Category: media-and-expression

From the CCB the editors of The Matrix Dezionized, a special fanmade edition of Matrix – Reloaded and Matrix – Revolutions.

We got the idea, when we finally watched Matrix Revolutions and couldn't believe, how bad it was, pathetic, without purpose. The most important thing is, to realize what is wrong, why is this movie not working, what makes it so bad. We decided that the complete plot string about Zion and Zion's battle against the machines was rather distracting from the main Matrix plot than improving it in any way. So we edited both DVDs, took out plenty of scenes, wherever needed and made a new edition, about 90 minutes smaller (the length of an entire moive, yes) and combined them to one final Matrix chapter.
What you get is a complete story, the story of Neo and his being the one. Plenty of people already watched this and the feedback was nothing but great. Still we had to redo the thing over and over again, just to get rid of possible flaws, bad cuts or whatever seemed unnecessary to us. Of course you can have a different opinion. And if you do and still like the idea of a better Matrix 2 movie, make your own edition and let's watch it. Choice is the problem of the Matrix universe, but choice is the thing that means freedom for us. We all like to be able to choose between editions and switch to the one we like best, no
matter who has created it. This is not meant to take any credit from the great Wachowski brothers, we admire your work, we are not interested in credit at all and absolutely not in making profit or money. Our interest is to improve an already existing work of art. See for yourself, decide for yourself.

Watch the trailer here (encoded using Xvid)

I'm currently watching another remix titled The Matrix Regenerated. The Matrix regenerated has an alternative ending and seems to be a little more suttle with the cuts. There is a point between Part 2 and 3 which has the cliff hanger about neo, well they did some very good work to change that and make it a smooth flowing section. Generally I would have like to have seen a better quality 2CD version, as some scenes are a little pixelated due to the low bitrate. The sound is also plain stereo which sucks because the Matrix was made for a AC3 surround sound system. But I imagine editing in AC3 is still really difficult. I guess these people like myself already bought the dvds and copied them to there hard drive for editing, it really makes me want to do the same for a couple of films I own – Donnie Darko and Matrix included.

Wired did a shamefully small piece about the greatest graffiti artist I have ever seen – Banksy. Just on a side point, I grew up in Bristol and that means living and seeing Banksy anywhere and everywhere. But I was flicking through his latest outdoor collections and came across this one and some text, which I've copied into real text.

Imagine a city where graffiti wasn't illegal, a city where everybody could draw wherever they liked. Where every street was awash with a million colours and little phrases. Where standing at a bus stop was never boring. A city that felt like a living breathing thing which belonged to everybody, not just estate agents and barons of big business. Imagine a city like that and stop leaning against the wall – its wet.

If your not quite getting the connection between banksy and the matrix remixes, your missing out on remix culture. Not until now have I really thought about banksy being the perfect example of remix culture. His help pages are a inspiration to all those involved in remix culture.

• Think from outside the box – Be highly creative
• Collapse the box and take a fucking sharp knife to it – If the box is too restrictive, take a fucking sharp knife to it and build your own. Creative Commons and Bit Torrent is a great example of this in action.
• Leave the house before you find something worth staying in for – Dont sit on your arse and simply consume. The internet was always meant to be a read/write medium, take advantage of that fact. Why cant this read/write ability apply to other mediums?
• Remember crime against property is not real crime. People look at an oil painting and admire the use of brushstrokes to convey meaning. People look at a graffiti painting and admire the use of a drainpipe to gain access – Theres lots of parellels between graffiti artists and internet remixers. Its a crime yes, but there not really villains.
• The time of getting fame for your name on its own is over. Artwork that is only about wanting to be famous will never make you famous. Any fame is a by-product of making something that means something. You don't go to a restaurant and order a meal because you want to have a shit – This is very much the net too. Fame is a by-product of your actions online. You are no one till you start leaving a digital footprint.

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From the CCB the editors of The Matrix Dezionized, a special fanmade edition of Matrix – Reloaded and Matrix – Revolutions.

