Cubicgarden.com
If only… But what a amazing piece of work by a fan.
And so, as promised, this is the follow up to the teaser. Here we have a full length (well, a bit longer than the norm, but hey, what can you do…hahaha) theatrical trailer that delves a little deeper into the story behind The Batman Complex. As explained in the teaser, the gist of the idea revolves around a few fun topics, mainly the whole “what is real?” train of thought, and also every fans desire, deep down or upfront, to be Batman at least once in their lives. LOL. And so, I tried to craft a story where we see what happens when someone takes their dream of being Batman a little bit too far. An idea, after all, is a truly resilient parasite.
While some of it is still left a bit ambiguous (both unintentionally and intentionally – while there’s only so much that can be strung together, I often like to leave a little bit open so as to see what fellow fans are able to imagine/create), I believe it offers a bit more than the teaser. As you might be able to tell, the theatrical trailer takes on less of a “horror” vibe than the teaser. For this extended look, I wanted to focus more on the character aspects (and a bit of the tragedy as well), and attempt to move past the initial shock of the psychological twist. One aspect I tried to hint at was the paralleling descent of both Bruce and Cobb. As Cobb and the team go deeper into Bruce’s mind, they start to encounter the truly dark issues that his subconscious houses. As a result, Cobb himself gets caught up in the obsession of all that lingers in the mind of a Batman. There are a couple fun things in there that are best left to surprise, but all in all, I’m relatively happy with how it turned out. It’s fairly fast paced and doesn’t leave much room to breath, which helps amplify the tension I think. But that’s just me. I hope it works just as well as the teaser did.
As for the future of the project, I’m not sure what’s next. I don’t think I’ll do a second theatrical trailer. Maybe a couple of TV spots, but other than that, I think I’ll let this one remain as it is. We’ll see. Perhaps I’ll be further inspired by some other ideas that’ll come to me in a dream…
I’ve been meaning to blog this for a while but…
In a little over two months time, the long-awaited horror movie The Tunnel will receive its world premiere. Rather than a traditional theatrical release, the movie – which is set in abandoned real-life tunnels under Sydney, Australia – will make its debut online for free with BitTorrent. Simultaneously it will be released on physical DVD, to be distributed by Hollywood giant Paramount Pictures.
I almost fell off my chair when I heard the news that Paramount will be releasing the Tunnel for free on bit torrent with no DRM of any kind!
No matter what the film is like, Paramount and the guys behind the tunnel have basically won. A film which would have gone straight to DVD somewhere in a junk bin somewhere could just have been elevated to the most downloaded movie of May (maybe).
Someone in Paramount must have done the maths…
The movie budget was $135000 and to be honest any film will easily eat that for a worldwide publicity. On top of that, its a small risk. The copyright owners (the team who created the film keep the copyright and are licensing it to Paramount) have created something which looks like a cross between Blair witch project and Creep so its got limited mainstream appeal. In actual fact, it would have made more sense of films like FAQ: about time travel would have blown away everything else if they had choose to do release in the same way. I also wonder if the process can be popular enough to get stuff back into the cinemas? Bit like my experience of Donnie Darko.
Paramount gets a Kudos +1 from me…
A while Girlwithaonetrackmind, posted a tweet about tron legacy and after following the tweet, I found out about the Bechdel test…
The Bechdel Test, sometimes called the Mo Movie Measure or Bechdel Rule is a simple test which names the following three criteria: (1) it has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man. The test was popularized by Alison Bechdel’s comic Dykes to Watch Out For, in a 1985 strip called The Rule. For a nice video introduction to the subject please check out The Bechdel Test for Women in Movies on feministfrequency.com.
Since I’ve been wondering if there was a way to do a similar thing for Black people in films? We usually get stereotyped and frankly typecasted in certain films, so would it work? I certainly think so…
So here’s my start…
- The film has to have at least 2 black people in it, who…
- Talk to each other calmly and not threatening, about…
- Anything except Drugs, Guns, Hiphop or Cash.
Sounds simple but trust me, now you’ve seen these rules… you will be surprised how many films fail on even point number one.
- Tron Legacy – Fails on all points
- The Social Network – Fails on all points
- Inception – Fails on all points
- Scott Pilgrim vs the World – Fails on all points
- Unstoppable – Passes on all points
- The Matrix series – Passes on all points
- I am Legend – Passes on all points
- Enemy of the state – Fails on all points
I can certainly think of a load more… Can you?
