Tag: adamcurtis

The Australia Facebook wake-up call

There is so much I want to say about Facebook removing Australian news media from their platform, but I’d rather let things shake out a little because I’m sure it will change everyday in the next week. Similar to not really talking about the Gamestop news last week.

However I mainly agree with Prof Zuboff about Facebook. As soon as it doesn’t suit there business model they will forcefully remove it from their platform. This is wakeup call for all not just the Australian government.

This has been super clear for years and having just finished Adam Curtis’ Can’t get you out of my head. Its once again clear, this is a important point for democracy and freedom.

Unfortunately I think its clear where I think this will go…

Adam Curtis’ #Bitterlake today on BBC iplayer?

Adam Curtis’ Bitter Lake  (previewed on Charlie Brooker’s yearly wipe) is on BBC iPlayer today from 9pm. I don’t think I’ll be watching at that time (find it interesting there is a time, but I guess there has to be one), due to the Techgrumps podcast. But I’m sure to check it out soon enough.

Politicians used to have the confidence to tell us stories that made sense of the chaos of world events. But now there are no big stories and politicians react randomly to every new crisis – leaving us bewildered and disorientated.

Bitter Lake is a new, adventurous and epic film by Adam Curtis that explains why the big stories that politicians tell us have become so simplified that we can’t really see the world any longer.

Funny enough today I started the morning with this related playlist…

I was a little peed off that the doc about subliminal advertising’s results were split across podcasts… Could have done with a warning really! One for the physical playlist.

Shape-shifting politics and the non-linear world

Politicians used to have the confidence to tell us stories that made sense of the chaos of world events. But now there are no big stories and politicians react randomly to every new crisis – leaving us bewildered and disorientated.

And journalism – that used to tell a grand, unfurling narrative – now also just relays disjointed and often wildly contradictory fragments of information. Events come and go like waves of a fever. We – and the journalists – live in a state of continual delirium, constantly waiting for the next news event to loom out of the fog – and then disappear again, unexplained.

And the formats – in news and documentaries – have become so rigid and repetitive that the audiences never really look at them.

If you watched Charlie Brooker’s 2014 wipe over the end of last year (One of the only thing I actually looked forward to on TV over the festive holiday period), you would seen a preview of Adam Curtis’ Bitter Lake.

The central theme seems to be around cognitive overloading and distortion, fascinating and can’t wait to watch. Reminds me of the experiencing Adam Curtis vs Massive Attack 2 years ago.

Adam Curtis vs Massive Attack

What can I say about my experience of Adam Curtis vs Massive Attack

Connecting the dark, intense music and visual work of Robert Del Naja of Massive Attack with the thought-provoking vision of filmmaker Adam Curtis in an atmospheric space never before opened to the public, this haunted, captivating production promises to completely redefine the very idea of “the gig”.

Hallucinating…!

In the middle of a disused space only 10mins from my own flat, we are treated to a immersible audio and visual masterclass of both. I won’t spoil it for you, but its well worth going and experiencing. It did feel a little misguided in parts but with a little tightness I can imagine it being something of a master piece.

Reinvent content and the tools

A number of things on my mind recently centring around narrative again. There also connected (at least in my mind they are)

George Entwhistle today gave a speech to BBC Staff… (read the whole thing) where he mentions reinventing content

In a bold first-day speech, the BBC’s new boss says the corporation must stop thinking that online innovation means repurposing broadcast content and instead ‘create genuinely digital content for the first time’.

As we increasingly make use of a distribution model – the internet – principally characterised by its return path, its capacity for interaction, its hunger for more and more information about the habits and preferences of individual users, then we need to be ready to create content which exploits this new environment – content which shifts the height of our ambition from live output to living output.

Adam Curtis argues TV needs better techniques

Television no longer has the dramatic techniques to explain today’s world, according to leading documentary-maker Adam Curtis.

At a masterclass session at the MediaGuardian Edinburgh International Television festival, Curtis will claim that the traditional techniques television uses, such as the identifying of good and bad guys and a linear narrative, are obsolete.

Apple was awarded a patent on a broadcast device that uses implicit acts to decide if you’re going to be interested in a section of the content (thanks Tony)

A user … may not be interested in every media item provided as part of a broadcast stream. For example, a user may not like a particular song broadcast by a radio station, or may not like a particular segment of a talk radio station (eg, the user does not like the topic or guest of the segment). As another example, a user may not be interested in content originally generated by sources other than the media source (eg, advertisement content). Because the user has no control over the media broadcast, the user can typically only tune to a different media broadcast, or listen to or consume the broadcast content that is not of interest.