Julius Amedume’s award winning Rattlesnakes

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I heard today Julius a friend from University who I always knew was super talented and would make waves in the near future. Won 2 awards for his new film Rattlesnakes.

  • The ScreenNation Independent Sprit Film Production Award at the 14th Screen Nation Film and Television Awards in London.
  • Winner of the 2019 Pan African Film Audience Award.

RATTLESNAKES by Julius Amedume from Julius Amedume on Vimeo.

There’s a showing and Q&A with Julius (work permitting) at the BFI Southbank, London in August. Really hoping to be there…

Loving my first Tech Open Air Berlin

https://www.flickr.com/photos/cubicgarden/35867186991

I was invited to talk at Tech Open Air Berlin (TOA Berlin) a while ago and the week of the event came around much quicker than I thought it would. Because of plans a while before, I had planned to be London to pick up my Estonian e-residency card, go to a semi-internal BBC AI event, visit “into the unknown” at the Barbican and host a lecture about Databox in R&D London (phew!). It became clear it was better to fly from London Gatwick to Berlin and fly back to Manchester (I couldn’t work out how long it would take to get to Stanstead and Ryan Air worked out more expensive once I factored in luggage). This did meaning 3 hotels over 6 days but it was acceptable in my head.

When I finally flew over to Berlin, the storms delayed the flight and when I finally made it to the hotel I was exhausted but noticed that I hadn’t sent my presentation to TOA or at least my updated version. So spent quite a bit of time checking my email to make sure.

I was on at 10:10am in the main conference and was pretty tired by the time I made my way to the venue which was way in the east and required a few changes from Rosenthaler Platz to Funkhaus Berlin Nalepastrasse. On arrival I was taken to the buzzing speakers lounge where I met Laura, who helped sort things out with some serious help from the tech support guy.

Human & AI Powered Creativity in Storytelling

A look at how Human and AI-powered creativity can be combined to build better storytelling

I felt the talk went ok, but it wasn’t my best because I took too long giving only room for 2 questions from the moderator. I certainly felt if it was a hour or so later it would have been far better. Regardless, it was captured and should be on the TOA Berlin youtube channel soon.

After the talk I was locked in conversation with 3-5 people about the data ethic considerations of adaptive media and how on earth this can work. All fascinating conversations which had to get cut a little short as I signed up to do a Ask Me Anything

TOA Berlin

This took part in a plastic dome within a busy room below the speakers lounge. I wasn’t expecting anyone to show up but there were 2 people waiting for me. I was asked about my role in the BBC and some of research we are conducting. Then a 3rd person dropped in. He said he had read my blog and suddenly there was a moment of “uh oh!” But it was fine, although we talk about data ethics and dating. I’ll be honest the AMA was fascinating and quite refreshing.

TOA Berlin

After this and a lack of lunch (my own fault, talking to people), finally started going to different sessions. Most were rammed and I remember going to Why Supermarkets Must be Replaced, Creators & Audiences: An Open Relationship, Motivating Behavior When Attention Is The World’s Reserve Currency, How far can VR go to enhance your sex life? Future of Sex Podcast with BaDoinkVR and The Future of Collective Governance and From Trump To Universal Basic Income: Leveraging Technology To Understand What Europe Thinks.

TOA Berlin

So quite an amazing cross section of talks and sessions!

I can’t emphasize enough how big some of the spaces are and the whole place just felt like it was buzzing. The engagement was high and everywhere I went people were getting involved. I don’t know the total amount of people, but it felt like a few thousands at least. I can only describe it as what I imagine South by South west is like but in Berlin. Theres so much happening and besides the conference there is a whole music track, expo, corporate spaces and even a thing called open circle only for speakers and vip’s. Its pretty overwhelming, but in a good way.

One of the other fascinating things about TOA was the amount of Fridge events or as they call it Satellite events. You can also apply to do a satellite using a online form and a video chat with TOA.

I attended two and had to miss a few because I needed to move hotel on Friday. Here are the two I attended.

