Cubicgarden.com
A few mixes I’ve recently posted to MixCloud recorded from my Pacemaker… Both mixes are on the darker tip hence the late night titles… Looks like I’m going to have to consider switching back to laptop djing in the near future, as the pacemaker gets older and older. In the meanwhile I have 2 mixes for your listening pleasure…
This mix is both dark and light, a little something for the winter nights. Recorded on a cold late night in December
- Spotlight – Jornvan Deynhoven
- Ultracurve – Cosmic Gate
- Intruder – Armin Van Buuren vs M.I.K.E
- The Labyrinth (Part One) – Moogwai
- Circles (Andy Blueman Remix) - Robert Nickson
- Constellation (John O’Callaghan Remix) - Thomas Bronzwaer
- Surrender (Sneijder vs John O’Callaghan Remix) - Full Tilt Feat Deirdre McLaughlin
- Intution (Mathin Roth Remix) - Marninx Pres. Ecco
- Comet - Skytech
- Frozen - Dogzilla
- Turbulence - Klauss Goulart
- Body of contact (cosmic gate club mix) - Cosmic Gate
- Rheinkraft (extended mix) - Oliver Klein
- Everything’s Been Written – 8 Wonders
- Nothing Else Matters (Aly & Fila Remix) - Max Graham feat. Ana Criado
- Casino Fire - Matias Faint
- The string which binds us (8 Wonders mix) - Arnej
- From the Earth (Breakfast Remix) - Andrew Bayer
The late night ear killer mix by Cubicgarden on Mixcloud
This mix is pretty dark and moody, its full of crumbling tech beats and progressive cycles. You certainly want to take it easy with the volume control on this one. Recorded on a late night like the late night intruder mix.
- Body of Contact (Cosmic Gate club mix) – Cosmic Gate
- Kalopsia (Monogato’s Filth remix)- The Blizzard
- Strike – Signum
- Intruder – Armin van Buuren vs MIKE
- Rheinkraft (extended mix) – Oliver Klein
- One Night in New York City (Chris Leibing mix) – The Horrorist
- Transponder – Mauro Picotto
- Casino Fire – Matias Faint
- One for you (Oliver Klein remix) – Oliver Klein
- Ninety – Sander Van Doorm
- Strange Bends (Kyau vs Albert mix) – Sebastian Sand
- Joy Energizer (Psycho mix) – Joy Kitikonti
- Shnorkel – Miki Litvak & Ido Ophir
- Panic Attack – Simon Patterson
There is something about Simon Lumb, something that everytime we chat creative juices start flowing (wipe that smile off your smutty face, you know what I mean)…
Off the back of a conversation in Wagamama about Richard St John’s 8 Traits to be great, which I have a physical signed copy of after a TEDx. We got talking about how I tend to own a physical copy of most books although I also own the ebook version. Then we got talking about Instapaper and Readitlater, how they give you the ability to pull together elements from a range of sources…
Imagine if you could do the same thing as a published book? Remix books!
Books right now are like Albums, but imagine if they were more like singles and EP’s?
They could be like the Mixtape of the written word? Fits perfect with the self publishing trend.
- Example 1: Custom cookbook. Pick a your favourite menu items and self publish your own cookbook. A bit of Jamie, dash of Heston and a lot of Nigella (yes please). Arrange them into a new type of cook book which is custom for you, or reflects your cooking style. It could be a cookbook for you or for someone else…
- Example 2: The best of… Many times in the past, people have said the best way to learn about Z is to read chapters Y & X of book W and chapters A, B and C of book D… Want to know the best to learn how to skateboard or surf? I recommend reading my custom book which is made up of… you get the idea
- Example 3: The best places in the world. Could be a nice mix of places you’ve never been to before, places you inspire to go or places you have been to before. Actually it kind of reminds me of off beat guides, but instead of building it from raw components its from previous decent reviews.
- Sure there are many more including books for young children, books for different learning styles, etc, etc…
The remix methodology is actually very apt, because instead of building your own from the components, your remixing parts of others. Like a Dj remixing other peoples tunes.
The copyrights framework will be a nightmare to work out (we’re not kidding ourselves about that) but to be honest it could be something like the music rights framework for albums and singles? Might even increase the amount of readership for some books? It could be massive changes, or little changes like the art work in the book. Instead of lovely glossy pictures of food in a cook book, it could be technical diagrams for those more interested in seeing those? Maybe the remixes will cost more than the originals but to the person who gets it, its worth so much more. You get the idea…
Crazy idea? Tell me and Simon why? Maybe you love it and want to run with it? Well all we require is attribution… This idea is open to the world… Run with it and tell us when you get rich by changing the publishing industry. This is what places like Lulu have been crying out for right? Just like… My lifestreaming dating idea and my dreamscape idea. Go get them, change the world or go Lazy web make it so…!