We got the idea, when we finally watched Matrix Revolutions and couldn't believe, how bad it was, pathetic, without purpose. The most important thing is, to realize what is wrong, why is this movie not working, what makes it so bad. We decided that the complete plot string about Zion and Zion's battle against the machines was rather distracting from the main Matrix plot than improving it in any way. So we edited both DVDs, took out plenty of scenes, wherever needed and made a new edition, about 90 minutes smaller (the length of an entire moive, yes) and combined them to one final Matrix chapter.
What you get is a complete story, the story of Neo and his being the one. Plenty of people already watched this and the feedback was nothing but great. Still we had to redo the thing over and over again, just to get rid of possible flaws, bad cuts or whatever seemed unnecessary to us. Of course you can have a different opinion. And if you do and still like the idea of a better Matrix 2 movie, make your own edition and let's watch it. Choice is the problem of the Matrix universe, but choice is the thing that means freedom for us. We all like to be able to choose between editions and switch to the one we like best, no
matter who has created it. This is not meant to take any credit from the great Wachowski brothers, we admire your work, we are not interested in credit at all and absolutely not in making profit or money. Our interest is to improve an already existing work of art. See for yourself, decide for yourself.

I'm currently watching another remix titled The Matrix Regenerated. The Matrix regenerated has an alternative ending and seems to be a little more suttle with the cuts. There is a point between Part 2 and 3 which has the cliff hanger about neo, well they did some very good work to change that and make it a smooth flowing section. Generally I would have like to have seen a better quality 2CD version, as some scenes are a little pixelated due to the low bitrate. The sound is also plain stereo which sucks because the Matrix was made for a AC3 surround sound system. But I imagine editing in AC3 is still really difficult. I guess these people like myself already bought the dvds and copied them to there hard drive for editing, it really makes me want to do the same for a couple of films I own – Donnie Darko and Matrix included.

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So yesterday I did make it to the NFT for Makoto Shinkai in Conversation which kicked off a short season of Anime at the NFT. To start off we were treated to She and Her Cat followed by the insanely popular Voices of a distant star. The nicely air-conditioned NFT2 cinema was perfectly dark, specially when compared to the Filmworks cinemas where half the lights were on through out the film (highly distracting). After which the somewhat conversation started. There was tons of clapping while Makoto Shinkai walked down the cinema followed by his translator. Well it seemed that way at first. See the translator was very tired and didnt want to translate slightly difficult questions. She was struggling with questions about what anime Makoto is looking forward to this year! When I asked the tricky question about what Makoto felt about remixes, fansubs and re-versions of anime for other audiences (such as the uk one). We must have spent about 10mins on it. In the end Makoto answered with a interesting answer. First he was not totally aware of alternative versions of his films but he believes in building on top of peers work which involves taking other peoples anime films apart is a fine. When you post it to the net for others to learn and build upon your in tricky ground. He some what supported this but followed with a comment about his publishers and producers would not support such a movement.

Other questions included the usual what influences you, did you really make the anime yourself, what applications do you use? Adobe Photoshop and After Effects. A japanese lady asked in japanese how old he was and did he have a girlfriend? Makoto covered his mouth when he replied out of shyness, but at only 32 he's still looking like 24. After the questions and answers Makoto signed tickets and DVDs (got mine done) outside in the lobby. Generally it was good event let down by the translator, which I understand is a bloody difficult job but its what you do.

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So I went and watched the Skeleton Key with Sarah on Wednesday night at the Filmworks, and walked pass this lit up poster. Its one thing to warning people not to record the movie but to start throwing together the words terrorist and pirates. I wont even get started on the single words which have been twisted and abused recently (last 20 years). But all I can say is, this is a seriously worrying trend. Without going into a huge post about the perception of piracy in this day of age. I'll stop here and repeat what Sarah said. In her own words, What idiot would pay money for a DVD when they could download it for Free? (big smile) You got love a little humour on such a negative subject.

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The Opentech 2005 recordings are up now at the main opentech site. There's a range of mp3s, mp4s and torrents for saving peoples bandwidths. Enjoy…

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Makoto Shinkai in Conversation: Friday 12 August– at the NFT, South Bank, London

Via my lovely self-sacrificing wife who doesn't even like anime (her own words). Its looks like Japanese Animation month at the NFT. The highlight of the month includes a discussion with Makoto Shinkai who created the simply amazing Voices of a distant star.

Voices of a Distant Star is the moving tale of Mikako and Noboru, high-school sweethearts who try to keep their romance alive against all odds. Mikako is sent into space as part of a team to save mankind from an alien threat, leaving Noboru at home with texting as their only means of contact. The further he moves away from earth, the longer the texts take to come back, and soon a whole lifetime stands between them. Made solely on a Macintosh computer, using off-the-shelf software, this is an astonishing achievement, and we are delighted to welcome Makoto Shinkai to the NFT to talk about it and his other films, including the earlier She and Her Cat.

Like the Donnie Darko screening this weekend, I'll be attending. London certainly is a great place to live.

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