Propellor | Forum #1: Using Tech to create the future of Film

I first met Erwin at the Documentary and Factual World Congress in Sweden late last year when he told me about the Propellor film tech hub.  We kept in touch and when he mentioned the Forum would be during TOA Berlin, I was happy to say I would be there too. I agreed to help by encouraging people to think about adaptive media in a workshop of ideas.

Propellor | Forum #1

The event was a satellite to TOA and was hosted at Price Waterhouse Coopers building only minutes from Berlin Hauptbahnhof (if unlike me you go out the main entrance and not the back exit). It started with networking and some canopies then an introduction followed by 3 5min pitches by myself (Adaptive Media), Jannis Funk (distribution of AV content) and Aljoscha Burchardt (Curation of AV content).

Once the pitches were out the way there was time for a few questions. Most of the questions I got were asking how on earth is adaptive media possible, I answered in a quick 1min breakdown of object based media.

TOA Berlin

After this, people grouped around the pitches they were interested in and the DO school took control.

TOA Berlin

It was good workshop with enough push to get things done in time but also allowing things to emerge from the grassroots. At the end of the workshops ideas were presented to the pitch group and the best was then presented to everyone at the forum.

TOA Berlin

I found the Friemily film a great idea so very fitting for adaptive media.

All the results have been written up at propellorfilmtech.com.

TOA Berlin Satellite: Machine Learning, Trust and Public Service

Machine learning, trust and public service

Myself and Ahmed from the BBC Blueroom put in a proposal around a idea/concept of the public service internet and machine learning. Only a few days earlier the Blueroom had put on a AI & society conference titled BBC Blue Room presents Artificial Intelligence & Society. So fresh from that and some ideas from myself and others in R&D, we proposed the question; where does public service fit in the age of machine learning and the business models which come along with automation and algorithms.

Machine learning, trust and public service

TOA provide the space and we provided the workshop/talk under their brand. The space was an amazing co-working space called Mindspace and they were really helpful with everything. The only down side was the workshop was meant to be more participatory but the room set up didn’t quite work for this. The central chairs were not move-able at all. Ideally more of a circle would have been better really.

Machine learning, trust and public service

We were not expecting a huge turn out but thats exactly what we got. As me and Ahmed got started we focused on the business models which are most associated with machine learning. To be honest we spoke maybe too much and by the time the discussion got going, we ran over time. This is also where the layout of the room became a disadvantage. Regardless I drew up thoughts on a piece of paper and mapped out connected ideas (mindmapped it) while people talked and discussed.

Machine learning, trust and public service

There was a lot of discussion about public service and the point of public service. We got talking about why people choose to work in the public service oppose to commercial companies.

The discussion about trust thew up a whole lot of discussion about fake news and disinformation; someone suggested maybe a trusted public entity could have a trusted index score for sources? Something like snoops which are currently having their own problems. This lead nicely on to the transparency question and the fact public organizations should be more transparent than other companies. Which people felt could mean public organisations could benefit from the transparency in choices and algorithms. I earlier called it xray mode in the conference talk.

Collaboration came up again and again, there was a discussion suggesting we should work with not just ARD/ZDF but also Fraunhofer and others like Arte. There was also a feeling, some pioneers in this sector could share insight and new models with less forward thinking public organisations, who are struggling to keep up with the internet age.

TOA Berlin

As a whole I was very impressed with TOA, its really a festival of tech, art and ideas. I saw solar panels made into art, a stage made in the wood and far too much free redbull.

I would highly recommend TOA to others, think SXSW with a strong European backbone, I will make my way back next year.

Another ghost in the shell

Ghost in the shell 2017 screenshot

I loved ghost in the shell, its one of those films I just loved when I was young. Even watching it 20+ years later and seeing the little adjustments like ghost in the shell 2.0; I was still a massive fan. So when the film was announced, I was kinda of excited.

However I just got back from the Odeon IMAX in Manchester after watching it at 1min past midnight with about 20 other people. Obviously people were less keen to be first to watch it as someone like me (I just love watching films late at night to be fair)

I gave it 6/10 because it is a good movie but the legacy of ghost in the shell just drags on it, and I can’t help but look at certain scenes and just shake head slightly. For example the famous scene with the garbage collectors is shorten down to something different and it doesn’t have the uniqueness of the original. I also felt although longer, it brushed through key scenes which I assume wouldn’t have worked in hollywood.