One of the killer ideas which came out of the Mozilla Festival in the Dj challenge was the idea of Stem based mixing…
The idea is great and I think there’s plenty of momentum behind it. Daniel James and Fin Stamp worked this idea through and now there’s a post on the Mixxx forums. Here’s the details of the post…
At the Mozilla Festival in London last weekend, I took part in a Hack the DJ workshop, looking at ways to take digital DJ’ing to the next level. One of the ideas proposed was stem mixing, using multichannel files in DJ applications. A proprietary implementation of this idea is Fireplayer but this app is built with the intention that users will buy remixable versions of (a very limited number of) well-known songs from an in-app store. I would like to work towards a new open standard for stem mixing, something that is compatible with sharing our mixes on the open web – legally, of course – but could also be used by record labels that sell tracks to DJs.
For example, eight channel Ogg Vorbis files where the first two tracks are a stereo mix of the drums, third and fourth stereo bass, fifth and sixth stereo vocals, and seventh and eighth tracks everything else. This means that you can mute or solo individual stems in the mix, giving you the versatility of four-deck or eight-deck mixing but without the problems of keeping many decks in sync, since the stems within a single file are locked on the same timeline. Also, it makes using the mixer a lot simpler than for many-deck mixing, because you don’t need to keep assigning the crossfader to the various different decks.
Of course this means that the eight channel .ogg file has to be prepared specially for DJ’ing, but this is already possible in Audacity. So we have a file format, and an editor, but what we don’t yet have is full support for stem mixing in open source DJ applications. Sweep supports scratching on eight-channel files, but it doesn’t have a mixer. Mixxx has a mixer, but doesn’t support multichannel Ogg files (yet), as far as I can see.
So, what do you think? Is stem mixing a genuinely useful feature that will allow DJs to be more creative, or will it fail if the best music continues to be available in stereo only? Please add your comments below
I like to think this could be massive thing because although you might be able to get the Stem’s of a tune if your a international superstar dj and have contacts in high places. But if your just a bedroom dj or even play out quite a bit but not a popular name, getting access to the stems of a tune is near impossible.
In fact what were trying to do is standardise the format, so it means the bedroom producers and the massive music businesses can compete on a level platform. This might strike fear into some but when the stereo track is no more and everyone is expecting the Stems of the track as standard, then you will have to go along with it.
Ogg Vorbis is a great starting point and knowing it can support up to 200+ tracks is great for future capability. There are a ton of questions of how it works for a Dj but its certainly a challenge which will be fun to have. I just hope we can stay away from the logic/alberton type interface…
Can’t wait to mix with Stem’ed Ogg Vorbis files…!
I was very excited to invited to the Mozilla Festival which this year was in London. Not only that, it was in South East London.
The Mozilla Festival use to be the Drumbeat Festival but got a rename. The event is something between a un-conference and a hackday. A whole series of challenges which people can duck in and out of. Challenges ranged from Data Journalism to Disc Jockey hacking (ironically both DJ).
I headed up the DJ (disc jockey) challenge which was first formulated quite some time ago on behalf of BBC R&D and FutureEverything.
The challenge was to reinvent or at least evolve dj’ing. We started the challenge on Saturday afternoon and it kicked off with a little stimulus from myself and others in the form of a modified presentation. On top of that, we pointed to the Google Doc, which was an aggregation of thoughts from not just myself but many others including BBC staff.
That list is still available if your interested in getting involved in the challenges.
But what came out of the challenge were 2 very strong ideas…
- Can we create a format which supports tracks or layers in songs, then build Dj software which takes advantage of them.
- Can we build a club environment which makes use of sensors to feedback to the Dj and Vj in real-time through meaningful visualisations
More were talked about but these were the strongest ones, and these are the ones which will be taken forward hopefully into the Future Everything festival next year.
The theme for the conference/hackday was around media & web freedom and there was a question how does the Dj challenge fit into this? Well I gave the example of my pacemaker…
A few of us were looking at the problem of what you do with mixes once there finished? Actually one of them was from Mixcloud.com and we were exploring the idea of licensing, etc but we started to think what other ways can you experience mixes? One idea was to map locations to places in a mix.
