Tag: architecture

Public Service Internet monthly newsletter (May 2022)

This land is your land

We live in incredible times with such possibilities that is clear. Although its easily dismissed reading about the not well known dangers of databrokers, likewise the surprise? inequality effects everyone, and hearing the details of Facebooks paid smear campaign,

To quote Buckminster Fuller “You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.”

You are seeing aspects of this with the power of community, Reddit’s /place working together and different ways to do notifications.

Community door deliver fills in gaps

Ian thinks: This reminds me of the community WiFi initiatives, which filled in the gaps of big internet companies which refused to support smaller communities. However I can see these growing, with the backlash against generic speedy delivery systems.

The metaverse’s architecture is simply lazy

Ian thinks: In my recent Mozfest session about the metaverse vs public service internet. I was highly critical of repeating the same mistakes of the physical world in the virtual world. I’m not the only one.

Lessons for a metaverse

Ian thinks: On a similar note, there are plenty of lessons for virtual space creators, but I wonder how many are actually paying attention?

P2P fashion renting, focuses on the community

Ian thinks: Not my usual interest but shrinking fast fashion’s carbon footprint is interesting. However its the community focus and peer 2 peer model which elevates it into this line up this month. Expect this business model to be duplicated over and over again.

Sunshine technology

Ian thinks: This BBC Click episode is focused on solar technology and there are some impressive developments. The limits are made clear but frankly I’m reconsidering my next pair of headphones.

Channel 4 sell off shows the misunderstanding of public service business models

Ian thinks: Much has been written about the recent announcement to sell off Channel 4 but the misunderstanding of the business model of Channel 4 isn’t just embarrassing but shocking that people assume the model is one way.

Leap frogging with 3D printing and communities

Ian thinks: I always liked the idea of leap frogging in tech but things tend not to stick unless there is influence from governments or a ground swell of community support.

Secrecy as a means of monetization?

Ian thinks: The joy of tinkering, making, and sharing is part of the human condition. In modern times, this creative freedom too often is stifled by secrecy as a means of monetization – from non-compete laws to quashing people’s right to repair the products they’ve already paid for.

Twitter is not a digital public space

Ian thinks: The whole Elon and twitter saga is simply boring, and I do not buy Elon’s idea of Twitter being the public square. Paul’s piece sums up some critical thoughts around this all.

Find the archive here

Paul Revere Williams architect to many

Some of Paul Williams architecture in LA

I was listening to 99 percent invisible’s latest podcast episode about Paul Williams, the famous architect who was never really mentioned or credited in history. His story is quite incredible to hear from many different points of view.

It’s hard to say exactly what motivated Williams to pursue architecture. He didn’t know of any other architects as he was growing up, and didn’t really know that architecture was a profession. He did have a natural talent for drawing, and then somehow decided that this was the job for him.

Hudson says that her grandfather’s high school guidance counselor advised him not to pursue architecture, telling him “he should not try to be an architect. He should be a doctor or a lawyer because black people would always need doctors and lawyers. And white people would not hire him as an architect and black people couldn’t afford him.” Still Williams refused to let go of this ambition.

I always wondered what would have happened if I pursued architecture too, I was put off by 7 years of college, although 6 years of design focused education wasn’t far off.

…some clients were taken aback when they first met Williams — people who “came because they may have read about him,” Karen Hudson explains, “but didn’t realize he was black.” They weren’t sure whether to sit next to him or even whether to shake his hand. To put them at ease, Williams would keep his distance, sitting across the table from them, and as he asked them what they wanted in their home,  he would draw preliminary sketches upside down, so they could see their vision evolve as he drew. This helped put them at ease but was also just impressive in itself.

I have gotten this a few times in the past, mainly before you could look me up online. The name Paul Williams and even Ian Forrester could be anyone but I guess unconscious bias makes people think white males?

The distance thing is also something I’m very aware of… as a black man. Being able to draw upside down is super impressive and I imagine he had a lot of practice.

Williams wasn’t the first or only architect to draw upside down, but his consistent use of this skill illustrates the lengths he went to accommodate his white clients. He dressed impeccably, worked tirelessly, and tried to excel in all respects, simply to be accepted.

Enough said, but sadly…

Despite his vast volume of work (and being the first black member of the American Institute of Architects) Williams has remained relatively unknown, at least until recently. “Every black architect I know is familiar with Williams,” say Phil Freelon. “And I haven’t met a white architect yet who knew who I was talking about if I were to mention that name. And we need to change that.” This is why Freelon nominated Williams for the AIA’s highest individual award: the Gold Medal.

This is basically the award that welcomes an architect into the cannon of all-time greats. Past winners include Frank Lloyd Wright, Mies van der Rohe, Le Corbusier and Thomas Jefferson. Now, 37 years after his death, Paul Williams will officially join their ranks.

This award means a lot to Freelon and other African American architects in terms of general visibility. “There are very few African American architects working in this country, relatively speaking,” says Freelon. Just “2% of licensed architects in this country are black. And one of the ways you would want to combat that is to raise the visibility. [You] make sure people know this is a great profession and that young people see it as a possibility and as an option for them.”

Hopefully blogging this will encourage people to listen or read the transcript. Its a short story with lots of interesting links and discussion.

 

Why we build, is it in the narrative?

IMG_2247

I had the pleasure of seeing Rowan Moore talk live about his book why we build in Manchester with someone special.

As she said herself, its a interesting way to give some insight into the world of the architect. Something I originally wanted to be a long long time ago but I choose Design instead.

Anyway as Rowan was talking about positives and negative in different architecture decisions. I started seeing a slight pattern in the positives. Originally I put it down to playfulness of buildings and spaces but then I started thinking its about the narrative. What do I mean?

As an architect, you lay the foundations of how the space is going to be used in the same way as storytellers/game creators imagine the world the narrative is formed in. They then plan routes/journeys people and things go through that space. In the same way a book lays the foundation and the person’s mind takes it on to different level.

Its a thought and maybe very wrong (specially because everyday work I assume is pretty mundane) but I think about my best examples of good architecture and think about how it leads you on a path but allows you to explore without getting in the way.

Its like being taken on a journey. In fact, the features or sticking points are also like social objects or talking points.

The Street at PQIMG_2227

Pacific Quay in Glasgow is BBC Scotland’s headquarters and I was in love with the Street idea. I seen a similar idea in 8-House’s Ørestad District, Copenhagen. The street for me is a narrative through the complexity of a building. But not only that, its a talking point (social object) and a great place to bump into people and have the conversations you get in corridors.