Gradually and then suddenly

Love this piece from seth godin on the way we look at the present. Found via martin rue

Gradually, because every day opportunities are missed, little bits of value are lost, customers become unentranced. We don’t notice so much, because hey, there’s a profit. Profit covers many sins. Of course, one day, once the foundation is rotted and the support is gone, so is the profit. Suddenly, apparently quite suddenly, it all falls apart.

It didn’t happen suddenly, you just noticed it suddenly.

The flipside works the same way. Trust is earned, value is delivered, concepts are learned. Day by day we improve and build an asset, but none of it seems to be paying off. Until one day, quite suddenly, we become the ten-year overnight success.

This is the way it works, but we too often make the mistake of focusing on the ‘suddenly’ part. The media writes about suddenly, we notice suddenly, we talk about suddenly.

Gradually and suddenly, all part of the present. But as Seth points out only suddenly gets the attention.

If I could get a pound for every time someone says to me, so what do we get out of it? They want a sudden effect not a gradual effect. Long lasting things take time.

Today we had a meeting with some lovely women from Abandon Normal Devices. They were recommended to us by someone I had met when I met a more formal meeting with guy who had come to the Quantified Self Manchester group (next meet-up is tomorrow by the way). Ok thats pretty crazy to follow but the point is, its a gradual thing which unfolds, grows and morphs into something special. Gradually and then Suddenly…

Sometimes I forget I live in the future

living in the future

In reply to my last post about living in the future, emma persky who I’ve not seen for years now. Replied on twitter with who doesn’t live in the future.

Interesting as this is certainly something I really enjoy. But Douglas Rushkroff talks about Present Shock.

Rushkoff introduces the phenomenon of presentism, or – since most of us are finding it hard to adapt – present shock. Alvin Toffler’s radical 1970 book, Future Shock, theorized that things were changing so fast we would soon lose the ability to cope. Rushkoff argues that the future is now and we’re contending with a fundamentally new challenge. Whereas Toffler said we were disoriented by a future that was careening toward us, Rushkoff argues that we no longer have a sense of a future, of goals, of direction at all. We have a completely new relationship to time; we live in an always-on “now,” where the priorities of this moment seem to be everything.

Wall Street traders no longer invest in a future; they expect profits off their algorithmic trades themselves, in the ultra-fast moment. Voters want immediate results from their politicians, having lost all sense of the historic timescale on which government functions. Kids txt during parties to find out if there’s something better happening in the moment, somewhere else.

So judging by Rushkoff I am living in the now but a different type of now from most others?

To further framing of the future comes from Steve Jobs (of course I’m not allowed to quote from Steve Jobs, says Steve)

You can’t connect the dots looking forward you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something: your gut, destiny, life, karma, whatever. Because believing that the dots will connect down the road will give you the confidence to follow your heart, even when it leads you off the well worn path.

Lots to think about…

 

Art as artifacts of identity

Back to the Future fanart present

Laura Sharpe my new girlfriend (yes I’m off the dating market now) made me this for a Christmas present. She was worried I wouldn’t like it but I think its flipping great. For me Back to the Future was the Starwars of the 80’s and is the definitive film of my generation and will always be. So very apt Laura picked it and what a great piece of Fan art to represent the greatest trilogy there has been? Honestly the only thing Laura could have done in addition, is added attribution to who ever’s work it is

She really picked up on my drive to replace all my commercial art work with fan art.

I’ve been thinking for a long while about using FabLab for something but wasn’t sure what exactly. Well now I’m wondering if I could create more custom type things like this?

Up till now I’ve been mainly thinking about picture frames but maybe theres something more I could do? Always good to have someone to inspire you to think differently…

One of the projects I’m hoping to get off the ground is in the Creative Exchange cluster around making the digital Physical in a similar slant.

Transforming the digital space trapped inside screens and devices into physical experiences in the real world. In particular moving beyond the primarily visual experiences of flat screens towards ones that can engage all our senses so that the digital public space can also be felt, heard, tasted, smelt, or even worn. Drawing inspiration from research in areas such as: tangible and natural interfaces; perceptive and ambient media; augmented reality/virtuality; hacking and 3D printing the projects will explore how to create innovative prototypes that turn digital spaces into lived experiences.