On my pacemaker, I’ve done mixes walking through locations such as the wrong end of irlam mix. Imagine if it had GPS, so you could map sections to a location. When the mix is uploaded, it could lead people through an artificial version of my journey. So you could experience that moment when the bus streamed past and almost knocked someone over 
How exactly this works, we don’t know, but that’s the challenge…
How exactly this works, we don’t know, but that’s the challenge…
This for me is the effect of the web on Djing, perfecting fitting into the media and web freedom ethos.
The challenge asked a lot of the people who did attend and frankly if I was to do it again I would size down the challenge down to a few core areas and work on things which can be done in the 90mins we had. Mozilla did allow us to run over 2 days and we have some ideas did run through-out them.
Moving away from the Dj challenge for now, I didn’t get much of a chance to attend the other challenges, but they sounded great. There was a real feel of excitement in the air and the location of Ravensbourne added another layer to it all.
Here’s some of the other stuff which looked very interesting to me…
This Javascript library is looking very impressive and the documentary combining Popcorn with WebGL was impressive. I can only imagine what Adam Curtis could do with this… I’ve made a note to check it out in detail soon. I also think it could be useful in the area of Perceptive Media.
Its another one of those Javascript library’s (seems to be a trend). This one is a nice gaming framework, its still in alpha but it slightly crosses over with the BBC R&D universal control spec from what I saw in the demo.
Hyperaudio links written text with the spoken word. This means you can edit a audio file like how you edit text. Its quite magical when you see it, and would make a great tool for remixing
Teaching young people through standard web technologies how to change the web and make it there own. I think of it like One Laptop Per Child’s Sugar but less programmatic…
Although this wasn’t in the event, I found them from one persons suggestion and then when I went to look up the Eatery I found it again. Its like Creative Commons for privacy, interesting…
Unlike Hackdays where everyone gets a chance to demo there hacks to everyone else, the Mozilla festival had the challenge leaders stand up on stage and give a brief overview of the best ideas and prototypes. On the Saturday night there was keynotes from a whole bunch of people including Tim Hunkin. Everything was good till a guy from the Tech City commission or something started going on and on… Wrong place and wrong time to do a pitch for how great silicon roundabout and techcity are… Frankly I would have liked to have thrown a popcorn.js rubber toy at him because it was so out of tune with the rest of the event. Of course I didn’t do that… but it was bad. Honestly if I caught his name, I would be naming and shaming…
Luckily all the rest of the keynotes and presentations were actually good to excellent.
The event finished with the Dj challenge taking control, because we didn’t have anything built I Dj’ed on my pacemaker along with the Alphasphere guys putting on a performance on stage. If we had thought about it a bit more, we could have Jammed together but alas maybe another time? Maybe at the Future Everything festival…
Congrats to the Mozilla crew, it was great and certainly a highlight. Mozilla’s mission is a good one and something we can all get behind. I was surprised how many people I know from Yahoo, Ebay, etc who are now working at Mozilla. Although it was very adhoc it kind of worked…
I look forward to next year…. Excellent work Michelle, Dees, Alex and a whole host of other cool Mozilla people. It was a honour…
It started so well but ended quickly when one of the 4 owners of Arcadia bar decided to give it up… Unforgeable we’ve were talking to the owner who decided to pack it in…
So that means no more lovely ladies doing there make up as they start there friday nights… (you got to love Creative Commons licensed images on Flickr) I’m sure they will be back in the future…
Now the future of Startup bar is in doubt but fear not, its not over… We’ll be looking for a new venue to host Startupbar… Till then you can sign up to the growing community on Facebook.
Were at it again… The startup bar is back in full force.
This time we have 4 djs, starting up at 9pm and finishing at 2am. This Friday (22nd June) and every Friday (except maybe next week, 29th July TBC).
If your in Manchester and out on Friday night, you can’t do much better than experience the House, Electro and Trance played by some great up-shots in the Manchester scene… Feel free to RSVP here.
Hope to see you all there…
Mozilla Festival — Media, Freedom and the Web
London, November 4 – 6, 2011A gathering of passionate, creative people using the web to bend, hack and reinvent media. We’re solving real problems and building prototypes with talented designers, world-class journalists, resourceful media-makers, and cutting-edge developers.