I don’t feel like they did a bad job but I was surprised how different it was from the original.

Generally if you haven’t seen Ghost in the Shell, and an action/sci-fi fan you will like it. It won’t score highly but its robust enough. If you seen the original, you will feel slightly cheated and if you seen the whole lot including stand alone complex and innocence, you may be more upset.

It looks stunning and they did a good job to show a future Tokyo with crazy structures and advertising, but its not quite enough. All the actors are good in the film but the plot feels too simple and lacks the detail and significaions of the original.

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I watched it in the IMAX although it’s not made for IMAX. If I was to watch it again, a regular large screen would be fine and watch it without 3D because it’s ignoying after a while. Once again good movie by its self but compared to the originals its poor.

I wonder whats install for the matrix series and I don’t think anyone would be daring enough to redo Akira, would they?

See Ghost in the shell at midnight?

I have to say I’m pretty excited to see the Ghost in the Shell live action remake, that I bought a ticket for the 1 minute past midnight (0001) release on Thursday morning in the Odeon IMAX.

When I bought my ticket, the cinema seemed super quiet with only 12 people, which is suprising. So you have plenty of time to get you’re ticket and join me.

Maybe you don’t like the idea of going to the cinema late at night but I kind of love it. To be fair I watched Interstellar at 5am, Dark Knight rises at 8am, etc and I quite like it. Of course I would only do this for films which I felt was worth it, and I think Ghost in the Shell is certainly one of those.

I mean just look at the first 4:44mins

The arrival, arrived and must be seen

Arrival

It was actually Si who recommended to me Arrival. It’s very unlike him to recommend films as he’s not really into non-interactive media, so I went and watched the film and was pretty much blown away.

I promise not to spoil the film but the film reminds me of 3 other great films, and I mean great! Interstellar, which was influenced by Contact and finally Donnie Darko.

Well worth watching before they do a weird donnie darko directors cut on it.

Its a 8/10 or even 9/10, and so many other people agree.

It’s dangerous to say an alien movie achieves any level of realism. That is, we won’t know which ones are realistic until the aliens show up in real life and confirm it. With that caveat, Arrival feels like an uncommonly realistic alien invasion movie, if only because it understands a simple fact of life often misunderstood by Hollywood: few of life’s biggest mysteries can be understood through conventional thinking. Too many alien movies assume that our interplanetary visitors will look, sound, and communicate like some gnarled version of ourselves. Arrival rewrites the rule book. Instead of filtering the aliens’ intentions through our understanding of human behavior, it asks us to put our thinking caps on and luxuriate in the unknown.

Absolutely!

I also found the gender dynamics really interesting too… Amy Adams is incredible, strong and very thoughtful when most of the men around her are reaching for their guns or jumping to action. Shes confident of her own abilities and knows what needs to be done. Funny enough, another film by the same director is Sicario, with Emily Blunt who also command total respect by everyone around her.

Amy Adams is magnificent as the linguist at the centre of a world-changing event; Jeremy Renner turns in a quiet, introspective supporting performance as a mathematician brought in to help solve the visitors’ mysteries. The interplay between the two, as they seek to understand an unfathomably complex alien language, feels effortlessly natural; as well as a sci-fi movie, Arrival functions as an astutely observed relationship drama.

Go watch this film!

Sunspring: A movie written by algorithms

I don’t actually believe Adrian was the first to tell me about Sunspring, but I spent some time watching this morning.

Its certainly not the first time someone has spoke about algorithms and machine learning to create media. But its the first time I’ve actually seen something… well…ummm interesting of sorts?

I wouldn’t say it was hilarious, more weirdly uncomplete. The training material can be eviladanced in what you see but as it jumps around a lot. Its worth watching and I’d be interested in what happens when you got something more clearer and unique? However what I was really wondering is…

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Were the camera angles, shots, special effects, music, mood and colour grading also written by the algorithms? Heck was the title? It doesn’t seem like it but who knows. I guess the bigger question is does it even matter? So much of our media is middle of the road and made for the biggest audience, in my own opionion of course. Would it make much difference?

