The incidental contact high mix

NHS Nurse with mask and halo
Found on a wall in the Northern Quarter of Manchester, modified by me

My first new mix for 2022 and it comes at a time as Covid19 variant Omnicron has come, peaked and is likely going to move us things from Pandemic to Endemic? Who knows…? Lets hope!

Regardless of this all, I was thinking about the incredible people who helped us all through the pandemic and kind of been forgotten, while also flicking through the new book dictionary of obscure sorrows. I came across the incidental contact high, which is described as “a innocuous touch by someone just doing their job, that you find more meaningful that you’d like to admit.”

Anyway, its really good mix with lots of new tunes, a bit of pace (134bpm-ish) and a good feeling throughout. I’m loving Protoculture’s Music is more than mathematics and the unique remix of Shnorkel.

Enjoy the mix on mixcloud or on my own mixing site.

Here is the full playlist.

  1. Love Technology – Protoculture
  2. Orenida (extended mix) – Gouryella/Ferry Corsten
  3. Collider (Jorn van Deynhoven remix) – Thomas Bronzwaer
  4. Music is more than mathematics (extended mix) – Protoculture
  5. Feel it (extended mix) – Cosmic gate
  6. Shnorkel (Thank you city remix) – Ido Ophir and Miki Litvak
  7. Go (extended mix) – Protoculture
  8. Tiger (extended remix) – Jerome Isma-Ae & Alastor
  9. Tears (protoculture remix) – Dakota
  10. Alone (extended mix) – Maarten de jong
  11. Headliner – Jorn van Deynhoven

Author: Ianforrester

Senior firestarter at BBC R&D, emergent technology expert and serial social geek event organiser. Can be found at cubicgarden@mas.to, cubicgarden@twit.social and cubicgarden@blacktwitter.io

2 thoughts on “The incidental contact high mix

  1. Pingback: Digital Italic
  2. Its Mozilla Festival 2022 virtual week and the grand WebMontisation experiment is underway.
    While thinking about the experiment and the ability to tip people, I thought about this aspect within mixes. Originally I thought about it per mix as WebMontization is page level, although there are plans for link level monetization in store.
    Then I saw a bunch of Hyperaudio experiments with WebMon. This got me thinking imagine if every artist/label had a payment pointer?
    Its not like we don’t have the precise timing metadata, especially when recording a mix digitally.

    For example here is the Pacemaker editor, which gives you exact times of when tunes are used and not used. The mix is my latest one, the incidental contact high mix, I do love that mix!
    With the advantage of metadata lookup, it wouldn’t take a lot to correctly identify the tune and auto discover the payment pointer of the artist/label. For example here is Protoculture which is appears 3 times in the mix. With something like hyperaudio, it would be pretty straight forward to automatically send a stream or micropayment to the artist/label everytime the track is played within a mix.
    With all this in mind, I’m thinking about creating an experiment.
    If I was to do a mix using creative commons attributed licensed music, with all artists who have payment pointers. Then provide it through hyperaudio on my site.
    Wouldn’t that be a really interesting experiment?
    Following what Coil & Mozilla have done with the tipping experiment, I could use payment pointers for a number of charity’s instead?

    My first tip went to Hyperaudio!
    Its certainly feel like a perfect DJ Hackday project?
    I have refined the idea on the WebMon community site
    Project description
    The existing models for distributing DJ mixes is frankly painful with many DJs having to fight with take-down notices and copyright flags.
    I am investigating ways to self-host and share DJ mixes with the care and attention of what a DJ would like to bring to the mix, and include a way to pay the artist/creator of the music in the mix.
    Ways in Which I Am Web Monetizing These Resources
    Currently I am Web Monetizing the whole of the site but I am going to change the audio player to HyperaudioLite and take advantage of the new feature to pay per section of the audio.
    As a DJ, my main interest is to share the mix with as many as possible without limits and constraints. I will turn off WebMon for myself and use the payment providers of the artists instead. As I expect many artists have not heard of WebMon and so I recommend using payment providers of charities and non-profits instead (same ones Mozilla have used throughout the Mozilla virtual festival).
    As more artists and labels start to support WebMontization and get payment pointers. It will be easy to reroute the payments to the new payment pointers and even split payments between groups/collaborations.
    Ideally I’d like to see this fit within the fediverse systems like funkwhale, reel2bits or Castopod enabling support for future forms of sharing, ignoring and distributing.

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