The prolific Desigan Chinniah who now works for Mozilla and the always ever so sweet Michelle Thorn came to Manchester recently to kick start one of Mozilla’s Drumbeat projects. This one was centred a collaboration with the Knight foundation and trying to change the Newsrooms of the best companies with a good harsh look at Comments, People powered news and Better Video. The badly named Mojo project, is now in its closing stages and all the efforts are being judged. I am a little ashamed that more of the Manchester digital lot didn’t turn out but I’ve already made my feelings be known on Twitter. I did also say to the guys that I would write a blog post but never got around to it, so hopefully this will be a good sub for that.
The Mojo project was and is a very interesting open innovation project but more about this in a later to be written blog post…
When Desigan and Michelle were up in Manchester, I showed them around a little. We ended up after dinner having a late drink or a night cap if you prefer. So on a late night Tuesday we headed into the Northern Quarter for drinks ending up at Noho in Stephens Square.
We talked for ages about many things including the idea of me Djing on my pacemaker at the Mozilla Media Festival in London in November. Of course I agreed… So if you want to see me djing live and you don’t live in and around Manchester, you can see The Cubicgarden working the dance floor with his pacemaker in London.
I’ve been thinking also as part of the media festivals innovation challenges it could be possible to run Dj Hackday as one of the challenge?
I’ve contacted many people regarding the concept of Dj Hackday including SoundCloud and MixCloud. And although there behind the idea and even see the point of having a hackday just for djs oppose to a music hackday. They seem less eustatic about coming up to Manchester for it, even with the great venue we may have for it. So this could work out quite well for everyone interested… I also like the idea of “a gathering of passionate, creative people using the web to bend, hack and reinvent djing“
Counting from a few posts ago, I’ve been thinking…
A while ago I suggested to Mixcloud the concept of mobile playlists tailored for Mixes, but they didn’t really see the point. But recently I suggested the same thing to Dirty Si and he was a lot more receptive to the concept. Right now when I do a mix, I tend to create a piece of metadata to go with the mix. The NFO file (yep straight out of the darknet) contains the playlist order and any other metadata I feel is required. I would use PLS, M3U or even XSPF but I’ve just done something to scratch my own itch. I might switch to using XSPF with a namespace for my own metadata and add the SMIL namespace. There’s a whole bunch of hacking which needs to be done in this area…
Playlists do not equal mixes…
I’ve been thinking about this even more recently since Google and Amazon’s music locker systems.
Everyones been thinking about singles or albums. But I’m thinking way beyond that. What about mixes? Imagine if the necessary metadata was in place to create extra special experiences around mixes?
But why even mess around with the metadata when you can mess with the actual mix its self?
The Pacemaker (for example) right now, stores the actions of the dj and then recreates the mix using the tunes on the host machine. I’m wondering if you could grab that data and turn it into something like MIDI then you could really do some revolutionary things to dj mixes.
Would it be possible to setup a Amazon EC2/Google app instance which could read the midi data and use the raw tunes to create a stream in real time? What effect would this have on listen to mixes?
Once again, I’d really like to hack around with this stuff if I had the time.
I got this in my email today from Soundcloud.com…
Hi cubicgarden,
Your upload "The pulse of a nation mix" may include content that is owned or licensed by Moist Music ("By Your Side (Martin Roth Rmx)" (The Thrillseekers;Gina Dootson)) and has been made inaccessible on SoundCloud by request of the rightsholder.
If you are certain that you have all necessary permissions from the rightsholder to upload and share this content, you can submit a claim here:
http://soundcloud.com/settings/disputes/
Thanks,
The SoundCloud team
Moist Music can get lost up there own ***** and have this one. I would fight this copyright take down (the very first one I’ve personally ever had) but since I’ve all but switched over to Mixcloud.com, its not worth fighting. Either way, it was interesting to see Martin Roth himself talking about Mixcloud and Soundcloud on his tumblr site. I might have to send him a link to this post and the mixcloud/soundcloud posts.
We are certainly much better off without these stuck in the mud middlemen.
I’ve now canceled my Soundcloud pro subscription, so all my mixes will be moving to mixcloud I’m sorry to announce. Nothing to do with Soundcloud, its just not the place for dj mixes and this latest event proves it.
I love soundcloud but it has a few issues if your a dj and are uploading mixes like I am.
Before I run through them, I want to make sure people understand this isn’t a startup assassination, soundcloud is a dream come true but its not perfect for people uploading mixes. Hopefully this will help improve there service after my tweet on Thursday. Its also worth mentioning that Alex Meyers recommended Mixcloud which seems to be a sound cloud knock off but aimed at djs and radio producers. I’ve yet to really try it out, but I’ll try and give it a shot before posting this blog entry.
