Tag: donniedarko

Exposition, versions and the story of sad API lookups?

Donnie Darko

I recently watched Donnie Darko again. Always loved that film so picked Donnie Darko out of my movies, only to find something wasn’t right. Killing Moon was gone in favor of Never tear us apart. I was watching the directors cut of Donnie Darko not the original cinematic cut. Without spoiling it, the directors cut is full of scene explainers which makes a great film suddenly a bore, this is called narrative exposition.

As someone else said

For me this movie was a masterpiece that the director ruined by changing the music and adding too many scenes/extensions.

The movie worked as is so everything he extended seemed to drag it. It’s 20 minutes longer as a result.

And I thought the opening upbeat song “the killing moon” was perfect instead of “never tear us apart”.
In story-telling, you start with “world in balance” (happy 80s) in order to create the contrast when things go array. So “Killing moon” was the a much better choice than “Never tear us apart.”

But whats painful about the whole thing is, looking at my movies. I find 2 donnie darkos. Both named the same, same cover art, fan art, etc. Its not till you look at the folder names you can see the difference. As you can imagine this is very frustrating as it leads to trial and error to get the one you want.

Of course its not just Donnie Darko, I also have the directors cut of Lock Stock, Human Traffic and a few others. Each are identical till watched.

I asked on Twitter about this issue and actually got a message back from themoviedb, which is wonderful to read and hear.

Certainly can’t wait for this to come, as there seems to be no real alternative to this trial and error method at the moment? I don’t envy creating the API point for this as, some films have so many versions and variations. What even counts as a version or variation?

The arrival, arrived and must be seen

Arrival

It was actually Si who recommended to me Arrival. It’s very unlike him to recommend films as he’s not really into non-interactive media, so I went and watched the film and was pretty much blown away.

I promise not to spoil the film but the film reminds me of 3 other great films, and I mean great! Interstellar, which was influenced by Contact and finally Donnie Darko.

Well worth watching before they do a weird donnie darko directors cut on it.

Its a 8/10 or even 9/10, and so many other people agree.

It’s dangerous to say an alien movie achieves any level of realism. That is, we won’t know which ones are realistic until the aliens show up in real life and confirm it. With that caveat, Arrival feels like an uncommonly realistic alien invasion movie, if only because it understands a simple fact of life often misunderstood by Hollywood: few of life’s biggest mysteries can be understood through conventional thinking. Too many alien movies assume that our interplanetary visitors will look, sound, and communicate like some gnarled version of ourselves. Arrival rewrites the rule book. Instead of filtering the aliens’ intentions through our understanding of human behavior, it asks us to put our thinking caps on and luxuriate in the unknown.

Absolutely!

I also found the gender dynamics really interesting too… Amy Adams is incredible, strong and very thoughtful when most of the men around her are reaching for their guns or jumping to action. Shes confident of her own abilities and knows what needs to be done. Funny enough, another film by the same director is Sicario, with Emily Blunt who also command total respect by everyone around her.

Amy Adams is magnificent as the linguist at the centre of a world-changing event; Jeremy Renner turns in a quiet, introspective supporting performance as a mathematician brought in to help solve the visitors’ mysteries. The interplay between the two, as they seek to understand an unfathomably complex alien language, feels effortlessly natural; as well as a sci-fi movie, Arrival functions as an astutely observed relationship drama.

Go watch this film!

Cloud Atlas USA Oct 2012, UK release Feb 2013!

Clouds

I tweeted…

If true, expect another #donniedarko. Bad mistake not to go worldwide first.
‘#CloudAtlas‘ gets new UK release date
http://m.digitalspy.co.uk/movies/news/a404612/cloud-atlas-gets-new-uk-release-date.html

A friend asked me to explain…

Cloud Atlas is now due to be released in the UK, a good 4 months after the American box office! This is crazy and frankly insane in this day of age (and with such a big movie)

What did I mean by quoting Donnie Darko?

Donnie Darko did pretty badly in the American box office, it was later released in the UK and did really well. So well that by the time it was released on DVD in America, the buzz from the UK and other markets translated to really good DVD sales.

Donnie Darko had its first screening at the Sundance Film Festival on January 19, 2001, and debuted in United States theaters in October 2001 to a tepid response. Shown on only 58 screens nationwide, the film grossed $110,494 in its opening weekend.This may likely have been the result of the movie containing major scenes involving a plane falling out of the sky, and thus coinciding with the Sept 11th terrorist attacks, many distributors and theaters were unwilling to house the film at that time.By the time the film closed in United States theaters on April 11, 2002, it had earned just $517,375.It ultimately grossed $4.1 million worldwide.

The film was originally released on VHS and DVD in March 2002. Strong DVD sales led Newmarket Films to release a “Director’s Cut” on DVD in 2004. Bob Berney, President of Newmarket Films, described the film as “a runaway hit on DVD,” citing United States sales of more than $10 million.