytracing engine but when you had a room full of computers like we sometimes had at college, it meant we could run renders of sizes like 1600×1200 and split the picture up into 4 pieces of 800×600, which were then run over 4x Pentium P133 machines.

The other thing I loved about PovRay was its realism, for year and years I argued that 3Dstudiomax, Lightwave, etc's results were poor compared to PovRay. The main reason was that this applications use to render results not raytrace them. This was why PovRay took so long to render scenes, like the one above. But for the hardcore, PovRay also had true Radiosity support

Actual writing PovRay scenes involves picturing in your mind 3D space and then mapping things based on that space. We use to graph things out on a graph paper and then translate it into C like syntax. It sounds more difficult that it actually is and before long your up and going. I just wish I could find some of my old scenes. Oh the language is a turing-complete language that supports macros and loops. So you can most of the time program effects using maths and logic that by hand.

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