Zoe Margolis sent me a link to her review of the new Tron Legacy on Screen Jabber. Although I was thankful for her review because Cristiano and Melinda had also seen it and said some pretty bad things about it, I saw a link to the Bechdel Test.
It’s also annoying that all the female characters in the film are wearing high-heels, as if all women in the digital future are – or should be – obsessed by looking as sexy as possible, rather than wearing something more practical and fitting for the dystopian environment. TRON: Legacy certainly doesn’t pass the Bechdel test.
So I had a look at the Bechdel Test, and found the rules.
- It has to have at least two women in it
- Who talk to each other
- About something besides a man
Wow this has got to go in future Geeks talk sexy conversations! I had no idea such a thing existed but boy oh boy are they interesting. Inception barely passes the test with a dubious mark.
Yeah, I think I’d go beyond "dubious" and say it fails–both because Marion Cotillard’s "character" is actually part of a male character’s subconscious and because the (<10-second) conversation she has with Ellen Page’s character is at least subtextually about the male character.
However Scott Pilgrim vs the World also bearly passes with a dubious mark too.
I’d call it dubious. Knives and Tamara talk about how much Knives hates Ramona, and how Knives is dying her hair. It’s dubious because both conversations are really about Scott.
Knives does talk to Kim about the band, but it’s not really a "conversation" so much as three lines of dialouge ("Are you a drummer?" "…Yes" "That’s so cool!". I still think it counts, though.
This is fantastic but also its sad that so many films stereotype woman into stupid roles.
Generally the Wittertainment Code of Conduct is….
- No Eating
- No slurping
- No rustling
- No irresponsible parents
- No hobbies
- No talking
- No mobile phone usage
- No kicking of seats
- No arriving late
- No shoe removal
I’m in agreement with some of these, Simon Mayo and Mark Kermode have certainly put the cat out between the pigeons.
- No Eating…. Well thats just simply stupid, popcorn and cinemas fit together like the internet and porn. Salt popcorn is nosier than sugar popcorn but cinemas still sell it by the bucket load. I do think its a pain when someone starts tucking into a bag of crisps but I’m not going to ban them from the cinema. However there are certain foods which should be banned, such as nuts with shells!
- No Slurping… Come on if your sucking down on a drink and you can’t help but slurp, you must be under 10.
- No Rustling… Ok agreed, no one wants to hear you undoing your bag in the middle of a film. The worst has to be someone cock undoing his velcro bag in the middle of inception.
- No Irresponsible parents… Oh my goodness yes! No one wants to hear your kid screaming as the saw cuts through the actors hand in the latest saw movie.
- No Hobbies… As a cinema usher this drives me nuts, I won’t even tell you what kind of stuff I’ve found after a showing. However I’m also guilty of updating my blog, make changes to a essay, etc while supervising a film as a usher. Of course I wouldn’t do it as viewer.
- No Talking… This does wind me up, even now. I hate people who talk in the cinema, I don’t mind talking during the adverts, even during the trailers somewhat. But once the title comes up for the film, shut the heck up! No one wants to hear it. However I remember watching the Matrix Reloaded at Odeon Streatham, and someone shouted out something when Neo is about to take down Agent Smith after visiting the Oracle. It fit the mood perfectly, but then again I know other people who have done something similar and failed
- No Mobile phone use… Yes please! I hate it when the person next to you is texting on there phone ruing the effect of darkness. I had this yesterday when I went to watch Harry Potter and the deadly hallows part one. The worst I ever had was when someone left there keypad sound on. On that one, I turned around and said "for f*** sake will you stop!"
- No Kicking of seats… Never had this problem to be fair but I’ve told many people off for doing something like this to others.
- No Arriving late… I almost don’t understand why cinemas are not like theatre’s which blocks people after a certain time. The nice thing about the IMAX showings in Manchester is that they do just that. Its simply not practical sometimes to have people trying to find there seats in the dark while the film is going. If seats are not allocated, then i’m sorry you lost your right to those seats as far as I’m concerned. Come in late, tuck in somewhere at the front or the far edges. Stay out of the way of the screen.
