My first LED diabolo in darkness test

Since the Firejam 2 weeks ago, I’ve been getting more into the diabolo with lights or even fire thing. Today I hit the garden to try out the LED kit on my old diabolo. The results are not bad, but it’s not quite what I was after. I’d like to see more blur with the diabolo moves really but I guess I can do this in post if I like.

Added some music and uploaded to youtube. Of course Youtube doesn’t like the music and theres a flickr version too incase youtube removes it from different regions.

I shot the whole thing on my Nikon D3200 using the standard kit lens, manual settings and gorillapod. Next time I’ll mess with the settings and try it during dusk, because then at least you can see what I’m up to and I can see what the heck I’m actually doing!

Fun times ahead!

Especially as I’m starting to crack the Vertex!

Light!

Light Trailer from Theatre Ad Infinitum on Vimeo.

LIGHT

Inspired by Edward Snowden’s revelations and the ensuing debate on state surveillance, Theatre Ad Infinitum conjures an Orwellian future where a totalitarian regime monitors the thoughts of its citizens through implants.

I just experienced Light at the Lowry Theatre and I was blown away. Its all experienced in the darkness of no light and the setup is incredible, especially with only 5 people! The story is interesting but its the amazingly smart setups using light and dark which steal the show.

If you get a chance to see it, go experience it! You will love it..

The hierarchy of darknet video encoding

Some people make the grave mistake of thinking the darknet is full of kiddies messing with stuff to defeat drm and commit mass copyright.

They are so wrong and what they fail to understand is some of the smartest people are working together.

If you need any proof of this, see the recent changes in Standard Definition x264 release standards… Frankly the darknet puts the standard process of the likes of Ultra Violet to shame…

The whole NFO file is here.

-ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª¼
- -
- The SD x264 TV Releasing Standards 2012 -
LªªªªªªªTTªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªTTªªªªªªª-
-ªªªªªªª++ªªªªªªªªªªªªªªªªªªªªªTªªªªªªªªªªªªªªªTªªªªªªªªªªªªªªªªªªªªª++ªªªªªªª¼
- Lªªª[ INTRO ]ªªª- -
- -
- x264 has become the most advanced video codec over the past few years. -
- Compared to XviD, it is able to provide higher quality and compression at -
- greater SD resolutions. It also allows better control and transparency over -
- encoding settings. With CRF in the mix, we can also ensure that a diverse -
- array of material will get the most appropriate bitrate for them and not -
- arbitrary and fixed sizes. This standard aims to bring quality control back -
- to SD releases. There are many standalone players/streamers such as TviX, -
- Popcorn Hour, WDTV HD Media Player, Boxee, Xtreamer, PS3, XBOX 360, iPad, & -
- HDTVs that can playback H264 and AAC encapsulated in MP4. -
- -
- The SD x264 TV section was formed to separate releases from the ruleless -
- world of TV-XviD. This document will cover the rules and guidelines for -
- only SD resolution x264 television rips. -
- -
LªªªªªªªTTªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªTTªªªªªªª-
-ªªªªªªª++ªªªªªªªªªªªªªªªªªTªªªªªªªªªªªªªªªªªªªªªªªTªªªªªªªªªªªªªªªªª++ªªªªªªª¼

I would go as far to as to say some of the best video encoders and there results are in the darknet including the likes of Yify, Froggie100, etc. Of course I’m not condoning what they do but its amazing they are able to squeeze a HD video down to a 700meg CD.

Question: How do you do it? Making movies so small, yet such good quality?

Answer: Magic hehe. But in all seriousness I use a combination of software and settings that I have found to work best. For beginner encoders I recommend Handbrake and Format Factory, very powerful tools that do a really good job.