Terminology and comments
Here is my latest mix, the geometry set. Soundcloud does a excellent job displaying the waveform, and allowing you to add comments to a part of the track but the terminology is wrong. This isn’t a track, its a mix or some would say a set. Which confuses things even further. Also adding comments to a 60mins mix is tricky at this level. Now before you tell me you can zoom in as such, the point is that comments on a 60-180min mix is kind of a bit of a joke when looking at the wave form like this.
Talking about termology again… What record label do you put the mix under? What catalogue number? What Key and even what BPM? I know there all optional pieces of metadata but it all adds up to a service not very friendly towards mixes.
There use to be an option under type for mixes but thats now gone. The best option I can use to put my mixes under a type is recording or live. Why did mix go away?
Sets and playlists?
Unless you were to upload all your tracks to soundcloud and add them one by one, it seems to be frankly impossible to add a playlist. I end up copying my playlist from a my *.nfo file to the comment field. Ideally Soundcloud would have support for the metadata which dcloud, mixccomes from systems like VirtualDj, Tractor, etc. If not allow me to specify when mixes start and finish. The Pacemaker software I use does actually do this but I want to transfer that metadata over to the web. This may be a problem which can be solved while were hacking the pacemaker.
What I see other people do is add comments to specify the areas of a mix, but to be frank its a bit of a hack and not a very good one at that. Here’s Mark Schouls latest and greatest as a example of how the comment area can be used to hack/divide the mix up.
Even the lets mix has this ability to define a playlist/tracklist by using the metadata of the software your using or allowing you to edit it yourself. Here’s me editing my own mix, one step beyond entropy.
It seems like a hassle but to be honest, if I’m uploading a mix roughly once a month, its going to be worth me doing the hardwork of filling this stuff in. And heck if soundcloud can automaticlly work this out by uploading a file of some kind, even better.
Interestingly Mixcloud does the time stamping straight after you upload a mix. I’ve yet to see how effective it is, but at least it has the option baked into its DNA.
Downloads
I love that Soundcloud supports Creative commons licenses but what bugs me is that you can only upload one type of item. So if for example I upload a Ogg Vorbis file, soundcloud will ask you if you would like to allow them to create a mp3 of that file for the flash player. Great but if you go to download that file (rights permitted, you have to enable this) it will only give the person the choice of the file you uploaded first time. Aka you upload a Ogg, you can only download a Ogg, not the Mpeg3. Even worst you can’t upload multiple files, say for example a low quality version for people to download and a high quality version for those on a better connection.
I usually upload a Mpeg3 because its the most universal, although my pacemaker generates Ogg Vorbis files. I would however like the ability for the Soundcloud to generate alternative versions or for me to upload alternative versions of the same mix.
I would really pay to see an option to dump files to Archive.org because although I like soundcloud, I don’t really trust them to host my files forever. Just like Blip.TV, if its a public or creative commons piece of media, the option should be there to send it to archive.org.
My other concerns are so very small and not really worthy airing in this blog post. But to give you an idea of what I mean, the flash uploader certainly winds me up sometimes. I know theres a html (old skool) uploader but its also a pain to use when uploading a massive mix. Tiny things, nothing major.
End of the day
Soundcloud is great but its really not a great place to put mixes, they could almost do another sound cloud site change a few things around including the business model and make it just for mixes. In actual fact when Alex Myers said about mixcloud, I did think it was soundcloud but setup for mixes.
The Geometry Set by cubicgarden
This is my latest mix on my pacemaker. Lots of new tunes and some classics returns.
Its known as just the geometry set, but why? Well most of the mix has something to do with geometry in some way. If you think you can work out the link in each tune, feel free to comment below.
You may have noticed this is also a much shorter mix that I usually do but it didn’t feel the need to be long and drawn out.
Ladies and Gentleman, I present The Geometry Set…
The Geometry Set by cubicgarden
- Endless Wave (albion remix) – Kamaya Painters
- Heal – Electrique Boutique
- Arctic Globe – DJ Governor Presents Orjan
- Strange Bends (Kyau Vs Albert) – Sebastian Sand
- Shadow World – Thomas Bronzwaer
- Call The Galaxy Taxi (Martin Roth Nu Style Remix) – Plastic Angel
- The Spring – Ernesto and Alex Fisher
- Ultra Curve – Cosmic Gate
- Exposure – Gareth Emery
- Perfect Wave – peter martin pres anthanasia
- The string that binds us (8 wonders remix) – Arnej
- Intution – Marninx Pres Ecco
The secret garden sunshine mix by cubicgarden
So my latest mix is online, I’m sorry to say I uploaded while at TedXSheffield (it was break time and the wifi was pretty fast). I got to take the wifi as it comes because it looks like I won’t get connectivity till the end of the month now.