- No Show removal… I’ve also had to tell a few people as a cinema usher to put there shoes back on. I’m not against slipping your shoes off so its still on your feet but I’ve stopped people who have taken off there shoes and even there socks! I mean for goodness sake, are you serious! Nasty public health type stuff!
There is loads more I could personally add but this list isn’t bad at all. Now which cinema chain’s going to adopt these rules? Don’t all rush at once…
Found on twitter via @girlonetrack and ultimately @rowanNS, the science of dreams.
Dom Cobb (Leonardo DiCaprio) is a dream snatcher. He’s an industrial spy, who steals secrets when his victims are at their most defenceless: when they are asleep, and dreaming. But he has an even rarer ability, that of inception. He can plant an idea in someone’s sleeping mind, and watch it grow and take root in reality. "The most resilient parasite is an idea," he says.
Inception is a complex sci-fi thriller that lies somewhere between a James Bond film and The Matrix. Many of the film’s themes are often covered in New Scientist, so we have assembled a spoiler-free guide to the science of the movie, and all you need to know about dreams and the unconscious mind.
I can’t really get enough of inception(currently number 3 in imdb’s top 250 films of all time.) Its such a great film, not only because of the great action sequences but because of the whole premise. I love the idea of entering the dream state of someone else.
The film somewhat reminds me of the Cell but its a lot more clever than the cell. It also has a lot of notions which make sense, such as the memetics stance.
What’s the most resilient parasite? An Idea. A single idea from the human mind can build cities. An idea can transform the world and rewrite all the rules. Which is why I have to steal it.
or even
The seed that we planted in this man’s mind, may come to define him, may come to become him.
Anyway I still find the dream world fascinating and i’m surprised how many people can’t direct there dreams. Things like changing there dreams or continue there dreams the next night can be learned an come in very useful.
I’m considering writing a story or even a script about dreams based on inception.
I’ve been going to the cinema quite a lot recently, further proving that file sharers are truly film lovers an will pay for convenience and the film industry should consider this. So far I’ve been to the cinema 4 times in the last 2 weeks. I even bought Empire magazine while waiting in Manchester Hospital for my physical therapy session
Anyway, I went to the cinema today and it was packed. Compare this to Tuesday and even Thursday last week, where it was very quiet.
It got me thinking about the effect of Orange Wednesday.
It seems a lot of people are waiting to Wednesday to go to the cinema which makes sense with it being two for one.
Obviously it was setup with the major cinema chains because Wednesday is officially the last day of the cinema week, so anything to get people in on the last day makes a lot of sense. The weird thing is that a phone company would do this, specially with everything the cinema chains have tried to get people in. Everything they have tried from offering one pound tickets on cinema day to playing computer games on the massive screens.
Orange Wednesdays certainly nets the cinemas a huge amount of money and I wonder how they compare to Saturdays and even Sundays. There’s little secret that the cinemas make almost all there money on Food and drink, the money for films actually mainly go back to the distributor and studio depending on the popularity of the film. Something like 4,3,2,1 which I saw on Monday will typically take all the box office money in the first 2-3 weeks. Something like the dark knight or even avatar will have a longer period set on its return. Maybe even up to 8 or even 10 weeks for a high ranking blockbuster. Which means cinema usually try and hold a film as long as they can or have many theatres as possible (hence things like the 16 screen AMC multiplex in Manchester, my local cinema). Obviously on the flip side they also try and get rid of the films that don’t do so well for them too, quickly.
You could say Orange Wednesdays was a early Four Square or Gowall type system, its just a shame the cinemas are only just catching on to the potential of loyalty schemes. How good would it have been if you could have a home cinema and got points or even prizes if you visited others? Heck they could have bluetooth access points in the box office area where they could do a whole bunch of things.
Orange Wednesday is a very clever concept, and if you look beyond the silly ads you might find its the saver of modern cinema.
A film influenced by “The Matrix, Dark City, The Thirteenth Floor and, to a certain extent, Memento….”
Say no more, I can’t wait for this movie to hit the UK. Its going to have to be a trip to the IMAX for this one. Remember to watch the trailer in HD with a loud sound system, or decent headphones.