Of course the most interesting ideas are using a combination of machine learning with human direction. But thats for another post…

The press feedback is varied…  best to go check it out for yourself

Describe that movie?

https://twitter.com/adew/status/711565905134788608

I saw this retweet from Adrian and had to give it a try.

A website developed by a Finnish technology team claims to be the world’s “first ever descriptive movie search engine”, and promises to solve that problem we all face when we can’t remember the name of a film.

To be fair so far its not been great with the searches I have done. Yes its early days and yes they have a mechanism to improve it.

But for example looking for Kil Bill – Lots of blood shed involving swords

Inception works with Dream within a dream and dreams collapase but if you type dream you get inception. Addiction works actually gets Requiem for a Dream but film about addiction in all its forms fails to list it at all. Looking for Citizen four with Edward Snowdon with the search Edward Snowdon, fails to include Citizen four. Dark City search with dark film starts with scene in the bath tub doesn’t include dark city at all. Last search I did was for The Beach, with sandy beach.

Nice idea, I’ll check it out again once things get better.

My 2015 media consumption in review

My most watched fim of 2015

During my new year resolutions 2015 review, I pointed out that I couldn’t access my year in media without some serious development of Trakt’s API. Well 15 days too late for the review unfortunately.  I saw this on twitter…

Sure enough you can now see my 2015 review in media on the web.

Lots of quantified data for my media consumption…

For 2015…

  • 686 media items played
  • 669 hours of played media

Thats a lot of media use, even I have to admit, especially since, this is does not include documentaries, youtube, vimeo, ted, chromecast use, etc…

My TV genres for the year,
my tv genres of 2015

TV wise… My most watched show is Last week tonight with Jon Oliver with 37 plays or 18 hours, 30 minutes. Generally. I clocked up…

What Cinema can learn from Broadcasting?

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Its weirdly ironic that I wrote a blog post about what cinema can learn from TV, 3 years while ago almost to the day of the this way up conference in December I’m about to talk at.

The this way up conference is a film exhibition innovation conference which launched last year. It returns with a jam-packed two-day event that promises to inspire and enlighten, provoke and challenge, connect and share.

I’ll be doing two things on behalf of BBC R&D

The first one is on Wednesday and is a lunch time workshop around a unreleased Perceptive Media project, I have been working on for most of the year.

Lunchtime Lab: BBC Perceptive Media Want to contribute to the evolution of storytelling? BBC Research and Development’s North Lab, based at MediaCityUK in Salford, showcase their latest experiment in a top secret, closed door workshop. A select group of THIS WAY UP attendees will try out a new smartphone app before being a shown a premiere of a short film that looks to change the way we engage. Further details are strictly under wraps, but the BBC are looking for volunteers to take part in this limited study and to share and discuss their experiences with other participants. Workshop led by Ian Forrester, BBC R&D North lab. Results from the workshop will be revealed at Thursday’s The Film is Not Enough session.

Its really research in the wild and we have no idea how the audience will react to this. The results will be intriguing to say the least.

On the Thursday I’ll be on a panel talking about the changes which need to happen to regain the cinema audience.

The Film is not Enough – With the rise of event cinema, alternative content, enhanced screenings, sing-a-longs and tweet-a-longs, is there a danger that the original purpose of cinemas is being lost as audiences demand novelty and gimmickry? This panel will hear from those folk changing audience perceptions and expectations of what ‘coming to the cinema’ means. Panel includes: Tony Jones (Cambridge Film Festival), Jo Wingate (Sensoria), Rhidian Davis (BFI), Gaby Jenks (Abandon Normal Devices – chair), Lisa Brook (Live Cinema), and Ian Forrester (BBC Research & Development).

I’ll talk about details of the project experienced on Wednesday and explain why this is a good and scalable way to regaining the TV and maybe the cinema audience. The panel should be good with a number of really viewpoints and Gaby Jenks from Abandon Normal Devices chairing the debate.

What cinema can learn from broadcast will be driven home by the keynote from Nick North, the director of Audiences at the BBC.

Look out for more details soon… but theres already plenty of interest….