As always the mix can be downloaded from soundcloud if the flash player doesn’t take your fancy or you want to listen to it on the go. I would upload a OGG version (the pacemaker defaults to ogg actually, so creating a mp3 version requires extra time and effort) but soundcloud don’t really support versions of the same stuff, I’m considering going back to blip.tv for media uploading. The playlist is below, Yes I really like Thomas Bronzwaer, he’s got a style of trance which really plays to my ear, this is also the reason for Collider twice.
This mix was recorded on my pacemaker while sitting outside in the sunshine of my new shared garden at Islington Wharf. Not my best mixing but entaining and well worth a listen. Thanks to Simon Lumb (@dirtysi) for the new Gouryella remix. I love Gouryella and this remix is pretty true to the original in lot of aspects. Enjoy…
- Man on the run – dash berlin with cerf
- Perfect Wave – peter martin pres anthanasia
- The strings that bind us – Arnej
- Be with me – Coast 2 coast feat Amanda Jami
- Collider – Thomas Bronzwaer
- denva – Ronski Speed
- Massive Motion – M.I.K.E
- Rainmaker – des mcmahon
- North Pole – Nitrous Oxide
- Sincere (pulsar remix) – Firewall
- The pride in your eyes (martin roth mix) – Tillmann Uhrmacher
- Collider – Thomas Bronzwear
- Resound – Thomas Bronzwear
- Constellation – Thomas Bronzwear
- Gouryella (gigolo remix) – Gouryella
The pulse of a nation mix by cubicgarden
I had a listen to all of my mixes I recorded while in Hospital, and this is certainly the best mix of them all.
This one is certainly the best sounding of the bunch which includes the the amazing recover mix, the outta of hope mix and of course the pulse of a nation mix. Its a good length too at almost a hour long. The mixing isn’t perfect but its good enough for a listen. The choice of tunes is also good, a nice upbeat selection, I must have had a good day the day I recorded this mix. As always enjoy it… oh an you can directly download this mix using this link.
- By your side (martin roth remix) – the thrillseekers feat gina do
- Strange bends (kyau vs albert) – Sebastian Sand
- Grooveline (matt darey) – Blockster
- dark side of the moon (marc van linden remix) – Ernesto vs Bastian
- Intution (martin roth remix) – Marninx pres ecco
- the truth (david west remix) – Headstrong feat Tiff Lacey
- Circa Forever (R.E.mix) – Rapid eye
- The wave (svenson & gielen remix) – cosmic gate
- a new dawn (virtual vault remix) – steve forte rio
- So much – Vince Nysse
- Ultracurve – cosmic gate
The outta of hope mix by cubicgarden
I had a listen to most of my mixes I recorded while in Hospital, and there some good stuff there. Its going to take a while to recover and make them decent for sharing because sometimes I had the cross fader in the wrong position which is a shame or forgot to do something equally silly. Anyway here’s a nice short one to kick us off. As always enjoy…
- Above the sky – Airwave
- Cafe del Mar (Marco V remix) – Energy 52
- Are you fine – Kyan vs Albert
- Sincere (pulser remix) – Firewall
- Language (santiago nino dub tech mix) – Hammer and Bennett
- Shadow World – Thomas Brozwaer
- Lately (Riley & durrant mix) – Airbiscuit
- She wants him – Moussa Clarke & Terrafunka
- Into Something – Richard durand
- The Blizzard (Monogato’s Filth Remix) – Kalopsia
- Gamesmaster (matt darey 1999 remix) – Lost Tribe
Been thinking 2 ipads to mix music with could be interesting. However where would you store all those tunes? Would you put the mixer on a third device or even a iphone/ipod touch? Could you run the whole thing on one ipad?
There are a few stories exploring the idea. But generally most of the problems related to the ipad are also related to the iphone too. Things one audio output, no ability to add an external usb soundcard, locked up music subsystem, etc, etc. I did however see that the ipad has already been hacked or jailbroken, so who knows what might change for a serious dj setup.