So I just saw Spider-man 3 in the cinema, and the general feeling is its certainly reached the end of the line. Please don't make anymore (unless its spider-man begins or something). It had its moments and I certainly saw glimmers of what made Spiderman 1 and somewhat 2 good. However people actually laughed at the corny scenes, the extra money spent on sandman were obviously taken from the story budget and like John Stewart said on the daily show a while ago. The symbiote thing from outer space which turned out to be venom was laughable at best. Don't get me started on how Sandman was created, geez suspend all believe or don't turn on your brain for the next 2 hours. What really killed it for me was the moment when spiderman jumps pass the american flag, long enough for me to grab my camera and snap a shot. Obviously I did't but I was thinking about it.
I can't believe they ruined Spiderman. Sarah went all out on it, and shes right, it was crap. We wasted 7.20 pounds on a film which sucked. I knew we should have seen something else but my mind was pretty much made up after seeing the first 3 shows were sold out. Watching the last hour of the film was something like pulling nails out or like the picture above.
From Torrent freak, which I've been meaning to blog for a while…
The award winning Canadian documentary The Corporation has been released on BitTorrent for free. Filmmaker Mark Achbar just released an updated official torrent of it. Everyone is free to download, watch, discuss, and share it. Although the torrent download is free, the filmmakers encourage people to donate a small fee if they like what they see. We asked Mark Achbar how the first round of donations went. He said, since my initial torrent launch of The Corporation at the end of August, there have been $635.00 in contributions. They ranged from $2 to three very generous gifts of $100 each. All are very much appreciated. He added, my only regret is that I didnt put up my own torrent sooner.
Although this is great stuff, I couldn't find the licence anywhere. So I'm assuming its downloadable, sharable but not remixable? Shame because its a great documentary but I would like to see a slightly shorter version which I could lend to some friends without them falling a sleep. You could easily do a 1hour version which gets the core message across and then the 3hour version full of examples and more depth.
On Thursday night I went along to the Hallam Foe screener which was opened to London bloggers. According to imdb.com the film is in post production and the summary goes something like this…
Hallam, a confused and sweetly old-fashioned teenager, has chosen an unusual way of following life on his father's estate – voyeurism. He convinced that his stepmother is responsible for his mother's suicide. His voyeurism becomes dangerous, but Hallam is eventually redeemed by love.
Anyway, I thought the film was excellent and really suprised me. When this hits the cinemas or picture houses I urge you all to see it. Good work Hugh.
Something I've been meaning to blog for ages. Finally Odeon the big UK cinema chain has sorted out its terriable website. See its been under a lot of pressure because it was built in like 97 when no one took seriously the issue of accessibility. It had this weird dhtml menu system which only worked on IE and not even Firefox. Someone did make them an accessible version but then Odeon sent in the lawyers and got him to shut it down. Later that year, they opened up an accessable section which didn't work once you wanted to order a ticket. So as they relaunched they have made it so you can actually book without some crazy javascript. However there is one complaint that I do have. The default option is Flash for booking tickets, this really needs changing to something like ajax.
So I went and watched Serenity the movie yesterday with a friend and Sarah. And honestly I was very suprised at how entertaining and enjoyable the movie was. A few weeks before I was reading about the movie and how it actually comes from a TV show called Firefly which was cancelled before the 1st season ended. But the upset fans and got together and planned many ways to express there views on the cancelling, including a advert in Variety magazine. Theres a better overview in this wired article titled Serenity Now!.
What I find not so much amazing, but impressive is the coordination of the 1000's of fans. Its so impressive that I was driven to watch the movie and maybe even buy the DVD in the near future. Fox were really not paying attention to the conversation happening in the long tail. And credit to Universal because they must have been, why else would you screen sneak previews of Serenity in 35 cities. Except to thank the loyal fans for a money spinning series and a movie tie in?
I didnt know till I got online again, that all the actors and actresses are the same as in the TV series. And can I just say one of the actresses, Kaylee played by Jewel Staite is one of the cutest women I have seen (next to my wife of course). Dont get me wrong Zoe, Inara and River are also beautiful.
Anyhow, back on topic. We are already seeing a hell of lot more of this grassroots driven influence, like the cluetrain says #57 – Smart companies will get out of the way and help the inevitable to happen sooner. Fox just learned #60 This is suicidal. Markets want to talk to companies.. Let the revolution continue, and dont forget to check out the pictures of the UK premiere online and the personal email from Joss Whedon (the director of both Firefly and Serenity).
